Category Archives: Kabbalah

Navel gaze

A simple blind spot demonstration reveals the scotoma, a patch of pristine sightlessness where the optic nerve joins the retina, at the very center of our field of vision.

Most people will walk away from the demonstration excited to have discovered that the object occulted by blindness was actually there all along, hidden, now revealed. The revelation is the image.

Some will be astonished at the ground of revelation: the nothingness from which a concealed image could be revealed, ex nihilo. Precisely because nothing was present, nothing was missing.


It is out of this same nothingness that moral shocks issue.

It is like this: I am absolutely right, and my wrongness is inconceivable. Then a word or gesture or expression strikes me, and a judgment is issued, directly from the scotoma at the heart of my soul — precisely where my one finite self conjoins with infinite One. My guilt, my repentance and my spontaneous urgency to atone conceive themselves ex nihilo.

And now comes an ontological aftershock: A new world is given: a world where nothingness is the furthest thing from dead absence, but living, omnipresent more-than-everything, vibrant with anticipation of inconceivable surprise from an inexhaustible source.

Astonished at this nothingness — this nihiltude from which more revelations can irrupt any moment ex nihilo — we are unable to take nothingness as dead absence, but rather as nihilitude, eternally pregnant with unborn possibility.

This can happen to anyone at any moment.


The scotoma at the heart of sight is the navel of perception, and the optic nerve is the umbilical cord. This a navel worthy of eternal gazing.

(To say it in Kabbalah: where Chokhmah penetrates Binah is an unseen infinitude, which can, nonetheless be seen, and this seen unseeing is called Chesed.)


I will be letterpress printing scotoma revelation cards very soon.

This is not a tree

Since rereading Christopher Alexander’s A City is Not a Tree a couple of weeks ago, I am noticing semilattices wherever I feel life.

I’ve long suspected that chaos is not lack of order, but too many simultaneous orders.

Artificiality, though, is paucity of order.

Alexander explains how in the golden mean between chaos and artificiality, lives the semilattice, the trellis of natural order.

The semilattice is the overlaying of a multiplicity of actual pluricentric orders, unfolding polycentrically into a shared reality.

So many things are not a tree.

A city is not a tree.

A service is not a tree.

An organization is not a tree, if it wishes to live and to matter to its members.

Leigh Star’s map is not a tree.

History is not a tree. No event speaks univocally as it unfolds, or even after it unfolds, because history’s unfolding never ends: all history belongs to an unfolding present.

A culture is not a tree.

A text is not a tree, nor is a religion.

The Tree of Life is not a tree.

Hermetic design

Scholem: “While Christianity and Islam, which had at their disposal more extensive means of repression and the apparatus of the State, have frequently and drastically suppressed the more extreme forms of mystical movements, few analogous events are to be found in the history of Judaism.”

Judaism was too weak and unimportant to effectively persecute its mystics! And that is why Kabbalah flourished and matured enough to become integrated back into its classical religious form.

This reminds me of something my friend Stokes said to me once: the reason design was able to develop its own genuine social scientific practices — and avoid suppression of scientistic management practices (imaginary scientific rigor, and its attendant misnorms, which, paradoxically, make scientific method impossible!) — was only because design was considered unimportant and unworthy of management attention. Design could do science only because it flew under the scientific management radar.

Indeed, the more important a design project is — the more scrutiny it receives from the top floor of the glass tower — the more tippy-top-down control is imposed upon it, the less doing design is possible. It is still called “design”. It looks designy. There are cool hipster costumes, profuse post-it notes, kraft paper, masking tape, markers and general arts n’ crafts creativity signifiers. There are calculatedly messy sketches and pretty polished graphics.

But the freedom, soul and joy has been driven out by fear, control and ambition.

The more I move back-and-forth between hermetic mysticism and design, the more a book on hermetic design wants to be written.

Mysticism and design are joined at the heart.

ASCII sigil

The Mercury symbol emoticon, an abstracted caduceus — used to mark a localized omnipresence of Hermes — also precisely represents the great triad, earth-man-heaven.

+0(

  1. “+”, plus sign: the four directions. Earth.
  2. “0”, zero: positive absence, enabling finite cyclical life. Man.
  3. “(“, open parenthesis: Enveloping transcendence. Heaven.

The dome of heaven is even faithfully everted!

It is a static symbol, articulated grammatically, and, at the same time, a symbol sentence, collapsed into a gestalt. It is true and authentic ASCII sigil.

This must be handset and printed. Digital ASCII art pressed into wood pulp by Gutenberg’s crusty invention, conveying truth before and beyond words, chronologic blasphemy.

Ontological membranes

Nihilitude is the active ingredient of relevance, or, rather, of irrelevance.

And so nihilitude is also the essence of abstraction, of focus, of all selective attention of thought.

Why suppress what is real but irrelevant? Why selectively focus (and filter) attention? Why read abstract order into (or, more accurately, leave myriad alternative orders unread from) the “blooming, buzzing confusion” of chaos surrounding us?

It is a necessity of maintaining finite being. An anomalogy: To hear any signal in radio frequency noise, we must tune a radio receiver to one narrow band of frequency, instead of listening to the white noise of the full range of frequencies and enjoying all the signal simultaneously like some kind of god. We do it for the same reason living organisms have skin, and organs have membranes. Any being that desires duration encloses, shelters, clothes, envelopes itself within semipermeable boundaries, holding itself in dynamic balance between openness, closure and carefully controlled disclosure — between dissolution, consumption, digestion, dissipation and insularity, stagnation, isolation, starvation, asphyxiation. (Tif’eret, the principle of balance, the spinal essence of being within greater being, linking sole with crown).

Nihilitude is ontological membrane. It is the horizon, the far side of every object, the receding undersurface, the back of one’s head, the thing you’ve never noticed, and the imperceptibility of your own perception.

An enworldment is what emerges when some finite aspects of reality emerge from nihilitude. The enworldment “projects” (through subtraction of all else) a schema or template of definite beings. Nihilitude flows between each definite thing, each object of experience, a “not”, against which it is defined — literally, de-finitized.

Whatever prevents the schema from crystallizing (finitely manifesting its continuity within infinitude) is coated with nihilitude, and drowned in irrelevance — tuned out, set aside, downplayed, explained away — or submerged in nihilitude, and is so irrelevant that it is never noticed. It drowns in oblivion.

Nihilitude makes possible a holistic organic understanding needed by a living being. A soul, in order to persist as a soul, must spontaneously perceive and conceive real entities (givens) as whole units – gestalts — and spontaneously perceive and conceive these given wholes as themselves belonging to higher order wholes. Simltaneously it also perceives and conceives these units of being as constituted of lower order whole units, not only objective (third-person) entities, but also first person subjective beings within and exceeding that of one’s I or another’s thou. Sketchy genius Arthur Koestler called this kind of order of nested wholeness “holarchy”. Souls are holarchic.

But souls can, with effort, non-spontaneously connect whole entities with others in order to construct truths. It can argue, figure out, analyze and construe knowledge. This is what is called “constructed truth”. The basic units of such knowledge remain spontaneously perceived and conceived ideas, but the way these givens are combined are not.

Constructed knowledge must be memorized and recalled in order to be known in any particular moment. When they are not in active recollection the knowledge exists as data and rules of recombination. Constructed truth laboriously rebuilds bridges across gaps of nihilitude, linking fragmentary clusters of knowledge with one another. Sometimes construction links objects in ways that obscure rather than illuminate their continuity. The more the construction obscures rather than reveals the continuity among given entities the more force of will and artifice is required to sustain it. It is a the kind of artificiality that gives the word “artificial” its connotations of unnaturalness.

But sometimes constructions reveal, rather than obscure, continuity. Something “clicks’ and a layer of nihilitude clears away, admitting new givens traced out by the constructions.

These are not only intellectual motions, like what we do when we dance along with a philosophy book or choreograph ideas of our own. They can also be physical movements — physical dances, moving from some steps to feeling the rhythm and grace in response to music — or perceptual pattern-finding — like perceiving the animating beauty in art or noticing natural patterns or forms in nature and suddenly experiencing continuity between one’s own nature and the environing nature to whom one belongs as a natural creature. Between two people it can be finding rhythm flow and rapport, and becoming swept up in a literally animated conversation. This is the intimate congeniality of thought and life beyond thought.

This heterogeneity is one reason why the? term enworldment is preferable to worldview or perspective or other ontologically-limited or reductive terms — even ontology. Enworldment concerns the entire field of being, not only thoughts or thoughts about being.

Being rises from oblivion and shows itself, often reconfiguring what is spontaneously given, smashing artificial constructions, submerging (de-emphasizing) givens that had been relevant, and pushing irrelevant given into the foreground. And this also often requires new constructions capable of bridging gaps in this new reconfigured landscape — this new ontological archipelago rising from an ocean of oblivion, new faith-moved mountain ranges. This is the experience of conversion.

Some conversions convert the converted soul to a metaphysics where conversion and its revelations ex nihilo are an ever-present possibility, especially when this possibility is inconceivable.

Let us name this conversion to permanent possibility of conversion, irrupting precisely from the inconceivable oblivion of nihilitude. Let us call it exnihilism.

…to be continued… refinements, exrensions… application to design…

Metaphysical 3D glasses

Before 2016, I characterized my religious attitude as exoterically (ethically) Jewish and esoterically (metaphysically) Taoist. Then I began studying Kabbalah, and learned “esoteric Hebrew”, carefully translating it into “esoteric Chinese”.

Now esoteric Hebrew has become second natural to me. It is so second-natural that I now understand in it without any need to translate back and forth. I think in Kabbalah.

However, I still sometimes find value putting on my esoteric 3D glasses, with one lens Kabbalistic-colored, the other Taoist-colored, so I can look at ideas common to both traditions, and enjoy the parallactic special effects of exaggerated depth.

All this rambling preamble, just to say:

In Assiyah are ten-thousand things.

In Yetzirah are ten-thousand everythings.

In Beriah are ten-thousand traversable nothings, dividing everything from everything.

In Atzilut is infinitesimally articulate infinitude.

Removing the 3D glasses, and speaking more compactly:

In Assiyah are myriad objects.

In Yetzirah are myriad subjects, each an enworldment.

In Beriah are myriad traversable oblivions, dividing enworldment from enworldment.

In Atzilut is infinitesimally articulate infinitude, the source of all oblivion and enworldment.

Common senses

Below is one — perhaps idiosyncratic — common sense account of the Olamot, presented from the first-person:

Common sense of Assiyah: each of our senses gives us the world in some sensory mode — a world with reality understood to transcend each of our senses and all our senses, but gains reliability through sensory testimony. What we see and touch is assumed to be real. What we see, but cannot touch is assumed to be a hallucination.

Common sense of Yetzirah: each of us is given the world in a specific way, but our own way shares much in common with others of our community, and this commonality — this consensus understanding — is our most reliable access to the reality of the world. What all of us understand together is assumed to be real. What only one of us understands is idiosyncratic, less real, possibly delusional. What other communities take as common sense, but which are clearly false or nonsensical, might be delusional groupthink.

Common sense of Beriah: from moment to moment, age to age, the common sense of solitary persons and the common sense of communities changes, and testifies to different experiences and understandings. Reality and truth clearly can be given quite differently to different people in different places in different times. What is common across them, and how can they differ? The commonalities and differences are always given to the threefold present, according to what can and cannot be received in this particular I-here-now. All this is what existentialism (and its myriad siblings) pursues, and in response it receives ciphers, interminable questions, aporias, shocks, terrors, ecstasies. Light, dark, rippling oblivion.

Common sense of Atzilut: our various attempts to account for the givenness of the real points to a reality beyond questions and answers, beyond defined objects and defining subjects, beyond sense, within a commonality so all-inclusively common, so inescapably, so infinitely common, it is beyond comprehension.

Account of tzimtzum

One account of ztimtzum — today’s conception:

In the finite world, impurity is a matter of exclusion of inessentials.

But infinity is essentially absolute, unconditional inclusion.

When finite being attempts to approach the infinite, any exclusion from the infinite is an impurity.

Yet, finite being is somehow entirely of the infinite without itself being infinite.

Pure infinitude precludes exclusion.

We subsist finitely as impurities to the infinite.

Infinitude’s capacity for finitude depends on nihilitude, the principle of impurity — of self-exclusion from infinitude — within infinitude.

Nihilitude is the nacre which coats the infinite ocean with accreting layers of protective oblivion, sheltering tender finitude from dissolution into what it is not, yet is. An infinitessimal universe-size spark.

Nihilitude is the nacre which coats each defined concept with the distinction “as opposed to”. A refracted spark filling heaven with stars, worlds, sun, moon, earth, oceans, lands, people.

Nihilitude defines finite against infinite, then defines finite against finite. Nihilitude’s self-exclusion everts the relationship between the finite-and-infinite, rendering it everything-or-nothing.

Nihilitude is creation. All creation is ex nihilo.


Nevertheless, infinitude continues to penetrate oblivion, leaving halo-traces at concentrated strike points. Infinitude crisscrosses each finite being as dimensions of time space and self. The intersection of this crossing is the threefold present.


Oblivion is something that creates apparent nothingness, and is therefore not an impurity at all, but which also makes apparent impurity possible, without defiling infinitude with exclusion. Tzimtzum.

Ontological veils

The sefirotic garments are ontological veils. Physical veils selectively admit and deflect light, ontological veils selectively admit and deflect realities. Where a physical veil deflects light, light dims. Where an ontological veil deflects realities, those realities remain ungiven, withheld in oblivion. There is dimming, but not a darkening dimming. It is an oblivious dimming.

Blindness is not darkness. Conflation of blindness and darkness makes misleading metaphors.

Darkness conceals visibly.

Scotoma unreveals invisibly. When nothing is present, nothing is absent.

According to Etymonline, reveal / revelation comes from

revelen, “disclose, divulge, make known (supernaturally or by divine agency, as religious truth),” from Old French reveler “reveal” (14c.), from Latin revelare “reveal, uncover, disclose,” literally “unveil,” from re- “back, again,” here probably indicating “opposite of” or transition to an opposite state + velare “to cover, veil,” from velum “a veil”.

If we imagine revelation as lifting of the veil of oblivion, revelation designates an extreme of being shocked by the inconceivable — or as we say with accidental poetic precision, blindsided by something totally unexpected — then revelation loses its divine intervention overtones and becomes something at once more mundane, but also much stranger.

My first experience of radical shock, a revelation that required me to rethink everything, left me utterly underwhelmed with “supernatural” miracles. They seemed unimaginative — just suspending this or that natural law — slightly snagging the fabric of nature with mysterious arbitrariness, but leaving it more or less intact.

The revelation I received forced me to reweave nature on a vast new loom. I wasn’t even aware of the old loom, or that my old nature was woven upon a supernature.

In the domain of blindness, ocular migraines are instructive.

Designerly metaphysics

Before any beginning is infinitude.

Pure infinitude. Ein sof.

Before the beginning, the infinite articulates itself. Finitude is articulated within infinite ground, inseparable from it, like a ripple in water. Articulate finitude in infinite luminous ground. Atzilut.

At the beginning, inside the threshold of finitude, articulate infinitude defines finitude within itself, enclosing it as being, within its infinite ground, still luminous.

Finitude, inception of being. Beriah.

Within history, being articulates into beings, each a finite everything, each defining itself against what it is not, each bounding its own finite portion of infinitude within itself. The infinite ground pervades each being, but infinitude is paradoxically excluded, cloaked in nihilitude, oblivion.

For some beings, the infinite ground still glows brightly or dimly behind the oblivious cloak, numinous nothingness, alive with paradox, irony. For other beings, everything is all that there is.

From within finitude, piercing of the cloak occurs ex nihilo. From without, this is creation, revelation, instauration ex infinitum.

Each being bears within itself an ideal order, a schema of forms, a repertoire of possibilities and impossibilities within itself, what can and cannot be received, what ought and ought not be. This is enception: capacity to receive, to perceive, to conceive. Conversely, and just as importantly, incapacities — rejection, filtration, the maintenance of finitude-preserving oblivion.

Beings suspended in paradoxical oblivion, the ground of actuality. Yetzirah.

Each being actualizes, lives, articulates itself, defines finite beings within its being, beings actualized in myriad ways, acting upon the material ground, which is — surprise! — vestigial inarticulate infinitude, that common ground of beings, that which each being is not, but which is given.

Each being brings its own finite order to materials, its own articulations, its own capacities and abilities, its own objectivity. Each being enworlds what is given.

In the act of enworldment, materials may be persuaded to cooperate, but often they resist, and sometimes they revolt, sometimes the being breaks and must reform. Through the commonality of material, beings encounter one another, and through materials, cooperate, resist, revolt, conflict, win, lose or break.

The infinitude meets infinite in Assiyah.

The capillaries of the divine light saturate the tissues of chaos. This saturation materially forms, combines, shapes, ensouls, and sets the world in motion — literally animates it — like trees climbing themselves from the soil to meet the sun.

The light saturates the common world with meaning before returning the spent light to its source.

And for us, enmeshed in life, this spent light returning to its source, this is reflection on life, on being, on the source of being. Metaphysics is the rising smoke of spent light, piercing the roof of being, seeking its source. In its plumes can be seen rays of incoming light, and here we are told the story of Creation the only way we know it, in reverse.

Bright blood

The weirdest, best insight I learned from Nietzsche is that our hierarchy of values more or less determines our faith and that this hierarchy guards itself through prohibiting questions. Defy those prohibitions, interrogate settled matters closed to inquiry, and all kinds of uncanny things happen. Valuing is inseparably soul-forming and world-forming. Any significant change in value hierarchy transfigures self and world together: a reborn I in a re-enworlded world.


If you are nodding along and think you already know and agree with this — has it ever occurred to you that many of these prohibitions are good and necessary and ought to be upheld? Most obedient young radicals have not. Nor have they had the courage to question — let alone challenge — anything outside of those pre-defeated values our own dominant value hierarchy demand that we ritually re-interrogate. We obediently perform the rebelliousness we are expected or compelled to perform, and rage against whatever exceeds the strict and narrow limits of our radical thoughts.

But back to value hierarchies. Within a range of diversity (a quite narrow, and necessarily narrow range!), each of us values different things. Some of it is circumstantial (we have deficits and gluts of goods) and some is essential (our taste prioritizes goods differently). And this is why we exchange value. We have too much of one good and too little of another. A situation creates momentary need of a good that makes other goods in our possession or capacity relatively dispensable. We find it easy to generate a good that others desire but cannot generate themselves. We sense ineffable sacred importance in one good and are unmoved by other goods held sacred by others. So we enter into exchanges.

If these exchanges are mutually beneficial, and conditions are such that they dynamically stabilize, an organization comes to life. Its lifeblood is the value, inhering like oxygen, in the myriad goods exchanged. The need for exchange — the needs and wants, the surplus and abilities — makes the goods circulate through exchanges — and causes an organization to live and act and to have real, living being. And we who participate — who act, who are acted upon — have actancy within our organization.


Reading Charles Stein’s extraordinary The Light of Hermes Trismegistus, I just learned a new word, thumos:

We are no doubt familiar with how English verbs are proxy for actions expressed either in the active or the passive voice, roughly approximating the difference between acts that one performs and those that happen to one. But there are actions where neither of these voices seem to apply. An action might not be the product of a person’s willful agency and still not be something that passively happens to him or her as if through an impersonal chain of causes. Poetic inspiration is a case in point. A number of recent authors have discussed the middle voice where it proves useful in the analysis of natural and linguistic phenomena because neither active nor passive constructions seem adequate. …

The Greek and the hypothetical Proto-Indo-European language have, in addition to an active and a passive, a middle voice that, among other things, expresses the inspiration of the Muse and would be used wherever it seems that a god impels, instigates, induces, or inspires some action. The Homeric-Hesiodic dialect expresses the instigation of such action by saying that a god strikes the person in the thumos — an “organ” in the middle of one’s body that is activated in this manner. If Eros strikes, one falls in love; if Mars, one is impelled to rage, violence, or courage in combat; if Hermes, deeds of mind, cognition, planning, cleverness — all the devious and ingenious devices of the Hermetic character. The consequence of being struck in the thumos by the god is clearly not the work of one’s independent free will, but it is also not entirely a passive reaction to an external force. The god is not entirely external to one’s psyche, and yet he is external to it, too! … Zeus might actively strike your house with his lightning bolt, but the striking of one’s thumos is not quite like that. When Eros or Hermes touches this organ, it is the most intimate of phenomena. Often translators are forced to use such locutions as “love was awakened in his heart” — as if the response were passive. But it isn’t passive. It is an arousal at the very root of one’s powers of action; it is that which is not quite you but which activates what is active in you as you.

Thumos is the mythical organ of actancy — present but missing, like Da’at in the sefirot.

What does thumos do? I will venture that it governs intuitive participation in transcendent being. It receives and responds as an organ in a superpersonal organism. That superperson (egregore) might be, for example, an organization. Or some other enveloping being, like a friendship or marriage. (“In true love it is the soul that envelops the body,” says Nietzsche.) Or… a faith.


Regarding actancy, I learned the word actant from Bruno Latour.

What is a force? Who is it? What is it capable of? Is it a subject, text, object, energy, or thing? How many forces are there? Who is strong and who is weak? Is this a battle? Is this a game? Is this a market? All these questions are defined and deformed only in further trials.

In place of “force” we may talk of “weaknesses”, “entelechies”, “monads”, or more simply “actants.”

No actant is so weak that it cannot enlist another. Then the two join together and become one for a third actant, which they can therefore move more easily. An eddy is formed, and it grows by becoming many others.

Is an actant essence or relation? We cannot tell without a trial (1.1.5.2). To stop themselves being swept away, essences may relate themselves to many allies, and relations to many essences.

An actant can gain strength only by associating with others. Thus it speaks in their names. Why don’t the others speak for themselves? Because they are mute; because they have been silenced; because they became inaudible by talking at the same time. Thus, someone interprets them and speaks in their place. But who? Who speaks? Them or it? Traditore — traduttore. One equals several. It cannot be determined. If the fidelity of the actant is questioned, it can demonstrate that it just repeats what the others wanted it to say. It offers an exegesis on the state of forces, which cannot be contested even provisionally without another alliance.

If Actor-Network Theory (aka ANT, sociology of actants) is a social science, service design can be seen as its technology, although vanishingly few designers go beyond knowing about Latour, usually via a forced trudge through We Have Never Been Modern in grad school.)


Service design was the first explicitly polycentric design discipline. It is concerned with forming durable arrangements of value exchange among people, mediated by “things” in the broadest possible sense — both, human and nonhuman, alike, considered actants — interacting within an organization and around the organization within its ecosystem of customers, partners, competitors, regulators and other stakeholders.

The systematic interaction of actants, each participating as its own experiential-agential center within the system gives rise to a polycentric order — which service design views as an emergent order with its own kind of being: a service.

But no service is known from “a view from nowhere”. It is always experienced by someone, from some point in the system, holographically (the image of the whole subsists in each of its parts. Each participant in the service is a jewel in the Net of Indra, which experiences and acts from its own node. This multiple view-from-within is what could be called pluricentricity.

Service design is concerned both with the third-person / objective polycentricity of organizations and services and the myriad first-person / subjective pluricentricity of actants within organizations and services, and how polycentricity and pluricentricity mobiously, thumocratically (!) interform one another.


I’ve said before that I worship the distributed God. God’s distribution, of course, saturates all being equally, but to finite beings like ourselves it is concentrated in souls, the nucleus of which is thumos.

When I think about value exchanges I associate it with the circulation of the divine light in the sefirot.

(“Enlist every ounce of your bright blood, and off with their heads!” In Tarot, the letter shin is associated with Judgment. And here the Kahnemaniacs lose their last shred of patience. “Barnum!” Yes. But before you start stoning me with your cognitive bias accusations, ask yourself this: Do I know my own faith? We certainly know what our peers accept as true. We know very well what will get us ostracized if we voice doubt. Some of us know what we can successfully argue and defend. But do we know what truths we would bet our life on? I suspect not. No, no: We’re all post-truth now, especially those of us who insist on truth. We all suffer spurious ideas for the sake of identity. None of us believes three quarters of our “beliefs” and maybe least of all the ones we get emotionally worked up over. We think we’ve “done the work” of overcoming our biases, but we have not overcome the fact that we harbor extreme cognitive bias toward where our biases are and aren’t. We are blind to where our justice itself is most glaringly unjust, and if we refuse to acknowledge this… well, that is blindness doing blindness. If we are honest, which we are not, we will acknowledge that we have already sold ourselves out to pay admission to our social class. We are intellectually and spiritually insolvent. We have no personal integrity to preserve. So why not indulge the Barnum effect for the sake of serious, joyous play? Witness: if we are hospitable and entertain ideas that entertain us, we may receive invitations to higher worlds. The invitation is addressed to our thumos, and we accept with “hineini”.)


Liberal saint Richard Rorty famously taught “Anything can be made to look good or bad, important or unimportant, useful or useless, by being redescribed.”

I want to redescribe design to make it look and feel spiritually important.

And I want to redescribe the spiritual to manifest its pervasive presence in the ordinary,

And I want to redescribe both together to accentuate our duty to shape our world and invest ourselves in it so the world manifests its spiritual provenance and destiny.

We are responsible for forming a world we can care about and willingly serve.

)O+

Ordinances of time

More than once, in the depths of hangover I have yogiberraed a lamentational oath: “I am never drinking ever again, for at least a week.”

The griminess suggests crass oxymoron, but beneath the grime is a Bergsonian paradox — a paradox of time.

Oxymoron and paradox are both species of irony. They are both operations of dual-meaning, whose duality introduces a third meaning.

What divides paradoxic irony from oxymoronic irony is that oxymoron flatly self-contradicts, where paradox finds truth in parallactic depth across planes of givenness. Paradox’s humor is comedic in the classic sense, which is conjoined with tragedy — and this irony stands at world boundaries as a herm.

This same lamentational oath can be meant with oxymoronic irony. And when it is meant this way, it speaks psychologically: we are absurd, our intentions are absurd, and even our most earnest words are spoken with forked tongues. We speak basely even when we aspire. We speak basely especially when we aspire.

Oxymoron ridicules the human condition, where paradox sublimates it. Dry ironic eyes do not twinkle.


Speaking kabbalistically, in paradoxic irony one voice instaurates meaning in pshat and another voice instaurates meaning in remez, and the difference announces together-across-planes sounds a chord, a sensus communis, a depth witness of drash. The chord may be consonant or dissonant, but it resolves in depth-sounding truth, an articulation, not only within, but across worlds.

Drash is parallactic witness, and within it each chronological moment is witness to past, present and future. Some moments look forward, and these moments are promethean. Some moments look backward, and these moments are epimethean.

Some moments are perfect in themselves. Some moments long impossibly for an infinite elsewhere. Speaking mythically, this longing is guarded by the Hespirades, who hold it futile. A scrubbed, polished and decharmed cousin of the hangover lament: We pine for fleeting moments of eternity. We miss most of all eternities we had and lost because we conflate eternity and permanence. We long to taste, once again, lost golden fruit we never tasted.

If a titan can ironize — and this is doubtful — the irony of Cronus would be the most oxymoronic.


How exponentially metaironic would it be to attempt a four-eyed ironic depth of playing oxymoron against paradox?

If anyone ever attempted such a thing, it would be Nietzsche:

To be sure, there is also quite another category of genius, that of justice; and I can in no way see fit to esteem that kind lower than any philosophical, political, or artistic genius. It is its way to avoid with hearty indignation everything which blinds and confuses our judgment about things; thus it is an enemy of convictions, for it wants to give each thing its due, be it living or dead, real or fictive — and to do so it must apprehend it clearly; it therefore places each thing in the best light and walks all around it with an attentive eye. Finally it will even give to its opponent, blind or shortsighted “conviction” (as men call it: — women call it “faith”), what is due to conviction — for the sake of truth.


One of my most rock-tumbled aphorisms: “Conflict divides the world into four halves.”

A few years ago, when the aphorism was still rough, I expanded this idea into an exegesis on the philosopher’s stone.

When conflict breaks out, we are shaken out of unity, and fall into the four-sidedness of conflict. There is [1] what I believe, there is [2] what you believe, there is [3] what I think you believe and there is [4] what you think I believe.(Naive egocentricity, of course, sees only two sides: what I believe and what I know you believe. Until one overcomes naive egocentricity and learns to see conflict as four-sided, progress is impossible.)

To begin reconciliation we try to go from four-sided conflict to three-sided disagreement, where there is [1] what I believe, and there is [2] what you believe and there is [3] our shared understanding of our disagreement.

But sometimes when we reach a shared understanding of the disagreement we realize that this shared understanding has transcended and absorbed our old conflicting beliefs. This new understanding is no longer an agreement about a disagreement, but [1] a new shared belief. The three-sided disagreement is now a more expansive and accommodating unity.

So it’s one to four to three and then back to one. Repeat, ad infinitum.


This post is now entirely out of control.

Notes on design esoterism

Ontopologically, Beriah sur-prises what Yetzirah variously com-prises as objective content in Assiyah.

Neither Beriah nor Yetzirah is something that can be comprehended.

Yetzirah comprehends by one of myriad formational, enworlding principles. Yetzirah is not itself comprehensible, for the reason that sight cannot be seen.

Beriah comprehends (envelops) comprehension through observation of difference among enworldments, even differences across recollections of observations. Beriyah is even less comprehensible than Yetzirah, for (to make an anomalogy) Beriah is transcendent sensus communis among all possible Yetziratic enworldments, against and within the limitless Oneness of Atzilut.

And every Yetziratic enworldment is some particular social sensus communis regarding the human lifeworld.

And the human lifeworld is Assiyah — the perceptual sensus communis of human perception.

To understand all this inside-out and outside-in, backwards and forwards, to-to-bottom and bottom-to-top, and to know it by heart, soul and body, and therefore internalize and, more importantly, spontaneously externalize its pragmatic consequences, is to “suprehend” what transcends, yet grounds, comprehension.

(Suprehension is the whatless therefore of pregnant oblivion.)

Concepts concerning Beriah are not a conceptual grasp of Beriah, but derviations across differences. Another anomalogy: Light emanated within Atzilut is transmitted by Beriah, refracted through Yetzirah, then reflected upon Assiyah — and only upon reflection can a truth be grasped, indirectly.


Design esoterism seeks to dissolve the Axial regime and its domain divisions, in order to resanctify what has been secularized. Religion is disinvented, exvented. Methods are ritual. Tools are ritual objects. Organizations summon responsible collective beings.

Esoterism wants to materialize.


Lord, truly we have come to the end of this kind of vision of heaven.


Exnihilism is at the heart of it.

New ex nihilo irruptions from Beriah are preceded by intense apprehension. We let go or lose grip on our Yetziratic social sensus communis and ascend into aporia, where, on all important matters, our intuitive reach exceeds our cognitive grasp. But this loss “opens the hand of thought” so new forms can alight on our open palms — a new as-yet-solitary social sensus communis.