Nihilitude is the active ingredient of relevance, or, rather, of irrelevance.
And so nihilitude is also the essence of abstraction, of focus, of all selective attention of thought.
Why suppress what is real but irrelevant? Why selectively focus (and filter) attention? Why read abstract order into (or, more accurately, leave myriad alternative orders unread from) the “blooming, buzzing confusion” of chaos surrounding us?
It is a necessity of maintaining finite being. An anomalogy: To hear any signal in radio frequency noise, we must tune a radio receiver to one narrow band of frequency, instead of listening to the white noise of the full range of frequencies and enjoying all the signal simultaneously like some kind of god. We do it for the same reason living organisms have skin, and organs have membranes. Any being that desires duration encloses, shelters, clothes, envelopes itself within semipermeable boundaries, holding itself in dynamic balance between openness, closure and carefully controlled disclosure — between dissolution, consumption, digestion, dissipation and insularity, stagnation, isolation, starvation, asphyxiation. (Tif’eret, the principle of balance, the spinal essence of being within greater being, linking sole with crown).
Nihilitude is ontological membrane. It is the horizon, the far side of every object, the receding undersurface, the back of one’s head, the thing you’ve never noticed, and the imperceptibility of your own perception.
An enworldment is what emerges when some finite aspects of reality emerge from nihilitude. The enworldment “projects” (through subtraction of all else) a schema or template of definite beings. Nihilitude flows between each definite thing, each object of experience, a “not”, against which it is defined — literally, de-finitized.
Whatever prevents the schema from crystallizing (finitely manifesting its continuity within infinitude) is coated with nihilitude, and drowned in irrelevance — tuned out, set aside, downplayed, explained away — or submerged in nihilitude, and is so irrelevant that it is never noticed. It drowns in oblivion.
Nihilitude makes possible a holistic organic understanding needed by a living being. A soul, in order to persist as a soul, must spontaneously perceive and conceive real entities (givens) as whole units – gestalts — and spontaneously perceive and conceive these given wholes as themselves belonging to higher order wholes. Simltaneously it also perceives and conceives these units of being as constituted of lower order whole units, not only objective (third-person) entities, but also first person subjective beings within and exceeding that of one’s I or another’s thou. Sketchy genius Arthur Koestler called this kind of order of nested wholeness “holarchy”. Souls are holarchic.
But souls can, with effort, non-spontaneously connect whole entities with others in order to construct truths. It can argue, figure out, analyze and construe knowledge. This is what is called “constructed truth”. The basic units of such knowledge remain spontaneously perceived and conceived ideas, but the way these givens are combined are not.
Constructed knowledge must be memorized and recalled in order to be known in any particular moment. When they are not in active recollection the knowledge exists as data and rules of recombination. Constructed truth laboriously rebuilds bridges across gaps of nihilitude, linking fragmentary clusters of knowledge with one another. Sometimes construction links objects in ways that obscure rather than illuminate their continuity. The more the construction obscures rather than reveals the continuity among given entities the more force of will and artifice is required to sustain it. It is a the kind of artificiality that gives the word “artificial” its connotations of unnaturalness.
But sometimes constructions reveal, rather than obscure, continuity. Something “clicks’ and a layer of nihilitude clears away, admitting new givens traced out by the constructions.
These are not only intellectual motions, like what we do when we dance along with a philosophy book or choreograph ideas of our own. They can also be physical movements — physical dances, moving from some steps to feeling the rhythm and grace in response to music — or perceptual pattern-finding — like perceiving the animating beauty in art or noticing natural patterns or forms in nature and suddenly experiencing continuity between one’s own nature and the environing nature to whom one belongs as a natural creature. Between two people it can be finding rhythm flow and rapport, and becoming swept up in a literally animated conversation. This is the intimate congeniality of thought and life beyond thought.
This heterogeneity is one reason why the? term enworldment is preferable to worldview or perspective or other ontologically-limited or reductive terms — even ontology. Enworldment concerns the entire field of being, not only thoughts or thoughts about being.
Being rises from oblivion and shows itself, often reconfiguring what is spontaneously given, smashing artificial constructions, submerging (de-emphasizing) givens that had been relevant, and pushing irrelevant given into the foreground. And this also often requires new constructions capable of bridging gaps in this new reconfigured landscape — this new ontological archipelago rising from an ocean of oblivion, new faith-moved mountain ranges. This is the experience of conversion.
Some conversions convert the converted soul to a metaphysics where conversion and its revelations ex nihilo are an ever-present possibility, especially when this possibility is inconceivable.
Let us name this conversion to permanent possibility of conversion, irrupting precisely from the inconceivable oblivion of nihilitude. Let us call it exnihilism.
…to be continued… refinements, exrensions… application to design…






