Category Archives: Esoterism

What is richness?

I cannot stop thinking about Christopher Alexander’s essay “A City is Not a Tree”.

The specific theme that is emerging as most important to me is this idea of a designed thing’s capacity to accommodate multiple perspectives, as intrinsically valuable.

A functionalist might see such accommodation in terms of versatility. A functionalist would say that each accommodation signifies benefit to another segment of person.

But I think what Alexander is saying is very different from that. The accommodation of other subjects is part of each person’s experience of common things.

When many different kinds of people love the same thing in different ways, this thing is experienced as richly valuable. It is charged with possibility and the presence of others. It gathers an aura of transcendence about it, which signals to us that we are neither alone as individuals nor as like-minded parts of a collectives. We feel the truth that ours is only one finite enworldment among many others who regard the same things as valuable, but in many different ways. These enworldments overlap, and this feels like life — vibrant, full of possibility, adventure, potential sources of inspiration. The palpable density of overlaid heterogeneous valuing is what we mean when we say something feels rich or vibrant. It has a halo of inexhaustible moreness around it.


This is why organizations which belong to many people in many ways feels vibrant. With each new perspective and practice that finds its own opportunity to serve in this organization, the organization gains a new kind of value.

Conversely, an organization dominated by one logic will feel flat and standardized and harder to value, if not oppressive to some degree. Homogeneity is imposed — one expertise and one standard methodology is applied to every problem. It is hooded with a sense of constriction. Worse, as members of the organization try to bring their own uniqueness to the work — try to make the organization their own their own by contributing their own sensibilities — and find that whatever does not conform to the monologic of the organization is unvalued, or even discouraged or prohibited a sense of futility and alienation sets in. One cannot own the organization in a new way. Each employee must resign themselves to renting a defined role — they will never own any place in such an organization.

Consequently, the organization has the same artificial, stilted corporate feel as Alexander’s artificial city. It doesn’t matter the size or legal status of the organization. It could be privately owned and have only twenty or so members. It will feel corporate. And all attempts to add style or whimsy will come off like all phony corporateness: a bullshit coating for a bunch of mechanical meaningless chickenshit.

A lattice-form organization, valued — even loved — in common, in myriad divergent ways, from within and from without, will be haloed with a vibrant, living, compelling brand.

An organization is not a tree. It is especially not an org chart.


Years ago, a friend of mine showed me a screenplay he was writing. It felt morally flat to me. Every character did they only thing they could morally do to. There was only one moral interpretation of the story. My advice at the time was to build more ambiguity into each character, so we are unsure of whether their actions were moral or not.

I am realizing now that I was looking for moral and narrative richness in that story. It needed to accommodate multiple readings. ?

And what made the famous short story “Cat Person” was so fascinating was its moral multistability. I found out after reading it, that the author’s ethical assessment differed from mine, which only made it more impressive.

A story is not a tree.

A reader should feel their own freedom to bring themselves to the reading, and to read themselves into what they read.


Politically, I have described myself as a militant pluralist. That is because I want public life to have richness. That means we cannot impose one moral logic upon public life. There must be room for disagreement, debate even conflict. The only thing that is not debatable is imposition of one’s political will while refusing to debate. This is especially true if in the name of harmony, or safety, or comfort, or even “diversity”, that everyone be forced to conform to the same ethical stance on what one group believes to be an undebatable, nonnegotiable matter.

Neither society nor culture nor polis is a tree.

Whoever seeks to impose a tree upon society is totalitarian, however, benevolent their intent.


When a text or tradition is so densely accommodating that innumerable people over millennia can read that text in myriad intensely meaningful ways, that text gains value with each new insight. The sheer density of insight makes that text glow with a blindingly bright halo of holiness, especially when readings diverge but the text becomes more beloved in collision of interpretationsacred argument.

The attempts of theologians to find the one correct meaning desecrates the text and the infinite being who is the subject(s) of the text. The infinite being is reduced to finite idol.


It is my belief (an insuffiently supported one) that service design should intentionally design lattice-form services. Current service design practice creates inflexible lifeless pre-structures. It tries to construct ??a?rtificial organizations, and whatever life in an organization survives, is due only to shortcomings of service design method. It is a little bit like Bauhaus designs. Their charm and warmth come from limitations of fabrication to achieve the precision they sought. Likewise, all most technocratic business management. Businesses succeed despite their management. If managers had the transparency and control they really wanted, the organization would be drained of all richness, and people would hate their surveilled, controlled lives. And indeed, management is getting better at doing what it thinks it’s supposed to do, and we are all suffering as a consequence.?

That is my perspective on my field. But can my field accommodate it? Are they “ready to hear it?” Probably not…

Cosmic collapse inspo

I have momentarily shifted attention from Scholem’s Major Trends in Jewish Mysticism to Dodd’s Pagan and Christian in an Age of Anxiety. Both books discuss the human condition after the fall of the Second Temple, in the years between Marcus Aurelius and Constantine. This was also the time when ideas emerged that would eventually converge, coalesce and crystallize into Kabbalah.

Why this book? Because that time feels uncannily similar to now. It was a time of political instability, social dissolution and personal alienation. It was a time of intense, pervasive anomie. Public life could no longer serve as a source of meaning. The few who sought meaning, sought it within themselves and in small communities of others who did the same. The rest lived lives of quiet, noisy or violent desperation, delusion or predation.

This was the time that developed new forms of religious culture which have become so second-natural to us that we find it difficult to conceptualize religion or culture any other way. It dominates even our imaginations. And I think this time resembles that one in that both are ends of apparently eternal orders suddenly revealed as mortal, fragile, rapidly expiring. The main difference is that what is ending now, is what started then. I am — at least in my own imagination — recollecting our cradle from our deathbed, remembering how that cradle was, too, a deathbed. The books I am reading now are intellectual histories of that time, that give samples of how some of the seminal geniuses of the time experienced, interpreted and responded to a cosmos in collapse.

I suppose you could say I’m collecting cosmic collapse inspo and “best practices”.

Gone native

What does it mean to “go native”?

According to Karen O’Reilly, “The term ‘going native’ refers to the danger for ethnographers to become too involved in the community under study, thus losing objectivity and distance.”

She (or whoever writes her abstracts), continues:

Going ‘native’ as a derogatory term associated with the rhetoric of colonialism. The continuing problem of what is now termed ‘over-rapport’. The lure of acceptance and its implications for lack of distance. ‘All but the dissertation’: the problem of never getting enough distance to be able to write it all up. Balancing distance and empathy, and the role of reflexivity in the participant observation oxymoron.


Design has its own ways of experiencing, understanding and participating in human life. It differs, often radically, from other ways of experiencing, understanding and participating — for example the ways of a business executive, an engineer or a marketer.

Let us call these ways of understanding and participating “enworldments“. Enworldments extend far beyond perspectives or “worldviews”, because they are practical, material, instrumented, environed, linguified, and, perhaps above all, ethnomethodic.

Participation in an enworldment reconfigures our own sense of reality, and it can temporarily change us as people. This is why in some settings we feel natural and say things like “I feel like myself”, where in others we feel subtly off, or awkward, or unnatural, or even estranged from ourselves. We feel this way until we return to a more comfortable setting. Sometimes we are born into an alien enworldment, and find our place — and with it, ourselves — later in life. A lot of romantic longing is for a person with whom we feel at home. But even if we do find a home, if we go back to our alien place of origin, we can re-lose ourselves within hours, and find ourselves once again the pissed-off alienated adolescent we worked so hard to outgrow.

Enworldment is a powerful force, and if we are insufficiently aware of enworldment and its uncanny workings, it is almost automatically overpowering.

This is why I spend hours every morning reading weird philosophical books instead of chasing industry best practices in design journals and Harvard Business Review.

I do this because I have a strong sense of the importance of design’s own enworldment. By understanding it deeply, thoroughly and extensively, I can hold it more firmly and preserve it even when I immerse myself in other enworldments, as I must in order to work effectively as a designer.

My philosophical work prevents me from going native and forgetting why I do what I do.

It prevents me from going native in the corporate world, even if the leaders of my own organization, or even the thought leaders of my whole industry go native in the corporate world and forget the whole reason design matters.

For indeed, this has happened to service design, and much of the rest of the design world.

Service design has gone native. Service design is now as soullessly corporate as every other corporate function.

We put so much effort into learning the world of business management and engineering, and the management of engineering and the engineering of management that we have forgotten design’s transformative mission and we have become part of the machinery that grinds humans down into fungible resources. We have forgotten design so thoroughly, we are oblivious to the fact that we are just business consultants with briefcases full of new management methods. We just know we don’t love our jobs anymore, and that we have little besides fear and duty driving us through each joyless, dispirited man-day, and man-month between this calendar date and the terminal milestone, retirement.

We no longer even have an inspired alternative to offer.

We no longer provide ourselves the conditions needed to do design work. We work long hours, chop up our days (and souls) into the same tiny 15 and 30 minute chunks, juggle the same inconceivable mass of disparate details, glue the disparate details together with the same logical and logistical glue, talk the same endless talk as any other cog on the Chaplin machinery.

And deprived of conditions to design, we stop designing. We talk and talk instead of doing iterative trial and error . We write long reports instead of prototyping. We adopt a QA model of quality, and think we have done something right when no nitpicker can accuse us of doing something wrong. Consequently, our outputs are nothing anyone could love. We construct vast systems of parts with totals that any accountant or procurement officer must admit equals precisely the whole.

We are hired to grind with higher efficiency and effectiveness, because that is how we sell ourselves when we meet our clients where they are. We call what we sell “design”. But we are no longer judges of what is or is not design.

Service design has gone native. We are corporate.

Our only remaining contact with design is with an emptied word.

And the forgetful shake their heads knowingly at those of us who still remember who we are and why we design.


When a field goes underground, it does so like a seed under winter soil. The kernel preserves itself alive under snow, frost, frozen mulch and decay, until conditions for growth return with the spring.

It is easy to store and retrieve What. It is documented fact.

It is a little harder to record and reactivate How, if know-how is lost. But How can be relearned step by step.

But Why, once lost, is nearly impossible to summon back to life, when feel-why is lost.

Why must be cultivated, kept alive, matured, propagated, and at times hidden and protected. When we lose Why we also lose our ability to sense its absence, except as phantom ache where love once was.

Navel gaze

A simple blind spot demonstration reveals the scotoma, a patch of pristine sightlessness where the optic nerve joins the retina, at the very center of our field of vision.

Most people will walk away from the demonstration excited to have discovered that the object occulted by blindness was actually there all along, hidden, now revealed. The revelation is the image.

Some will be astonished at the ground of revelation: the nothingness from which a concealed image could be revealed, ex nihilo. Precisely because nothing was present, nothing was missing.


It is out of this same nothingness that moral shocks issue.

It is like this: I am absolutely right, and my wrongness is inconceivable. Then a word or gesture or expression strikes me, and a judgment is issued, directly from the scotoma at the heart of my soul — precisely where my one finite self conjoins with infinite One. My guilt, my repentance and my spontaneous urgency to atone conceive themselves ex nihilo.

And now comes an ontological aftershock: A new world is given: a world where nothingness is the furthest thing from dead absence, but living, omnipresent more-than-everything, vibrant with anticipation of inconceivable surprise from an inexhaustible source.

Astonished at this nothingness — this nihiltude from which more revelations can irrupt any moment ex nihilo — we are unable to take nothingness as dead absence, but rather as nihilitude, eternally pregnant with unborn possibility.

This can happen to anyone at any moment.


The scotoma at the heart of sight is the navel of perception, and the optic nerve is the umbilical cord. This a navel worthy of eternal gazing.

(To say it in Kabbalah: where Chokhmah penetrates Binah is an unseen infinitude, which can, nonetheless be seen, and this seen unseeing is called Chesed.)


I will be letterpress printing scotoma revelation cards very soon.

Where was I?

A subjective gestell shift effects an objective gestalt shift;
being eternally anteceding and transcending subject and object shifts;
being, subject-object, subject and object, dissolves, coagulates, recrystallizes;
the dissolutive-coagulative span, however, is masked by oblivion of chaos;
now sublimates as now, with nothingness between.

(From the depths of this oblivion, by the way, a meditator does not decide to observe that next breath. And now, where was I?)

Hermetic design

To gather physical and logical materials together in concerted cooperative function is a triumph of experimental technique. It is convergence of earth and man.

To inspire people, to touch and move them, to form, ensoul and animate selfhood from the tiniest spark of intuition to the grandest community is a miracle of culture. It is convergence of heaven and man.

To do both — to draw heaven and earth together so they touch, interpenetrate and dwell in us, through us, among us and around us — this is the highest aspiration of alchemy. It is the enworlding craft of design.

Hermetic design

Scholem: “While Christianity and Islam, which had at their disposal more extensive means of repression and the apparatus of the State, have frequently and drastically suppressed the more extreme forms of mystical movements, few analogous events are to be found in the history of Judaism.”

Judaism was too weak and unimportant to effectively persecute its mystics! And that is why Kabbalah flourished and matured enough to become integrated back into its classical religious form.

This reminds me of something my friend Stokes said to me once: the reason design was able to develop its own genuine social scientific practices — and avoid suppression of scientistic management practices (imaginary scientific rigor, and its attendant misnorms, which, paradoxically, make scientific method impossible!) — was only because design was considered unimportant and unworthy of management attention. Design could do science only because it flew under the scientific management radar.

Indeed, the more important a design project is — the more scrutiny it receives from the top floor of the glass tower — the more tippy-top-down control is imposed upon it, the less doing design is possible. It is still called “design”. It looks designy. There are cool hipster costumes, profuse post-it notes, kraft paper, masking tape, markers and general arts n’ crafts creativity signifiers. There are calculatedly messy sketches and pretty polished graphics.

But the freedom, soul and joy has been driven out by fear, control and ambition.

The more I move back-and-forth between hermetic mysticism and design, the more a book on hermetic design wants to be written.

Mysticism and design are joined at the heart.

Another meditation on meditation

For thirty-four years I inhabited one world as one self.

I say inhabited, but I dwelt nowhere, in an unreality of habitual inhibition. I was a pious heretic, an obedient radical, dedicated to satisfying the criteria of being a good person — and, even more importantly, of avoiding being a bad one. School had equipped me with critical toys for dissecting alleged beliefs of the past, still held, believe it or not, by contemptible fools still stuck there. I had it on good authority that authority was to be questioned, interrogated, tortured until it broke. In school I’d also received a beautiful set of broken idols, and I enjoyed subjecting them to ritual reshattering. But the greatest gift of my education was a headful of disdainful ideas about the commercial world, a disdain reinforced by all my entertainment heroes. But despite all these cynical thoughts about the rat race — and all those careerist rats scrambling beside me, and, hopefully slightly behind me — in my heart (and, come to find out, also in my hands and feet) I preferred death to being a bad employee.


But one deep-frozen Toronto winter, I exited. I vanished into nowhere, and returned as a new self in a new world, as crazy and wordless as a newborn. Nothing was different, but everything had changed. Urban petrichor whispered dog wisdom into my opened nostrils, in concurrency of ammonia, maple syrup, motor oil and wet gravel. The subway was overflowing with international angels. I rode my bicycle everywhere, singing and babbling nonsense, poems flowing around me. Everything was here, real, superphysical, important.

Somehow, though I was here, capable of welcoming myself into this new world. Somehow, I reparented myself, sometimes patiently. Somehow, I retaught myself speech. New meanings remapped themselves to old words. Ironic bilinguality was set like a wafer on my mother tongue, investing each word with humming, glowing irony. The daughter tongue of Pierre Menard, reauthor of the Quixote became legible in my ears. Somehow, I could still use the old meanings of the old words to communicate whatever I needed to say, provided it was nothing anyone could possibly care about.

From the outside, nothing much was different. I was the same guy — maybe happier and definitely more cryptic.

I raised this baby to a second adulthood, with a few minor rebirth setbacks along the way.

But everyone knows everything.

Meditation on meditation

We sit in meditation awaiting spectacular apotheotic experiences. This distracts us from receiving the incessant gift, offered, re-offered, again and again: the insight of distraction. Who, exactly, decided to seek spiritual orgasms, flashing divine lights, the face of God? Who, exactly, decided to depart the seated now to revel in magical ambitions or to struggle with past sufferings? And who, exactly, summons us back to now, to feel the faint tickle of breath on nostril and lip, the aching or vibrating body? Nobody did. Nobody does. It is the same nobody who flees the here and now and sees me from a nonexistent elsewhere, most minutes of most days, between birth and death.

ASCII sigil

The Mercury symbol emoticon, an abstracted caduceus — used to mark a localized omnipresence of Hermes — also precisely represents the great triad, earth-man-heaven.

+0(

  1. “+”, plus sign: the four directions. Earth.
  2. “0”, zero: positive absence, enabling finite cyclical life. Man.
  3. “(“, open parenthesis: Enveloping transcendence. Heaven.

The dome of heaven is even faithfully everted!

It is a static symbol, articulated grammatically, and, at the same time, a symbol sentence, collapsed into a gestalt. It is true and authentic ASCII sigil.

This must be handset and printed. Digital ASCII art pressed into wood pulp by Gutenberg’s crusty invention, conveying truth before and beyond words, chronologic blasphemy.

Metaphysical 3D glasses

Before 2016, I characterized my religious attitude as exoterically (ethically) Jewish and esoterically (metaphysically) Taoist. Then I began studying Kabbalah, and learned “esoteric Hebrew”, carefully translating it into “esoteric Chinese”.

Now esoteric Hebrew has become second natural to me. It is so second-natural that I now understand in it without any need to translate back and forth. I think in Kabbalah.

However, I still sometimes find value putting on my esoteric 3D glasses, with one lens Kabbalistic-colored, the other Taoist-colored, so I can look at ideas common to both traditions, and enjoy the parallactic special effects of exaggerated depth.

All this rambling preamble, just to say:

In Assiyah are ten-thousand things.

In Yetzirah are ten-thousand everythings.

In Beriah are ten-thousand traversable nothings, dividing everything from everything.

In Atzilut is infinitesimally articulate infinitude.

Removing the 3D glasses, and speaking more compactly:

In Assiyah are myriad objects.

In Yetzirah are myriad subjects, each an enworldment.

In Beriah are myriad traversable oblivions, dividing enworldment from enworldment.

In Atzilut is infinitesimally articulate infinitude, the source of all oblivion and enworldment.

Bright blood

The weirdest, best insight I learned from Nietzsche is that our hierarchy of values more or less determines our faith and that this hierarchy guards itself through prohibiting questions. Defy those prohibitions, interrogate settled matters closed to inquiry, and all kinds of uncanny things happen. Valuing is inseparably soul-forming and world-forming. Any significant change in value hierarchy transfigures self and world together: a reborn I in a re-enworlded world.


If you are nodding along and think you already know and agree with this — has it ever occurred to you that many of these prohibitions are good and necessary and ought to be upheld? Most obedient young radicals have not. Nor have they had the courage to question — let alone challenge — anything outside of those pre-defeated values our own dominant value hierarchy demand that we ritually re-interrogate. We obediently perform the rebelliousness we are expected or compelled to perform, and rage against whatever exceeds the strict and narrow limits of our radical thoughts.

But back to value hierarchies. Within a range of diversity (a quite narrow, and necessarily narrow range!), each of us values different things. Some of it is circumstantial (we have deficits and gluts of goods) and some is essential (our taste prioritizes goods differently). And this is why we exchange value. We have too much of one good and too little of another. A situation creates momentary need of a good that makes other goods in our possession or capacity relatively dispensable. We find it easy to generate a good that others desire but cannot generate themselves. We sense ineffable sacred importance in one good and are unmoved by other goods held sacred by others. So we enter into exchanges.

If these exchanges are mutually beneficial, and conditions are such that they dynamically stabilize, an organization comes to life. Its lifeblood is the value, inhering like oxygen, in the myriad goods exchanged. The need for exchange — the needs and wants, the surplus and abilities — makes the goods circulate through exchanges — and causes an organization to live and act and to have real, living being. And we who participate — who act, who are acted upon — have actancy within our organization.


Reading Charles Stein’s extraordinary The Light of Hermes Trismegistus, I just learned a new word, thumos:

We are no doubt familiar with how English verbs are proxy for actions expressed either in the active or the passive voice, roughly approximating the difference between acts that one performs and those that happen to one. But there are actions where neither of these voices seem to apply. An action might not be the product of a person’s willful agency and still not be something that passively happens to him or her as if through an impersonal chain of causes. Poetic inspiration is a case in point. A number of recent authors have discussed the middle voice where it proves useful in the analysis of natural and linguistic phenomena because neither active nor passive constructions seem adequate. …

The Greek and the hypothetical Proto-Indo-European language have, in addition to an active and a passive, a middle voice that, among other things, expresses the inspiration of the Muse and would be used wherever it seems that a god impels, instigates, induces, or inspires some action. The Homeric-Hesiodic dialect expresses the instigation of such action by saying that a god strikes the person in the thumos — an “organ” in the middle of one’s body that is activated in this manner. If Eros strikes, one falls in love; if Mars, one is impelled to rage, violence, or courage in combat; if Hermes, deeds of mind, cognition, planning, cleverness — all the devious and ingenious devices of the Hermetic character. The consequence of being struck in the thumos by the god is clearly not the work of one’s independent free will, but it is also not entirely a passive reaction to an external force. The god is not entirely external to one’s psyche, and yet he is external to it, too! … Zeus might actively strike your house with his lightning bolt, but the striking of one’s thumos is not quite like that. When Eros or Hermes touches this organ, it is the most intimate of phenomena. Often translators are forced to use such locutions as “love was awakened in his heart” — as if the response were passive. But it isn’t passive. It is an arousal at the very root of one’s powers of action; it is that which is not quite you but which activates what is active in you as you.

Thumos is the mythical organ of actancy — present but missing, like Da’at in the sefirot.

What does thumos do? I will venture that it governs intuitive participation in transcendent being. It receives and responds as an organ in a superpersonal organism. That superperson (egregore) might be, for example, an organization. Or some other enveloping being, like a friendship or marriage. (“In true love it is the soul that envelops the body,” says Nietzsche.) Or… a faith.


Regarding actancy, I learned the word actant from Bruno Latour.

What is a force? Who is it? What is it capable of? Is it a subject, text, object, energy, or thing? How many forces are there? Who is strong and who is weak? Is this a battle? Is this a game? Is this a market? All these questions are defined and deformed only in further trials.

In place of “force” we may talk of “weaknesses”, “entelechies”, “monads”, or more simply “actants.”

No actant is so weak that it cannot enlist another. Then the two join together and become one for a third actant, which they can therefore move more easily. An eddy is formed, and it grows by becoming many others.

Is an actant essence or relation? We cannot tell without a trial (1.1.5.2). To stop themselves being swept away, essences may relate themselves to many allies, and relations to many essences.

An actant can gain strength only by associating with others. Thus it speaks in their names. Why don’t the others speak for themselves? Because they are mute; because they have been silenced; because they became inaudible by talking at the same time. Thus, someone interprets them and speaks in their place. But who? Who speaks? Them or it? Traditore — traduttore. One equals several. It cannot be determined. If the fidelity of the actant is questioned, it can demonstrate that it just repeats what the others wanted it to say. It offers an exegesis on the state of forces, which cannot be contested even provisionally without another alliance.

If Actor-Network Theory (aka ANT, sociology of actants) is a social science, service design can be seen as its technology, although vanishingly few designers go beyond knowing about Latour, usually via a forced trudge through We Have Never Been Modern in grad school.)


Service design was the first explicitly polycentric design discipline. It is concerned with forming durable arrangements of value exchange among people, mediated by “things” in the broadest possible sense — both, human and nonhuman, alike, considered actants — interacting within an organization and around the organization within its ecosystem of customers, partners, competitors, regulators and other stakeholders.

The systematic interaction of actants, each participating as its own experiential-agential center within the system gives rise to a polycentric order — which service design views as an emergent order with its own kind of being: a service.

But no service is known from “a view from nowhere”. It is always experienced by someone, from some point in the system, holographically (the image of the whole subsists in each of its parts. Each participant in the service is a jewel in the Net of Indra, which experiences and acts from its own node. This multiple view-from-within is what could be called pluricentricity.

Service design is concerned both with the third-person / objective polycentricity of organizations and services and the myriad first-person / subjective pluricentricity of actants within organizations and services, and how polycentricity and pluricentricity mobiously, thumocratically (!) interform one another.


I’ve said before that I worship the distributed God. God’s distribution, of course, saturates all being equally, but to finite beings like ourselves it is concentrated in souls, the nucleus of which is thumos.

When I think about value exchanges I associate it with the circulation of the divine light in the sefirot.

(“Enlist every ounce of your bright blood, and off with their heads!” In Tarot, the letter shin is associated with Judgment. And here the Kahnemaniacs lose their last shred of patience. “Barnum!” Yes. But before you start stoning me with your cognitive bias accusations, ask yourself this: Do I know my own faith? We certainly know what our peers accept as true. We know very well what will get us ostracized if we voice doubt. Some of us know what we can successfully argue and defend. But do we know what truths we would bet our life on? I suspect not. No, no: We’re all post-truth now, especially those of us who insist on truth. We all suffer spurious ideas for the sake of identity. None of us believes three quarters of our “beliefs” and maybe least of all the ones we get emotionally worked up over. We think we’ve “done the work” of overcoming our biases, but we have not overcome the fact that we harbor extreme cognitive bias toward where our biases are and aren’t. We are blind to where our justice itself is most glaringly unjust, and if we refuse to acknowledge this… well, that is blindness doing blindness. If we are honest, which we are not, we will acknowledge that we have already sold ourselves out to pay admission to our social class. We are intellectually and spiritually insolvent. We have no personal integrity to preserve. So why not indulge the Barnum effect for the sake of serious, joyous play? Witness: if we are hospitable and entertain ideas that entertain us, we may receive invitations to higher worlds. The invitation is addressed to our thumos, and we accept with “hineini”.)


Liberal saint Richard Rorty famously taught “Anything can be made to look good or bad, important or unimportant, useful or useless, by being redescribed.”

I want to redescribe design to make it look and feel spiritually important.

And I want to redescribe the spiritual to manifest its pervasive presence in the ordinary,

And I want to redescribe both together to accentuate our duty to shape our world and invest ourselves in it so the world manifests its spiritual provenance and destiny.

We are responsible for forming a world we can care about and willingly serve.

)O+

Emanation?

If we understand that subjectivity and objectivity are preceded by something that is neither subjectivity nor objectivity but being that is both and more than both, how do we refer to such superjectivity? A Kabbalist might suggest “emanation”.

Notes on design esoterism

Ontopologically, Beriah sur-prises what Yetzirah variously com-prises as objective content in Assiyah.

Neither Beriah nor Yetzirah is something that can be comprehended.

Yetzirah comprehends by one of myriad formational, enworlding principles. Yetzirah is not itself comprehensible, for the reason that sight cannot be seen.

Beriah comprehends (envelops) comprehension through observation of difference among enworldments, even differences across recollections of observations. Beriyah is even less comprehensible than Yetzirah, for (to make an anomalogy) Beriah is transcendent sensus communis among all possible Yetziratic enworldments, against and within the limitless Oneness of Atzilut.

And every Yetziratic enworldment is some particular social sensus communis regarding the human lifeworld.

And the human lifeworld is Assiyah — the perceptual sensus communis of human perception.

To understand all this inside-out and outside-in, backwards and forwards, to-to-bottom and bottom-to-top, and to know it by heart, soul and body, and therefore internalize and, more importantly, spontaneously externalize its pragmatic consequences, is to “suprehend” what transcends, yet grounds, comprehension.

(Suprehension is the whatless therefore of pregnant oblivion.)

Concepts concerning Beriah are not a conceptual grasp of Beriah, but derviations across differences. Another anomalogy: Light emanated within Atzilut is transmitted by Beriah, refracted through Yetzirah, then reflected upon Assiyah — and only upon reflection can a truth be grasped, indirectly.


Design esoterism seeks to dissolve the Axial regime and its domain divisions, in order to resanctify what has been secularized. Religion is disinvented, exvented. Methods are ritual. Tools are ritual objects. Organizations summon responsible collective beings.

Esoterism wants to materialize.


Lord, truly we have come to the end of this kind of vision of heaven.


Exnihilism is at the heart of it.

New ex nihilo irruptions from Beriah are preceded by intense apprehension. We let go or lose grip on our Yetziratic social sensus communis and ascend into aporia, where, on all important matters, our intuitive reach exceeds our cognitive grasp. But this loss “opens the hand of thought” so new forms can alight on our open palms — a new as-yet-solitary social sensus communis.