Hermetic design

Scholem: “While Christianity and Islam, which had at their disposal more extensive means of repression and the apparatus of the State, have frequently and drastically suppressed the more extreme forms of mystical movements, few analogous events are to be found in the history of Judaism.”

Judaism was too weak and unimportant to effectively persecute its mystics! And that is why Kabbalah flourished and matured enough to become integrated back into its classical religious form.

This reminds me of something my friend Stokes said to me once: the reason design was able to develop its own genuine social scientific practices — and avoid suppression of scientistic management practices (imaginary scientific rigor, and its attendant misnorms, which, paradoxically, make scientific method impossible!) — was only because design was considered unimportant and unworthy of management attention. Design could do science only because it flew under the scientific management radar.

Indeed, the more important a design project is — the more scrutiny it receives from the top floor of the glass tower — the more tippy-top-down control is imposed upon it, the less doing design is possible. It is still called “design”. It looks designy. There are cool hipster costumes, profuse post-it notes, kraft paper, masking tape, markers and general arts n’ crafts creativity signifiers. There are calculatedly messy sketches and pretty polished graphics.

But the freedom, soul and joy has been driven out by fear, control and ambition.

The more I move back-and-forth between hermetic mysticism and design, the more a book on hermetic design wants to be written.

Mysticism and design are joined at the heart.

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