Category Archives: Enworldment

You are normal and ok

March 18, 2023Enworldment, Ethics, Existentialism, Philosophyanomalogue

The more radical changes a person has undergone, the less that person will take seriously the claims others make of having reached a final conclusive truth.

Every radical change of understanding re-presents the world in light of a new truth. These truths seem conclusive and final. This characteristic of apparent finality, however, is not in any way evidence of actual finality. Apparent finality, if treated as only apparently final, can give way to new truths that appear equally final.

If an apparently final truth does, in fact, become actually final — that is, if a person or group of people refuses to allow more radical changes to happen — this is due to the fact that radical truths are not only theoretical, but also perceptual, practical and moral.

Radical truths are less matters of thought content than they are enworldments.

Enworldments penetrate beneath language, into that dark wordless ground in which language is rooted, from which words grow, and without which words lose meaning and wither into abstraction and nonsense. Enworldments provide the very givens of our experience.

Enworldments project fields of relevance that determine what in our daily life we notice and what we ignore, the degree and kind of relevance we perceive in what we do notice. Enworldments give us the givens of perception.

Enworldments also project fields of intelligibility that determine both the spontaneous connections we intuit in our present and past experiences, as well as the kinds of connections it occurs to us to make if we attempt to consciously think some matter through. Enworldments give us the givens of understanding.

Enworldments also project fields of possibility that determine our actions, both the spontaneous reactions we have before before thinking, intentional responses we think through, plan out and execute and habits we cultivate. Enworldments give us the givens of action.

Perhaps most importantly, enworldments project fields of value that determine what is moral or immoral, virtuous or vicious, attractive or repulsive, good or bad. Values may be what we spontaneously experience, and they may also be codified rules for calculating or assigning values. These values determine where we scrutinize, challenge or attack a value as an illusion, delusion, bias or distortion and where we embrace a value as given and defend it as self-evident truth. Enworldments give us givens of morality.

Values are the primary guardians of enworldments, protecting them from entertaining irrelevant data, from uncharitable or skeptical interrogation, from potentially undermining experimentation. These challenges are bad and should not be suffered or tolerated.

Morality is what preserves and stabilizes the other givens and allows an enworldment to endure. If one wishes to radically change, it is primarily the morality of that enworldment that must be overcome.

This is why Nietzsche was an immoralist. He sought new ideals, new enworldments, new human ideals — ones that we believe from the heart and not just from ethical algorithms and societal conformism.

Earlier, I mentioned that “values may be what we spontaneously experience, and they may also be codified rules for calculating or assigning values.” Codified rules can harmonize with and reinforce spontaneously felt values. Or they can clash and contradict. When this happens we are at a fork in the road. We can ignore taboos and prohibitions against questioning moral fundamentals, and investigate matters to see if we can resolve the contradiction.

Or we can reject codified morality in favor of felt values.

Most of us, however, cleave to codified morality. We train ourselves to mistrust, disregard and repress our spontaneous, felt valuations. We affirm only what we are supposed to affirm and condemn what we are supposed to condemn — even with respect to our own personal moral responses. Perhaps we see our own subjectivity as manipulated and corrupted and in need of rational corrections.

If we do this too much, eventually our value-sense weakens and numbs until we no longer feel it. Many of us become ethical automatons, alienated from our feeling selves, no longer able to exercise personal judgment. We become dependent on analysis provided by others, and we lack all inner resistance to arbitrary valuations. We see something ugly, or hateful, or vicious and we can without much difficulty assign it the opposite value.

It is only superficial truths that are concerned primarily with how we think and speak. They stay obediently within an enworldment, and work within its givens — especially its perceptual and moral givens. Superficial truths can be delightful to play with, they can be daring, transgressive and fanciful in the ways interesting games must be if they are to be absorbing, and they can turn up useful cognitive instruments, but they are inconsequential to our fundamental experiences.

I find that play tedious and at odds with my project, which is to overcome intellectual and moral dishonesty and the self-alienation it causes. Far too many people are obedient to moral ideals they must lie and labor over, with greater and greater difficulty. And now the lies are so fragile that the liars require cooperation from everyone to maintain them to keep unwanted feelings fully repressed.

For people in this state, honesty is an existential threat.

But they are too afraid to break taboos and ask themselves the kinds of questions that can restore harmony between our felt and codified values.

The only solution they can conceive is to control external reality and to prohibit all honest expression so dishonesty becomes internalized through habit, and our new contrived “truth” seems equal to the faint repressed memories of spontaneous given truths.

—

We Americans just cannot kick our puritan addictions, can we? We finally free ourselves of our need to assert the existence of a thoroughly unbelievable “god”, only to enslave ourselves to other equally unbelievable nonsense. We seem unable to make peace with truth.

But know this: You do not have to believe what you cannot believe.

You are allowed to ask questions, even taboo questions,

If that feels unsafe to you, you are right. It is unsafe. Most people like to feel comfortable, to feel like good people, to frolic in the playground of permissible rebellion. The majority of people choose to keep on lying and lying.

So, if you are a liar, that is ok. It is normal.

If you need to celebrate your lying as virtuous, that is also ok. It is normal.

If you need to call the most dramatically abnormal abnormalities normal, that is ok. It has become normal.

But some of us think being normal is beneath our dignity, and choose abnormality. We do not want to be ok. We ask prohibited questions and produce incomprehensible answers.

That incomprehensibility is fortuitous for all you liars. It doesn’t make any sense. It needs to not make sense. You are in a safe space, a place of its own, a collective enworldment set adrift from anything immediate.

Beautiful and most brave

February 19, 2023Enworldment, Ethics, Judaism, Philosophyanomalogue

From Lee Braver’s A Thing of This World: A History of Continental Anti-Realism:

Hegel cannot accept Kant’s transcendental idealism because it presupposes a transcendent realism: the commitment to a realm that in principle can never be experienced by humans.

In the margin I wrote “This is a good commitment; it is the essence of goodness.”

Braver published this book in 2007. It’s a useful book, or at least useful for what I am trying to do with my book (which is to propose a philosophy of design which assumes transcendent realism but affords us finite but significant latitude to design our own transcendental conceptive schema through which we may interact with the inner-face of transcendence and participate within reality in life-enhancing ways.)

It approaches the Continental Realism versus Anti-Realism debate using methods drawn from analytic philosophy to produce clear, sharp distinctions on a number of key fronts — and to demonstrate how analytic and continental styles of philosophy can be used in concert for better depth and thoughtcraft.

A few years later, Braver published a followup paper, “A Brief History of Continental Realism”, where he introduced a new term “Transgressive Realism” which he described as

a middle path between realism and anti-realism which tries to combine their strengths while avoiding their weaknesses. Kierkegaard created the position by merging Hegel’s insistence that we must have some kind of contact with anything we can call real (thus rejecting noumena), with Kant’s belief that reality fundamentally exceeds our understanding; human reason should not be the criterion of the real. The result is the idea that our most vivid encounters with reality come in experiences that shatter our categories, the way God’s commandment to kill Isaac irreconcilably clashes with the best understanding of ethics we are capable of.

This is exactly what I believe, which why I’ve described my metaphysics as a metaphysics of surprise. Only surprise reminds us that something transcends our minds. As Bruno Latour put it, “Whatever resists trials is real.” Our participation in reality constantly produces resistance, and helps us recognize the difference between our understanding and what engages our understanding while exceeding it.

I attach religious significance to actively wanting transcendence, reality, resistance and seeking it even while we seek to understand. We do understand, but there is always more to understand — inexhaustibly more — and if we are alert, sensitive and generous, we will notice how much and how often we need to understand differently and better, in order to accommodate our fellow-persons and those aspects of reality they care about. This is not worship of human “otherness”, but human otherness where transcendence reveals itself and challenges us most conspicuously.

Unfortunately, power has a way of tempting us to substitute our own understanding for reality. We want to control our environment to use technology to keep things things reliable and predictable in order to tame surprise and constrain and confine it to the realm of play. A little surprise delights us. Radical surprise disrupts us, immerses us in chaos, crushes us with perplexity.

Even the threat of impending radical surprise fills us with apprehension and puts us in fight-or-flight mode. It makes us nasty.

And here is where power gets its bad reputation. If a fellow person threatens us with radical surprise, and we have the means, we will use our power to make that threat go away. We will require that person to be polite and avoid controversial or potentially hurtful topics. We will prohibit certain bad opinions from being spoken in public. Then we will prohibit these opinions from being said in semi-public, then from being said in private. Then even indirect or accidental expressions become taboo. Eventually even the suspicion that these opinions are privately held — or even unconsciously present — is addressed as a threat. We might feel entitled or even obligated to help people stop having these beliefs and adopting our own instead. We may start requiring behaviors that are performative affirmation of our beliefs. We might require explicit declarations of agreement, as conditions of employment or membership in civil society. In some places and times, these conforming behaviors and declarations have been conditions of the right to continue living in the community, or living at all.

A person with control of enough wealth, institutions and political force will almost inevitably, unconsciously begin to slide in this direction, demanding more and more surprise-damping conformity from fellow-persons to erase the disturbing difference between transcendent reality and our own thoughts about it.

Solipsism is the ultimate luxury; when weaker people are compelled to serve the solipsism of the stronger, this is abuse of power.

To be good, we must want transcendence, seek transcendence, accommodate transcendence even when we have the power to dictate reality to those lacking the power to resist and to be respected as real.

Pay close attention to who is unworthy of your consideration — because here is where your root biases — your sacred biases — do their work.

Pay attention to those biases you are biased toward and those you are biased against, because these are where your root biases reveal themselves to others while concealing themselves from you. These also are biases — your sacred biases, the ones who do the most self-righteous evil.

Critical thinking makes its own thinking the object of critique — it is reflexive. Critical thinking avails itself of the critiques of others to detect what it would otherwise miss. We are tempted to choose only the critiques from others that we are biased toward receiving — the ones who reinforce our sacred biases — but these are self-gratifying and easy, which is why this kind of “critique” is so popular — and, for a enterprising exploiter of fads, so lucrative. People don’t go to tent revivals because they are averse to being called sinners. They go because the diagnosis and remedy is a small price to pay for moral omniscience.

Listen to those who are angry and fucking hate your guts because you are so comfortable, complacent, omniscient, smugly self-satisfied, so aligned with “the right side of history”, so good — when in fact you are just a typical oppressor, too powerful to be confronted with that fact.

Consider for a moment, the possibility that, despite all their obvious faults, whether they are not to some degree justified in hating you. Test your irony and see if you can hold both conceptions in your mind simultaneously and hear the chord they form. Switch from straw-manning their faults to steel-manning their assessment of your faults. See if you can hear all four sides of this conflict.

Do all this and then I might respect you as a critical thinker and a lover of transcendence — of wisdom — of inconceivable conceptions waiting to be born.

Nietzsche said:

There is a point in every philosophy when the philosopher’s “conviction” steps onto the stage — or to use the language of an ancient Mystery:

adventavit asinus
pulcher et fortissimus.

The ass entered
beautiful and most brave.

My conviction, beautiful and most brave: Thou shalt welcome the stranger… transcendence.

This conviction, this priority, this “prior” — this sacred bias — is unreasonable and stupid, and I am unable to not believe it is absolute good.

Maybe you can help me believe otherwise.

The Philosophical Click

January 6, 2023Enworldment, Philosophyanomalogue

When thinking about philosophy many people make a fundamental category mistake: They think a philosophy is a system of claims, and that acquiring knowledge of the claims is understanding the philosophy. In doing so, they mistake the philosophy for its content.

But learning a philosophy is learning how to do that philosophy, or even better, how to participate in that philosophy. The claims, the arguments, the language — the content — is best seen as a delivery vehicle for the philosophy. If engaged as intended, philosophical content induces a way of thinking that makes clear, coherent sense of the content.

(For example: If your goal when reading Nietzsche is to answer the question “What did Nietzsche really think?”, you are making this category mistake. Pursuing the question “How did Nietzsche think?”, and using the question of what he thought as a means to this goal, puts us on the right track.)

Philosophical engagement is making the clearest, most coherent, most immediate sense of some philosophical content. This means reading or listening carefully, paying close attention to where clarity and coherence is lacking, trying out alternate senses of each word, alternate interpretations of each sentence, each passage, each work, the whole corpus — patiently reading and rereading, or hearing and rehearing, or trying and retrying, until an understanding clicks into place as a gestalt, resolving the meaning and dispelling all occluding unclarity and contradiction.

After the Click, the content flows in spontaneously, second-naturally — as easy and obvious as a sitcom storyline. This is our best indication that we understand the philosophy. Sadly, it might also mean that we have misunderstood it. Only the most acute alertness to what has not been understood, what remains contradictory, what is still cloudy can help us discern misunderstanding from understanding. This requires a willingness bordering on eagerness to be mistaken — to have misunderstood all along.

(Those who prize intellectual competence above all else — who love the feeling of being right and of having been right all along, who find evidence of their own extreme prescience and omniscience in every experience — are incompetent readers of philosophy. So are those who skim and cherrypick, rummaging for useful components to bolt onto their own sprawling conceptual assemblages. Prophets, collagists and ambitious system builders understand perfectly well all the relevant bits of what they read, and therefore miss the entire point of philosophy, which is to discover subtle misunderstandings and gaps that open the way to more deeper and more expansive re-understandings. Many are attracted to philosophical texts, in order to dominate or plunder them, but few engage philosophical texts philosophically. One must have a perverse taste for discovering one’s own inadequacy and for immersion in the most anxious perplexities to develop philosophically. In philosophy, hedonism, pain aversion and pride are stunting vices.)

What makes philosophical content philosophical is that it implicitly promises the Click, provided one is willing to put forth philosophy’s distinct kind of effort. The Click is possible because a clear, coherent philosophy was used to generate and form the content, and the author ensured the content expresses the philosophy exactly enough to induce a sharp click of understanding and to prevent false clicks of misunderstanding.

What makes philosophy so exciting and important is that, once its Click happens, it sets in motion a way of thinking that can activate whenever it is needed. It sets up a new species of recognition and ready response to whatever is conducive to its treatment — to its form of understanding.

I’ve called a form of understanding a concept. A concept is a spontaneous taking-together of a given of some particular form. I’ve called the capacity to recognize and respond to a particular concept a conception.

The purpose of philosophy is to induce new conceptions that enable recognition and response to new concepts in both philosophical content and in every kind of experience. Conceptions are what enable the understanding of concepts in philosophical content as well as the recognition and response to those same concepts in any kind of experience, even when the philosophical content that originally induced the conception is not recalled within that experience.

Real philosophical engagement necessarily changes who we are. It changes us beneath the layer of language, at the depths of self where language is understood and used, and where tools are wordlessly understood and used, where we read facial expressions and gestures, sense danger, experience beauty, and feel reality as real. It is where we do all our practical believing. It is the layer that overrules logic and theories and the content of our brains when life is at stake.

Few of us are in touch with this layer of self. We think we are what the words in our head tell us we are, when we ask ourselves with words “Who am I?” Who we are speaks with silent gestures, and the words that fill our heads and ears talk over it and drown it out. If we listen only for words and even see with word, words are all we hear or see.

This layer beneath language and beneath perception is what I call faith. We can also call it the subject.

There are many ways besides philosophy to change faith, or recall it, or maintain it, or strengthen it, or further develop it — (or, exceptionally, to let it go, or even to kill our faith and suffer in the shadows without it for awhile). Religious practice is a common way to shape faith. So is participation in culture and in various subcultures within our culture. Education also works on faiths, and this is why we call the various educational disciplines subjects. Art can change our faith, at least for a few moments, and a diet of one genre of art can have enduring effects.

But philosophy is my favorite faith-shaping discipline.

It is not the underpinning of everything everyone else is going. That is faith. There is no implicit philosophy, any more than there is an implicit art or implicit academic subject.

But philosophy is one potentially effective means of taking responsibility for faith.

I have so much more to say.

I want to say how our faith conditions our entire experience of reality, and that if we experience reality as meaningless, persecutory, punishing, dark or doomed, this is only the testimony of our faith.

I want to advise us to stop fixating on the content of our faiths and instead observe how things seem when given to us via our faiths. Yes, the world is real, but the world we experience and know is the world our faith enworlds around us.

I want to point out that our faiths can be intentionally changed for the better.

I’ve said it all before innumerable times, but I need to carefully craft it all into a Click-inducing whole. Maybe the above is the inception of this work.

Transformability of givenness

November 9, 2022Enworldmentanomalogue

Givenness is the spontaneous, pre-reflective experiencing of something as something.

We tend to think of givens as foundational points of departure. However, as history testifies, at least some givens can be changed, to potentially profound effect. The effect of such changes is inconceivable prior to the change, because the scope of conceivability itself is what changes.

I believe that some givens ought to be changed, that other givens ought not to be changed (but cultivated, protected and bequeathed), and that some givens, maybe most, ought to evolve organically. But we must ask some crucial questions: Who decides, for whom? and by what reasoning is this decision made? and by what means may givens be changed? Finally, how is the transformation of givens experienced by one undergoing the change and how does one understand the transformation, when that by which understanding happens is precisely what is transforming?

(This is me experimenting with approaching my incipient book Enworldment from the angle of transformability of givenness.)

Promises of new worlds

November 1, 2022Enworldmentanomalogue

For an enworldment to become culturally relevant, its praxis must not only be good from the inside but it must also be compelling (beautiful, sublime, fascinating) from the outside.

“Inside”: for those who understand and participate in the enworldment, existence becomes manifestly good.

“Outside”: for those who experience only the enworldment’s manifestations — its words, deeds and expressions — it hovers between comprehension and bafflement in that range of semi-understanding we experience as mystery.

Mystery suggests potential but unrealized intelligibility.

The potency of mystery is a function of the actuality of the enworldment that generates its appearance. If one manages to “get inside” the aesthetic, a new enworldment will spontaneously resolve itself. A new understanding — a new stance — a new priority — a new way emerges — and everything is now different in the most important sense, though most things stay mostly the same. It is the precise opposite of magic, though it is inconceivably magical.

False mysteriousness — a vice of artistic and religious charlatans — tries to use mystery effects to suggest an enworldment that will never spontaneously resolve — will never become second-natural — at any degree of understanding or familiarity with the mystifying words, ways or artifacts.

And then there’s technik.

Technik assures us that it is possible, through great combinatory effort, that we might find an order that will gives each sundry part — including you and me — a place in the system. Alienation will end. Clarity will reign. And this all-embracing outer technik is our only hope for inner peace. This is the promise of positivist thought and art.

Technik’s plan is to willfully permute our way to an artificial paradise we will learn to love.

Protected: All-capacious

October 31, 2022Enworldment, Metaphysicsanomalogue

Reenworld thyself

October 30, 2022Enworldmentanomalogue

Let’s stop distorting the meaning of subjectivity by situating it within an essentially objective world.

But that objective world within which we understand ourselves to be situated is produced by our subjectivity, through its own participation in reality.

It is reality within which we are situated. Objectivity (and the objective truth we know about it) is merely what we instaurate — discover-create — through this participation in reality.

To confuse reality with objective truth — and nearly everyone does this to some degree — is to succumb to misapotheosis: the confusion ourselves and our objective comprehension of truth, with God and God’s own comprehension of reality within Godself. We are a mere image of God, a finite incarnation of infinite more-than-being.

The objective truth we can talk about is a tiny subset of the objective truth we experience; the objective truth is a tiny subset of the subjectivity we experience; the subjectivity we experience is a tiny subset of the subjectivity a person can potentially experience; and the totality of subjectivities a person can potentially experience is a tiny subset of reality. And reality is a subset of God’s infinite more-than-being.

The reworking of ontological topologies within a panentheistic enception changes a soul and its enworldment in inconceivable ways. This reworking is religious insight.

Yet again, Arthur C. Clarke’s famous maxim comes to mind: “Any sufficiently advanced technology is indistinguishable from magic.”

Religion is the most advanced technology, beyond all technological advancement.

It’s not that religion rejects or denies magic. It’s that religious insight renders magic boring and it’s that “spiritual” magic-mongering (more often than not) stunts religious insight.

Sense of nothingness

October 26, 2022Enworldmentanomalogue

We have a deficient sense of nothingness.

When we lose vision, we do not see blackness. Instead, we see boiling chrome.

When we lose a leg, instead of numbness, we are tormented by an aching phantom limb.

When we lose our hearing, rather than submersion in silence, we hear intolerable hypersonic ringing.

When we lose our sense of smell, the world does not become odorless. It reeks of burning rubber, sulphur and brimstone.

When we lose our sense of taste, our mouths and tongue are filled with bitterness.

When we lose sense of purpose, we do not become serene or care-free.

We feel ennui.

When we lose capacity to love, we do not become detached or objective.

On the contrary, this lovelessness is depression.

When we lack understanding, we don’t experience ignorance.

Instead, we experience a combination of apprehension and intuitive omniscience. We don’t want to know the particulars — we already comprehend them in principle.

(Only if we press against this ignorant omniscience, or if it presses on us, will it break. And when it breaks we are rewarded with disorientation, perplexity, hellish angst… and the possibility of new conception.)

When we lose our sense of self, we don’t become selfless. Instead, we become nebulas of nihilism and ressentiment. The phantom self seethes with hostility and plots vengeful dismantlement of its miscreator.

When we lose our sense of world, we don’t become otherworldly nor innocent. Instead, we become paranoid residents of a phantom world — a realm of concealed demonic machinations, a tangle of puppets and puppet strings, traceable to a baleful beyond.

Wherever we lack a sense of God, we mistake ourselves for gods. We succumb to misapotheosis. We believe ourselves final judges of what is good and evil, of what is what is “ok” and “not ok”.

Wherever we know God we are of God, toward God, participating in God.

We dance the God with God.

Some of us count and perform steps, hoping they will smooth out and become a fluid motion.

Others of us intuit the dance and spontaneously move with the dance, hoping the movements will gain articulate precision.

This dance is done together, or not at all, with synesse.

Real and ideal

October 20, 2022Design, Enworldment, Politicsanomalogue

Bruno Latour: “What is real resists.”

Reality most conspicuously resists our ideals.

What do we do when reality and ideal diverge?

We can be incurious, and ignore the gap.

We can be ideological, and condemn those who make it hard to ignore the gap.

We can impersonate gods, and condemn the gap itself.

We can be industrious, and reshape the world to conform to our ideals.

We can be reflective, and reshape our ideals to conform to the world.

We can be designerly, and reshape the world and our ideals together.

Design is not a praxis.

Design is praxis.

T. M. Krishna!

October 18, 2022Art, Biography, Enworldment, Music, Philosophyanomalogue

Sunday, Susan and I got to attend a lec-dem by the great Carnatic vocalist T. M. Krishna. We were especially excited that he was accompanied by violinist, Akkarai Subhalakshmi.

I was most excited about the musical performance part of the event, but it turns out the lecture part might have more lasting impact.

His lecture was about the history of raga forms, and his own views on the degradation of raga forms from an organic aesthetically-guided musicality to a synthetic computational model. The great loss, according to T. M. Krisha, is the ability to spontaneously feel the belonging of any part of the raga to whole. The synthetic ragas must mechanically repeat phrasings to maintain its re-cognitive character.

What shocked and excited me about what he was saying is that this precisely is a distinction I have been trying to make in my own philosophical work, distinguishing between synthetic ideas — which must be explicitly recalled and applied in constructing thoughts — versus conceptive ideas which work spontaneously and produce givens: givens of perception, of interpretation and of thought. The acquisition of a new conceptive capacity gives us new givens from nowhere, expanding our ontological range, thus enlarging our enworldment and enabling us to accommodate more truth.

I feel certain that my profound philosophical — or better, praxic — kinship with T. M. Krishna’s accounts for my instant love of his music. I conceive his music as an auditory embodiment of the very ideas that animate my thinking.

India is a living superset of every possible philosophical idea humanity will ever conceive, so I am overjoyed, but not at all surprised, to have reconceived an Indian enworldment..

I dug through T. M. Krishna’s book, A Southern Music and found some of the content from his lecture:

In the early eighteenth century, Venkatamakhin’s descendent Muddu Venkatamakhin decided to artificially create ragas for the remaining fifty-three of the seventy-two possible melas computed by his ancestor Venkatamakhin. He used the same method that had been used to create the raga deshisimharavam. This meant that all seventy-two melas were functional. The raganga raga needed to have only the seven svaras. It was around this time that arohana and avarohana came to be used to define the melodic structure of a raga. This created artificial janya ragas that were formulated from the non-functional melas. As these ragas had no aesthetic component to their identity, the simplest way to describe them was to mention the svaras that appeared in their arohana and avarohana. These svaras were after all based on the computed svarasthanas. This was another important marker in raga history. Even under the constructed melas, Muddu Venkatamakhin placed older, naturally evolved ragas. He not only gave names to all the fifty-three raganga ragas that he constructed, but also altered the names of older raganga ragas. This was done to accommodate the ingenious syllabo-numeric memory system that was evolved to identify the number of the mela from the name of the raganga raga, a system called the katapayadi samkhya.

As I move to the next major development, I must point out that the exercise of computation resulted in ragas being reinterpreted in terms of only the svaras they contained, rather than the aesthetic form of their melodic movements. This is also revealed in the use of arohana and avarohana as the defining characteristic of ragas. We must realize that once these systems came into practice, they were also being placed upon ragas that had evolved organically and were not determined by the arohana or avarohana. All ragas were being looked at through the prism of the arohana and avarohana, thus deconstructing their natural melodic features. …

Ragas that evolved from melodic phraseology developed through time and remained cohesively held together by the aesthetic cognition of unity. These ragas may have seven svaras or even less. They cannot be purely defined by the sequence of the svaras in the arohana or avarohana. Examples of this are surati, ritigaula, anandabhairavi, gaula and saveri. …

In the eighteenth century, we come across another treatise called Sangraha Chudamani (1750–1800). We know very little about the treatise or its author Govinda (not to be confused with Govinda Dikshita). This treatise completely sterilized the concept of raga and mela. Govinda combined the ideas of sampurna along with arohana and avarohana. In doing so, he decided that the ragas that held the name of the mela must have all the seven svaras in sequential order both in the arohana and avarohana. He also created a new term for the melakarta: meladhikara (the raga that has authority over the mela). Most ragas that evolved naturally did not have svaras in linear sequence and could not be meladhikaras. Only six older ragas were given the meladhikara status. Older natural ragas were listed within artificial melas whose meladhikara was a synthetic raga. The status of the raga that held the title for the mela had thus changed from being the most popular raga to the one that had authority over the mela…

With these conceptual changes to raga and the adaptation of many forms of contrived svara sequences as ragas, we are faced with an aesthetic challenge. Do all these different types of ragas have the abstract nature that is a creation of the raga’s musical heritage, phraseology and its psychological recognition? An aware listener can sense this by listening to just one phrase. In an artificial raga, the musician and the listener have to constantly connect with all the svaras present and their sequence. They cannot transcend this level of engagement and move to the real level of aesthetics of phrase forms. Why is such transcendence important?

Let me suggest an answer to that question. A raga belongs not to the literal but to the inferred. The inferred comes alive when the perceiver can be invited into the sound of the raga, which is born from every svara, every phrase, every phrase connection and the raga as a whole. This experience is only possible when the listener does not need to be reminded of the technical nature of the svara or its sequence. Synthetic ragas lack the abstractive nature both in form and in the way they can be received.

Polycentric design praxis

October 12, 2022Enworldment, Philosophyanomalogue

Here is where I am right now: I want to integrate polycentric design practice (design for multiple interacting participants in a defined social system) with my philosophical project, which reconceives philosophy as a genre of design — a genre of polycentric design. This integration of practice and theory yields a polycentric design praxis.

This polycentric design praxis is, itself, a polycentric design “artifact”, a way of being-in-the-world: an enworldment.

These two projects are already joined at the root.

A radical design solution, to the degree it is radical entails philosophical work. Such solutions reach beyond mere ingenuity, by reframing the problem it is meant to solve.

Moderately radical solutions may use metaphor to semantically remap the problem landscape and to find a new standpoint from which one can view the problem in a new perspective, and approach it from new angles. Essentially, metaphor puts existing conceptions to work in new contexts, not only for the designer, but also for the participant in the design. But repurposing of conceptions through metaphor is only one move available to designers and thinkers. Some claim it is the only one, but this claim says more about the limits of the claimant than the limits of possibility. Truly radical thinking involves finding new conceptive movements through direct and tacit interactions with reality — nonverbal intuitions. The wordbound are stopped short where language ends, equally unable to originate or understand what cannot be assembled from dictionary definitions. Much of value can be made inside these limits, but the most important advances in human being happen when linguistic limits are transcended, through religious or artistic activity. The words come later, and new metaphoric material for word-tinkerers. All that being said, though — metaphor does make a design more usable, and the most successful radical designs use metaphor or simple conceptual models to do the reconceptive work of innovation.

Any innovation rooted in reconceptions beyond the verbal will be perceived, not as design, but as art. Likewise, any intellectual innovation rooted in reconceptions beyond the verbal will be perceived, not as philosophy, but as religion. Untamed art (that is, art that cannot be explained) and genuine religion (that is, religion that does not explain) inflicts perplexity on wordworlders.

My philosophical faith was forged in design practice. My worst perplexities come from my worklife. I see them arising from the unique requirements to conceptually align with diverse people. I’ve come to understand (that is, to reconceive) the strange kinds of pain human-centered designers suffer as collective perplexities, very similar to those felt by scientists during scientific crises and to those experienced by philosophers who discover their radical differences. And, I should add, to a culture who has fractured and factionalized and cannot reconcile its difference, because both sides are indubitably right, morally and epistemically) and face existential threats from the other.

Cultivating a practice of moral-epistemic irony toward myself either gives me a uniquely helpful approach to diagnosing and treating such group perplexities, or it gives me a smug and alienated claim to superiority.

What a mess of a post. I’ll stop now.

Contrarian thoughts on the public

October 10, 2022Design Instrumentalism, Enworldment, Philosophyanomalogue

Based on my understanding of David Cooper’s characterization of Existentialism, I believe two of my strong convictions may be somewhat heterodox within Existentialism.

First, Existentialism should never seek to be a norm. I do not believe many members of the public ought to pursue the Existentialist ideal. Rather, I think most should play their public roles according to the ethnomethodical rules of their various social settings, as long as doing so allows them to live reasonably rational, effective, meaningful lives. If things are going well for a society, nobody should be condemned for identifying themselves with their social role. If the everyday enworldment of the public isn’t broken, everyone should be encouraged (though not required) to adopt it and live by it.

Second, existential responsibility is not only, or even primarily to oneself. Existentialists should not treat the public as a threat to evade. The public should be seen as its responsibility. If the popular, everyday enworldment of the public is broken — that is, if the life it affords is unreasonable irrational, ineffective or nihilistic — it is Existentialism’s responsibility — its very raison d’etre — to repair or redesign it.

I continue to view philosophy as a sort of secular esoterism, responsible for maintaining, reforming or remaking the various exoteric enworldments available to the public. Most of these enworldments are small and local (to a social circle, an organization or even a gathering or project), but sometimes responsibilities expand to larger scales.

Designerly exnihilism

September 30, 2022Biography, Design, Design Instrumentalism, Enworldment, Philosophyanomalogue

Any experienced, philosophically-sensitive designer who reads the passage below will recognize how indebted design praxis is to Existentialist thought:

When we combine Heidegger’s explanation of the shift to the perspective of presence-at-hand with Sartre’s functionalist account of emotions, we obtain as a bonus an interesting explanation of our tendency to pit reason against passion. Examination of objects present-at-hand and indulgence in emotions like anger have the same origin — the recalcitrance of the world. Confronted with the broken toy, one child takes it to bits to examine it while another flies into a temper. The first deals with the recalcitrant object practically, the other ‘magically’. So reason and passion can come to seem incompatible strategies for coping with the world. The mistake of the dualist who seizes upon this and speaks of separate faculties or ‘parts of the soul’ is a failure to appreciate that, when things run smoothly, there can be no factoring out and isolation of the elements of understanding and mood, belief and desire, which are integrated in our engagement with the world.

The steepness of a hill is an undramatic example of something disclosed through mood. An important and distinctive feature of existentialist writings, however, is the demonstration that some moods and passions disclose matters of great moment. It is this which prompts one commentator to remark that the existentialists’ ‘phenomenology of the emotions … will prove to be one of their most valuable and lasting achievements’. An obvious instance is Angst, which is taken by several of our writers to intimate to us our radical freedom and individuality. I shall return to this and other examples including, by way of further initial illustration, the disclosive character imputed to sexual experience. ‘There is no doubt,’ writes Merleau-Ponty, ‘that we must recognize in modesty, desire and love in general a metaphysical significance.’ Shame and shamelessness, for example, together reveal the ‘ambiguous’ character of the body. In shame, it is revealed as an ‘object’, victim of the gaze and inspection of another. In shameless behaviour, a ‘subject’ — the dancing Salome, say — seeks to captivate another person, tum him into an ‘object’. More generally, Merleau-Ponty concludes, sexual experience is ‘an opportunity … of acquainting oneself with the human lot in its most general aspects of autonomy and dependence’.

Whether Merleau-Ponty’s particular suggestion is plausible does not matter for present purposes. What does matter is the plausibility, given the Existentialist’s view of our Being-in-the-world, of supposing that sexual and other feelings should have ‘metaphysical significance’. If our Being-in-the-world is an embodied engagement with a world that ‘opens’ itself to us through our concerns and projects, there can be no reason to think that it will be disclosed only when we take stock and reflect. On the contrary, unless its features are revealed in a more ‘proximal’ way, there would be nothing to take stock of and reflect upon. If so, it must be wrong to suppose that reason is the faculty which discovers how the world is and passion merely the arena in which our subjective reactions to this discovery are played out.

Above, I highlighted these sentences: “Confronted with the broken toy, one child takes it to bits to examine it while another flies into a temper. The first deals with the recalcitrant object practically, the other ‘magically’. So reason and passion can come to seem incompatible strategies for coping with the world.”

“Design” has always been a sharply ambiguous word, and the ambiguity has always split along these two strategies for coping with object-recalcitrance.

When engineers, and those who think in the manner of engineers (using the philosophy of technik) say the word “design”, the emphasis is usually on the practical aspects of objects.

But when “creatives” use the word “design”, the emphasis is on the passionate and magical. The goal is to use sensory and symbolic means to aesthetically and emotionally frame some artifact to crystalize within a user’s or customer’s worldview to stand apart (de-) as significant (-sign).

The trend in design is definitely toward a seamless de-severing of these two coping strategies, and instead coordinating them to return us to a smooth integration of “the elements of understanding and mood, belief and desire, which are integrated in our engagement with the world.”

But this very project of practical-magical integration requires designers to experiment with philosophy, and “frame” or “concept model” problems in multiple ways — not only to render problems more soluble on a practical level (as some designers think), but to invest the designed artifact with de-significance capable of crystallizing (or at its most magical, dissolving and recrystallizing) a person’s understanding around that artifact — and orienting them to that artifact conceptually, practically and axiosly. (I’m playing with back-forming “axiosly” from “axiology”, to mean pertaining to values. That it is uncomfortably close to the word “anxiously” is a feature, not a bug.)

The most powerful designs force rethinking of entire fields of life — for instance how iPhone put phone design in its own orbit by making it retroactively obvious that the iPhone approach is objectively the right way to design a phone.

(Rant: Upon seeing iPhone, most people were induced to reconceive what a phone can and ought to be. Seeing it, and grokking it, everyone’s understanding reshuffled to accommodate it. After the reconception and reshuffling, it no longer seemed to be an invention; it was a discovery, and iPhone was just a good execution of this newly discovered archetype. And you know, come to think of it, we all knew this truth all along. There was this precursor, and that one. Never mind that nobody did, really, or they would have tried harder to actualize it. But truth is, most people are too subjectively oblivious to catch what happened, and all that stands out to them are little objective novelties graspable by the grubby hands of IP law. Apple could only sue Google over design trifles like rounded-cornered rectangles and elastic scroll behaviors, because its primary innovation — the idea that demanded imagination, faith and perseverance to actualize — was too deep and too subjectively contagious to protect. How else can a phone be designed? It takes a Steve Jobs to hear that question as more than rhetorical and to venture an answer.)

In my years of design, I have done numerous small, local philosophies and noticed that every really good design brief works like a spell on design teams to make perspective-shifting useful things. I call this philosophical craft “precision inspiration”.

And doing this work, day in and day out, has gradually shifted my own sense of truth, of reality, of practicality, of possibility — most of all of the permanent possibility of reconception of every thing and everything, which has cast a spell on me and made me an exnihilist.

Philosophy is designable. Philosophy-guided practice — praxis — is designable.

When we design praxis, we also redesign our overall experience of life — our enworldment.

My ambition is to be a praxis designer.

Design, existentialism, technocracy, etc.

September 27, 2022Design, Design Instrumentalism, Enworldment, Philosophy, Politicsanomalogue

If a philosophy is more a matter of questions than of answers — or to take this beyond mere language, that praxis is more a matter of problems than of responses — and I do see it this way — then the fact that the questions and problems that concern me most are all, without exception, existential ones — including this crucial distinction I am making this very moment between mind-bound philosophizing and full-being praxis.

Many of my responses to existential problems have come from pragmatism (for example instrumentalism). However, I have noticed where pragmatism departs from existentialism (for instance much of analytic philosophy) the questions it pragmatists concern itself with feel like idle conceptual play in the sandbox of language.

If the work done inside the philosophical sandbox does not persist beyond the conceptual playtime, and the relevance of the work does not extend into the world beyond the sandbox — in other words, if it neglects the practical dimension and falls short of full praxis — the work is not only unimportant, but straight up uninspiring. Yes, praxic work, like any kind of work, can, in its inspired moments, feel playful. But if the work is dropped when it starts feeling painful, not only will the work not get done, the play itself will be mediocre — mere speculative escapism.

While I will continue to use pragmatist tools, I’m seeing my project as existentialist. For that reason I’m kicking all talk of “design unstrumentalism”, “design pragmatism” and the like to the curb, and accepting the fact that I’m just another neo-existentialist. As I see it, I’m returning to existentialism gifts it contributed to design praxis, worn smooth and refined by use, and therefore, hopefully, in improved form.

I think design praxis should merge more fully with existentialist praxis.

This means design praxis must fully liberate itself at last from the objectifying praxis of technik, which currently dominates not only technology, but the entire commercial world (still mostly managed as industry), the world of politics (technocracy), and even our culture (which objectifies unique persons as mere instantiations of identity).

I hear a lot of careerist-types, whose whole mission in life, it seems, is success and social prestige, sitting around casually raging about “dismantling the system”. I don’t take them even a little bit seriously, because they know who butters their bread, and they like butter a lot. They like butter, in fact, far more than justice. As long as they continue to loyally serve the system in action — which very much includes directing their angry justicy words toward non-problems (such as DEI), and impossibilities (like overthrowing Capital) — they’ll get all the butter they care to eat. Social justice, for most, is butter — a way to self-righteously get a leg up in the market. It is annoying, but luckily also funny to watch them scold everyone around them about their unconscious biases and motivated reasoning… in the name of justice. But now I’m digressing, again.

Say these people did manage to actually dismantle the system. What would replace it? Given their intellectual poverty, all these activists would be capable of would be to construct a new technik-dominated system, and probably one with all the worst vices of the current system, minus the war-honed technical competence of the New Deal, and omitting the redeeming vestiges of liberalism that make what we have today bearable.

We’d end up with another technocracy cobbled together by Dunning-Kruger-crippled social engineers.

It’s the philosophy, stupid.

Yesterday a friend posted an article on LinkedIn, “Why Corporate America Broke Up With Design”, along with some comments. I left some comments of my own.

Here’s the thing: design is a praxis — meaning it is a philosophically-guided practice. Nearly all large organizations are dominated by industrial praxis. They appropriate the tools and techniques and jargon of design, but confine it to the philosophy of technik, which cannot accomodate it. 1) This severely limits what design is able to accomplish. 2) The philosophy of technik is the actual source of misery, commonly attributed to capitalism by pop leftists.

Unfortunately, it is taboo to talk philosophy in the workplace, but fact is, our culture badly overdue for a philosophical reform, and until it happens the angst and conflict afflicting our society will intensify.

and

If corporate America did break up with design, it would be the typical divorce scenario: some thirsty dude marries an idea of a woman and cannot bring himself to learn that she is a real person, with her own first-personhood, with important lessons to teach him — and not an ideal or a function that exists only to satisfy his own needs or desires.

and, finally

This article is severely marred by its click-bait title. The author talks about design evolving to “stakeholder centered design” (which, by the way is what service design is, and has been for decades) and concludes with “Companies may have no choice but to adopt a more expansive view of design.”

No kidding.

But this is the furthest thing from a breakup. It is a much-needed deepening and internalization of design in how organizations approach their business.

Eventually, if we are all lucky, organizational leaders will finally recognize their organization (not only what it makes) is itself essentially a design problem, comprising smaller design sub-problems, each comprising smaller engineering, operational, financial and executive sub-problems.

The corporate world still has things mostly backwards and inside out… but this seems to be slowly but steadily changing.

Design activism

September 23, 2022Biography, Design, Design Instrumentalism, Enworldment, Philosophyanomalogue

All design praxis is guided by a glorious hybrid of existentialist and pragmatist ideas, interbred and naturally selected for maximum effectiveness. This is true for monocentric design disciplines (UX, CX, and all the other X-disciplines, where designers focus on the experience of a single person encountering a designed thing) — and it even more true for polycentric design disciplines (where networks of people interact with one another and with things, each having an intentionally formed experience of that network and its constituent elements, some of whom are fellow persons). Today, service design is the most prominent example of polycentric design.* (See note below.)

Any design project potentially conveys this praxis (and a taste of its enworldment) to those who actively participate in the project, and for that reason all design projects are, to some degree, interesting to me.

But the design projects that are most fascinating are ones where the designed systems themselves (not only the designing of the system) serve the propagation of design praxis and designerly enworldment.

The latter is a kind of activism I find inspiring.

For this reason, I am prioritizing educational service design, in collaboration with my wife Susan.

My goal: I want people to approach all problems as polycentric design problems.

I want to do this by 1) clarifying, developing and articulating the tacit philosophy of polycentric design praxis, 2) by involving as many people as possible in doing and learning polycentric design, 3) encouraging design practitioners to use design praxis as their primary life praxis (most importantly in their political thinking!), and 4) by redesigning education to teach polycentric design praxis, and thereby conserve and perpetually reform liberal democracy.

“Everything is design. Design is everything.” — Paul Rand

* Note: I believe the world is badly in need of other forms of polycentric design where interactions are less hierarchical, more equal, and where roles in a system are not clearly defined in consumer and provider terms, and less amenable to being characterized in terms of service. (Service designers might object and offer redescriptions of social systems using service logic, but to me — and, I hypothesize, most people outside the service design profession — this will feel like a reductionistic stretch. Polycentric design is designing for pluralism.

Second verse, same as the first

August 3, 2022Design, Enworldment, Ethics, Music, Philosophy, Trefoilanomalogue

We apprehend that something is, but we may not comprehend what it is.

“Apprehending that” establishes something’s existence.

“Comprehending what” establishes its conceptual relations within our understanding.

Sometimes (often, in fact) we apprehend something, but we cannot immediately comprehend it. We either ignore it as irrelevant, gloss over it, or are forced to figure out what it is. Sometimes, after a little effort, we recognize what it is, either with a word, or, failing that, with an analogy that has not yet been assigned a word: “this is, in some sense, like that.” Sometimes this recognition clicks, and we begin to experience it as a given what that thing is. Sometimes the recognition does not click, but we have no better option than to manually recall what we made of it, and hope the recall eventually becomes habitual.

In other words, there is spontaneous whatness, and there is artificial whatness.

In some cases, we can apprehend that something exists, or comprehend what it is, but still have no univocal sense of its meaning (in the valuative sense — moral or aesthetic), either because there is no distinct meaning or because we sense conflicting meanings. We have to reflect on it, turn it and its context around in our minds, and work out how we ought to feel. Sometimes a sense of moral clarity comes to us, but often it doesn’t.

In other words, there is spontaneous whyness, and there is artificial whyness.

We also might apprehend that something exists, or even comprehend what it is, but be unprepared to respond to it practically. We can talk about it, but cannot interact with it effectively. We are forced to think it out, devise a plan and execute the plan before we know what to do.

In other words, there is spontaneous howness, and there is artificial howness.

Perhaps the reverse of these cases is more interesting: sometimes we might lack comprehension, but still somehow still sense the value of something only apprehended. We might even respond practically — pre-verbally — to a realy that is apprehended but which remains uncomprehended.

Does that seem impossible? Do you believe a thing must be comprehended before value can be felt or response is possible? If you believe this, I accept that this is true — for you. I have no doubt this is true for a great portion of modern human beings. I won’t even rule out the possibility this is the case for the majority of educated people living in this era. For this type, reality is intercepted and linguified prior to feeling value or responding practically. And when we do something often we get better and better at it. We begin to think we can train ourselves to understand the world the way we want to, to train our feelings to find goodness or beauty where we want it there to be value, and to train our behaviors to automatically respond as we want them to.

To us, this imposition of artificiality might be acceptable to people accustomed to constantly instructing themselves with words, verbalizing whatever they see, arriving at conclusions using syllogisms or frameworks, and calculate valuations in units of currency. But those of us who value in minimizing linguistic mediation between ourselves and the world, see this aggressive linguification and retraining of our What, Why and How — with little or no concern for the fact that they feel artificial or false to us — seems nothing less than an existential threat. It is social engineering on the micro-scale, and not outside and (hopefully) at a distance, like the grand social engineering of the twentieth century, but in the intimate domain of the personal soul.

And like the old “macro” social engineering projects, this micro social engineering preys on insensitivity to experience and gross over-reliance on verbalized thought. Macro-social engineering believed it would, using iron and concrete, intentionally construct a better society to replace the inadequate one that organically developed unintentionally, or more accurately developed through non-centralized, uncoordinated, distributed intentions. “Oh, you think it is ugly? It is only new and unfamiliar.” They said this about building projects, and they said this about serial music. Both produced blight. Today’s micro social engineering wants to replace inadequately-accommodating concepts and language with new truth constructions with better intentions. “Oh, this seems ungainly and false to you? It is only new and unfamiliar.” I have little doubt that entrusting the construction of truth to overconfident, ambitious wordworlders will produce intellectual and cultural blight. Of course, exactly this kind of person will make relativistic objections: Who are you to judge matters of taste? And indeed, to those without taste, taste is arbitrary. But this does not make taste arbitrary, it only disqualifies them from speaking credibly about taste — at least to others who actually have taste and know better.

But isn’t this… conservative? How can we make progress as a society if we must stick to what seems natural and familiar to us?

It seems obvious that what is most familiar to us feels natural to us. Social constructivists (or at least the vulgar majority of them) will insist that these things seem natural only because they have become familiar. But this neglects the possibility that perhaps they became familiar precisely because they naturally and spontaneously appealed to people from the start. And because they felt natural soon after being adopted.

This is why I keep bringing things back to design. Design, or at least good design, aims at intuitiveness, which simply means for non-verbalized cognitive processes. We want the whatness, whyness and howness to be spontaneously understood, and to require the least possible amount of verbal assistance or figuring out.

Familiarity is a key factor in such designs. A mostly-unfamiliar design will require too much adjustment. But the innovations introduced into mostly-familiar designs are not all equal. Some are confusing, or ugly, or hard to interact with, where others, after a moment of adjustment, are experienced as clarifying, or beautiful, meaningful or delightful, or effortless to use — and it is these designs that are adopted and then seem retroactively inevitable.

But our verbal minds and its logic and frameworks do not decide what does or does not make sense or have positive value or affords an effortless interaction. It can only speculate about what might work, and use these speculations to prototype artifacts which are then offered to people’s whatness, whyness and howness intuitions. The intuitions accept them or reject them, and good designers honor this acceptance and rejection over their linguified reason.

Good designers are not really conservatives, but they are even less social constructivists. They seek a better second-naturalness — something that people willingly choose over what was familiar.

The only places where inadequate familiarity (bad conservatism) or ungainly social constructivism (bad progressivism) prevails is where voluntary adoption is not an issue because the adopters lack choice. They cannot escape the situation or have nowhere to go. Or at least the bad conservatives or bad progressivists believe they lack options and must comply.

Where rough equality and free choice exist, design prevails.

When I philosophize, I think things out. I try different interpretations, different analyses, different syntheses, different articulations. The ideas I devise I then offer to my intuition. If they click, I then try to use these ideas to make intuitive sense of things that matter to me, that seem to require understanding. I see how these ideas perform: do they clarify the matter? help me feel its various values? help me respond more effectively?

As with all other design, there is a strange ambiguity between the designed artifact as an object, the subjective using of the artifact, and the new sense of objectivity as given through the artifact’s mediation. To offer a tangible example, when we use a new digital tool, we are aware of the tool itself, we are also aware that we are using it in some particular way that is patly novel, and we find that what we are using the tool to perceive or act upon (for instance, images we view or images we edit) are understood somewhat differently. All these ambiguities are what designers mean when we say we are designing an experience, as opposed to merely the artifact.

With philosophy, there is language and there are concepts. But there is also a using of these words and concepts, and this using can be effective or ineffective. The using of the words and concepts, once acquired, is applicable even outside of the philosophical artifact itself. It “clings” like the mood of a novel, except it produces intuitive understandings — What, Why and How of various kinds and relations. I’ve called these “conceptive capacities”. New conceptive capacities are what “inspire us” and what “gives us ideas”. Perhaps this very line of thought I’m sketching inspires you and gives you ideas. This line of thought also has given me a world of ideas and thst world is what my book is about. I’ve called this book Second Natural and also Enworldment — the former, because the very goal is to produce a second natural truth that we truly believe, and the latter because radically new second natural truth produces a very different overall understanding of the world and of everything. Which reminds me of an old abandoned third title: The Ten Thousand Everythings, so named because every person is the center of an enworldment, even if, to us, they seem to be a thing belonging to our own enworldment.

Respect requires us to approach all other persons as the center of an enworldment. Our dignity is injured if we are not treated as such.

Yet, tragically, the more brilliant we are, the better informed we are, the more certain we are of our own benevolence and righteousness — and, yes, the more powerful we are — the more likely we are to disrespect those who differ from us, and the more ready we are to injure their dignity by forcing upon them our own self-evidently superior enworldment — which, to them, feels artificial, tyrannical, hubristic and profoundly dehumanizing.

Comprehensive-participatory

August 2, 2022Design Instrumentalism, Enworldment, Philosophyanomalogue

Perhaps I should abandon all talk of objectivity and subjectivity, and reseat the conversation on the distinction between comprehensive and participatory knowledge.

Or maybe I should just finish introducing and developing the comprehensive-participatory distinction before associating comprehensive knowledge with objectivity and participatory knowledge with subjectivity.

Soap bubble

July 28, 2022Enworldment, Metaphysics, Taoismanomalogue

Some kinds of knowledge are simply there for the grasping. You point your head at an object and a fact tumbles into your mind.

Other kinds of knowledge are constructed. Grasped facts are logically or causally linked to produce systems of knowledge. Facts are glued together with “therefores”, “thusses”, “ands” and other operations to make complex assertions. Then the whole assertion is black-boxed, sealed shut and labeled “idea”.

Other kinds of knowledge are analogical. We recognize some abstract characteristic and say “this is like that in x respect”. Then we give x some name, and then that x becomes one more graspable object. Sometimes that named abstraction becomes more real to us than the original this and that. Identity occludes uniqueness.

Some kinds of knowledge — to me, the most fascinating and consequential knowledge — requires us to change ourselves before we acquire the capacity to understand them. Or perhaps it would be better to say: we must change who we are before we have an ability to participate in this knowing. Until we make this change we are inadequate to the knowledge, and we cannot even recognize, conceive or comprehend that there is anything knowable. We are “blind”, or lack “ears to hear” what is meant. We lack the living question to which this knowing is an articulate response.

Until we acquire such a conceptive capacity, though, we will go right along knowing exactly what all this miraculous seeing, hearing and conceiving means. We will overflow with explanations for why people believe it and what kind of validity it has or lacks. We cannot conceive that we don’t really conceive its meaning, because we have no point of comparison.

We are trapped in our unpunctured soap bubble of omniscience, and even if that pops, there is another beyond it, containing it.

It’s soap bubbles all the way out, sahib.

Nobody knows more than someone who knows nothing.

IN THE NORTHERN DARKNESS there is a fish and his name is K’un. The K’un is so huge I don’t know how many thousand li he measures. He changes and becomes a bird whose name is P’eng. The back of the P’eng measures I don’t know how many thousand li across and, when he rises up and flies off, his wings are like clouds all over the sky. When the sea begins to move, this bird sets off for the southern darkness, which is the Lake of Heaven.

The Universal Harmony records various wonders, and it says: “When the P’eng journeys to the southern darkness, the waters are roiled for three thousand li. He beats the whirlwind and rises ninety thousand li, setting off on the sixth month gale.” Wavering heat, bits of dust, living things blowing each other about — the sky looks very blue. Is that its real color, or is it because it is so far away and has no end? When the bird looks down, all he sees is blue too.

If water is not piled up deep enough, it won’t have the strength to bear up a big boat. Pour a cup of water into a hollow in the floor and bits of trash will sail on it like boats. But set the cup there and it will stick fast, for the water is too shallow and the boat too large. If wind is not piled up deep enough, it won’t have the strength to bear up great wings. Therefore when the P’eng rises ninety thousand li, he must have the wind under him like that. Only then can he mount on the back of the wind, shoulder the blue sky, and nothing can hinder or block him. Only then can he set his eyes to the south.

The cicada and the little dove laugh at this, saying, “When we make an effort and fly up, we can get as far as the elm or the sapanwood tree, but sometimes we don’t make it and just fall down on the ground. Now how is anyone going to go ninety thousand li to the south!” — Chuang Tzu

Enceptive-synthetic

July 25, 2022Design Instrumentalism, Enworldment, Judaismanomalogue

Conceptive understanding is a matter of presequence: given some particular fact, to what questions can it be understood to be an answer? This is hermeneutic meaning.

Synthetic understanding is a matter of consequence: given some particular fact, what facts follow, logically and or causally? This is pragmatic meaning.

But “what follows” is determined by (enabled and limited by) what questions we can meaningfully ask. Conceptive understanding is what makes live questions live, what animates our asking, what invests a search with urgency.

The primary and universal givens and questions of mundane human life — practical questions concerning other people, faces, animals, natural and artificial objects, dwellings, terrains, emotions, dispositions, intentions, and so on — are universal because all people are concerned with them. Upon these, questions of biological functioning hang. “What is this?” “What can I do with it?” “Is it dangerous?” “Can I use it?” “Can I eat it?” “Should I get away from it?” “Should I approach it?” “Can I break it into pieces?” “Can I make something out of it?”

From these primary givens all manner of complex synthetic understandings can be built up. These ramifying, interconnected syntheses form systems.

Sometimes synthetic systems will “click” and a gestalt will emerge from a system. One suddenly intuits the system as a whole. Or, better, one intuits a whole together with its parts, as an articulated whole. In such cases we develop a complementary mutually-reinforcing conceptive-synthetic understanding.

(Philosophers, especially, love conceptive-synthetic understandings, though they rarely foreground this taste and instead simply look through it at their various objects of thought. But this is how conceptive understandings essentially are: they are not themselves objects of thought, but instead mediate our thinking and produce some sense of objectivity. This makes them impossible to think about if we expect all thinkable entities to be mental objects. Synthetic understanding, failing to find graspable elements to connect, makes an objection: “This does not compute.”)

Conceptive understandings are not necessarily limited to synthesized gestalts — or at least, they don’t have to be, unless we intentionally limit them. To liberate themselves from irrational notions, many rationalists discipline their thinking to fully accept as true only synthesis-vetted conceptions, and to tune out or psychologically compartmentalize the many other conceptions — such as mental, emotional, verbal and imaginative associations, aesthetic perceptions, superstitions, fantasies, etc. — that happen constantly during any ordinary day. We select some conceptions to take seriously and integrate into our sense of truth, and bracket innumerable others that interfere with our systematic understanding of truth built up from primary givens.

My belief is that there is another unacknowledged ground of truth that complements primary givens, with a conceptive understanding of the ultimate whole. But, being conceptive, it shares that unnerving refusal to be an object of thought, and instead mediates our sense of “everything”. I have called this “enception” — that whole from which all conceptive understandings are articulations. I believe it is precisely from our enception that all conceptive understandings derive their meaning, their life, their urgency, their animation. And so, if we only permit truth in the form of synthesis of primary conceptions, our overall sense of meaning in life can become attenuated or even cut off and starved.

I believe all healthy religious life attempts to discipline thought and action to articulate one’s enception in such a way that one’s sense of truth is animated by it. Ideally, because I am both philosophically religious and religiously philosophical, I want the synthetic truths I build up from primary givens to mirror, as exactly as possible, the gestalt givens that I spontaneously recognize in the world around me.

Or to say it better; I want my angels to ascend all the way from Earth and to descend all the way from Heaven on the same ladder.

Let’s call the state of full enceptive-synthetic correspondence synesis.

I learned this word from Richard J. Bernstein who died on July 4th this year. May his memory be an ever-expanding, ever-deepening, ever-intensifying blessing.

Re-cranking the writing machine

July 18, 2022Biography, Enworldment, Philosophyanomalogue

(I’m trying to get back to publishing my ideas, even when they are far from perfect. For some reason I’ve been inclined to leave most of what I write private, but I’m going to make myself start putting things out there again. )

My immersion in the philosophical work of Jan Zwicky has given me a much sharper sense of what I want my book to 1) be and 2) do.

I want it to be a beautiful and dense work — of the kind I, myself, love. As much as I’d love readers to understand and be persuaded by my thoughts, explanatory or persuasive writing is not what I enjoy doing. Even more importantly, it is not what I love reading. I put enormous effort into cracking into difficult ideas — if I sense something momentous and sublime in them. I am bored and impatient with books that take on too much of the task of explaining and persuading. I don’t want that understanding done for me. I don’t like reading examples and stories. I’ll find my own meaning, connections and applications.

My book will be as simple as possible, but for the sake of aesthetics, not for making things easy for lazy, complacent, merely curious readers. Those lacking urgency and pain-tolerance are invited to give up. That is a virtue, not a flaw.

I want my book to do several things.

I want by book to defend that mode of understanding that Zwicky calls lyric and connects with gestalt psychology. Lyric understanding responds to reality in a way independent of, irreducible to, but intimately related with the form of thinking she calls analytic. She acknowledges the value of analytic thought, but believes it is currently failing to coexist with lyric understanding, one result of which is seeing nature as something to dominate. She outlines a different relationship — one which balances lyric sensitivity to the real with analytic practicality (and for beings like us an unavoidable necessity) in a stance she calls “domestic”. I have a different vocabulary from hers, and I think it has some powerful application in everyday social life, especially social life infused with design practice. I think design represents not only a way to produce domestic artifacts, but a way to think domestically. I want to design a simple, practical philosophy equipped with sharp, hard, gleaming vocabulary that can be deployed with confidence, force and grace against analytic hegemony — (that mindset I’ve been deriding as “wordworld”) — a language-dominated worldview that according to itself is justified to reject as unreal, or at least irrelevant, whatever cannot be made explicit, said, and, ideally, measured.
I will insist that when words and logic fail to do justice to our intuitive relationship reality, it is the words and logic that must yield — ideally to new and better words and logic that do. Perhaps the words and logic will conform to the intuitive sense, or perhaps word and logic will provide new intuitive access (that is, it will spark a conversion). But both the intuitive sense of reality and the language and logic must be satisfied, neither dominating the other. What absolutely must go is the this modernistic conceit that we can change our nature and sense of reality through brute effort. Whatever we do — whatever we are coerced to do for a long time — will eventually become habit and seem natural. Change is possible — profound change is possible — but it must, must, MUST answer to our lyric sense, not rape it with logical and conceptual constructs.

This is true for art. For instance, serial music is purely synthetic production, and its embrace by the classical music profession helped sink its relevance. It did not become familiar and beautiful to any but a small, determined and concept-bound few.
It is true for technology. People have lost the new perspective on digital devices that Steve Jobs taught us (or at least some of us) — that the difference that really makes a difference is experience. We’ve relapsed into spec lists, feature lists, superficial styling. Consequently, the experience of digital interfaces in use (what “user experience” used to mean) have degraded precipitously. Because, for many, these digital interfaces serve as interfaces to much of life itself (we interact with each other, transact through them and learn most of what we know about the world through them) — our lives have degraded with it. Indeed, we ourselves have degraded in ways we are too degraded to notice.
And it is true for the ways we think. I do not mean what we think. I do not mean our facility with logic or math. I mean how we intellectually relate ourselves to reality. This intellectual relating produces truth (of varying quality) but is not reducible to truth content. Truth is instaurated in the process of collaborating with reality, not constructed according to our meager stock of concepts and our hopes. To believe truth is purely constructed and that reality will eventually conform to what we construct could be called toxic Apollinianism.

Not every truth construct or art construct or art construct will become, with time and practice, second-nature. Forced exposure or use of a purely synthetic construct will only desensitize our intuitions and alienate us from reality until we no longer expect intuitive contact or miss it if it is absent. The consequence of too much alienation from conceptivity, with too much reliance on synthetic substitutes is nihilism and anomie. I believe this is the core cause of our current cultural crisis. We do far too much synthetic thinking-about, and far too little intuitive interacting-with or participating-in. Consequently reality has become unreal to us. It feels horrible, but the worst afflicted — our children — don’t know there is any other way to be.

I want to lay out a framework I’ve been using for the last fifteen years to think about design research and craft.

Like art, design is a coordination of meaningful wholes and parts (which are themselves wholes): this is conceptive. It “together-takes” new givens, which can then be thought about synthetically.
Like engineering, design is a coordination of functional parts into systematic wholes: this is synthetic understanding. It explicitly “together-puts” givens into theories, arguments, proofs and so on, which sometimes but often cannot be conceived as new givens.
Design, unlike art and engineering, attempts to accomplish both orders at once. When we do this successfully, we achieve what I believe Zwicky calls “domesticity”. I’ve suggested to her that the book I am writing is an outline of domestic philosophy.

I’m ending here. This is pretty bad, but it will help me rebuild momentum.

anomalogue blog

praxis of design of praxis

Category Archives: Enworldment

You are normal and ok

Beautiful and most brave

The Philosophical Click

Transformability of givenness

Promises of new worlds

Protected: All-capacious

Reenworld thyself

Sense of nothingness

Real and ideal

T. M. Krishna!

Polycentric design praxis

Contrarian thoughts on the public

Designerly exnihilism

Design, existentialism, technocracy, etc.

Design activism

Second verse, same as the first

Comprehensive-participatory

Soap bubble

Enceptive-synthetic

Re-cranking the writing machine

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