Category Archives: The Well-Tempered Kabbalah

Contemplating aloud

Design, Hermeneutics, Kabbalah, Polycentered design, The Well-Tempered Kabbalah

(Note 9/10/26: this post has been updated at least seven times since the initial publication, and the latest table has evolved out alignment with the account given below.)

Here is the latest version of the Well-Tempered Kabbalah.

 

This little one page-book of mine is sprawling out, with a fourth table column, “truth”. PaRDes is no longer covering understanding or truth. It is now “word” — meaning any communicative form. And I have reversed the order of Remez and Derash. I am intensely nervous to change the sequence, but it is right for my present purposes. If it is a mistake, it is an honest one, and it is a mistake I have to make all the way. My rationale is bobbing about in the prose below.

Truth is now the knowing essential to each world. I have found beautiful Hebrew and English words for each of these truths, and rather than translate they complement one another to convey meaning. Nitpas — grasped or captured truth — are the givens we use to construct truth in Asiyah. Hashkafah means roughly viewpoint or worldview, and I give it the English word “conceptive” — what enables and limits the perceived and conceived givens available to us for our experiences and understandings. If Nitpas are the grasped givens, Hashkafah is the receptive capacity required to do the grasping — a state of Ruach. If the Hashkafah of Ruach changes, Ruach itself changes, as do the givens it receives in Asiyah. Hitgalut is revelatory, which I call enceptive. Where Hashkafah does the conceiving, Hitgalut is aware that it is conceived within an encompassing intellect of which it participates, and this intellect is the ground and source of other possible conceptions. It is from here radically new understandings emerge ex nihilo from inconceivability. The etymological meaning of Hitgalut is “self uncovering”, and it shares a root with galut, “exile”. Hitgalut is welcoming home of exiled Ruach to the source of its self. And finally, there is Devekut (cleaving) — mystical union beyond thought — the goal of Kabbalah and all esoterisms.

What is slightly tragic about this work is that I am reducing Kabbalah for a focused purpose. Kabbalah is abundant with Remez, but this work is Derashic. I am choosing less evocative and open ended words, and it affords less multiplicity of interpretation. It is one application of something greater and richer and far more beautiful, to which it belongs, and remains loyal as an expression.

What I care about most is how communities may enworld themselves in shared truth, practice and artifacts.

What efforts must we undertake, what ordeals must we undergo, what resistance must we overcome to find more expansive and accommodating orders, when our own is sufficient for our own needs but insufficient for others?

This is what I want to distill as simply and beautifully as I can.

But before we can distill a truth we must mash it, mix it and let it ferment in the alembic.

I am struggling with the sequence of Remez and Derash.

I cannot avoid belief that Derash is the expression of an accomplished stability of understanding — manifested as lucidly understood content, but manifested by a spiritual “container” — which is a capacity for perceiving certain forms of reality, for conceiving their significance and implications, for expressing and insinuating these implications, and conversely, an inclination to be persuaded to belief by presence of certain conceptual articulate forms. I have called this structure of receptive capacity which does the believing of believed-in content, but does much more than that a faith. Increasingly I am choosing to call faith by the Hebrew word Ruach.

We know Ruach only by its words and actions, and so we tend to disregard everything except the fruit — the stuff we can see and grasp. We forget the tree, the roots, the soil, the whole spiritually environing garden and fixate on sensory and conceptual objects. All these forgotten origins of the objects of our objectivity and the subject by whom this objectivity exists is Ruach and the realm of formation in which Ruach lives is called Yetzirah.

To express its existence, Ruach presents concepts and descriptions of sensory objects and events (the graspable things of the actual world of Asiyah) in a way that galvanizes or reinforces or illuminates a particular way of experiencing and understanding — the manifestation of Ruach. When we participate in the life of Ruach in this way, — actively showing or receptively receiving — this mode of language is Derash.

When liberal arts managerial thought leaders sagely reveal that, they are, at bottom, essentially storytellers, and then extoll the power of story, this is Derash. When sociopolitical commentariat speak of “narratives” underlying news stories or other commenter’s ideological distortions and omissions, all this is Derash. When we notice the strangeness of the past, the awkward or graceful artificiality of its gestures and expressions, this is Derash of an alien Ruach of a past era, a zeitgeist. Romcoms are highly stylized Derash, which is why they have a short shelf-life — vividly accessible for a moment, before wilting and repelling all but the nostalgically enchanted. Scientific paradigms guiding theory choice and formation, and even the instrumentation and practices within a scientific program — the common pre-rational conceptions are scientifically disciplined Ruach.

Derash takes the standpoint of one particular Ruach, and coherently presents reality from where it stands, relating an event or unfolding series of events from its own perspective, according to its own field of relevance and interrelations, conveyed in language optimized to communicate its experience of truth, infused with its moral valences, its own sensibilities and tastes.

By my understanding Remez is the hint of significance in expressions that we, caught within the limits of our current Ruach, are unable to understand coherently or clearly. We sense tantalizing but uncanny signal in the noise, and we are drawn to it even as we are repelled by it. Remez is how transcendent possibilities of faith and understanding call to us from beyond our current limits. This is the voice of Neshamah, the Siren of Wisdom, our higher self, and her music is Remez.

Remez is destabilized polysemic chaos, belonging to a higher realm into which we may ascend. This is the realm of Beriah. This chaos is not a chaos of absence of order, but a chaos of too many simultaneous orders — an infinitely signal-rich static requiring filtering for reception by finite Ruach. Ruach ascending to Neshamah, may be reconfigured for more expansive formation, and this is newly manifested in Asiyah, narratable as new Derash.

New self, in a new world, with a new story to tell, with new responses and new responsibilities…

In my practical experience as a designer, everyone tries to understand one level too low.

People try to prematurely construct systems using current conceptual repertoires, and often they are out of tune with one another, or as Kuhn put it are unconsciously operating from incommensurable paradigms. Each misalignment is adjusted, bridged or fudged piecemeal, and consequently the system has no sense of wholeness however systematically sound its integration.

Or people use force to impose their own limited understanding upon all others, who must adopt that understanding or work with incomplete understanding. Or they go to war with other groups in their organization who see things differently with the intention of winning enough power to impose their views.

Teams rarely transcend Ruach. Their stories are Derash of their own Ruach, and the villains of Derashic stories are often those of other Ruchot.

Part of the problem is that many of our political ideologies are considered by its adherents to be ultimate truths. Whoever is outside of the ideology is outcast. All more local understandings must fit inside the ideology and harmonize within it.

I am trying to develop a framework for talking about these levels of understanding, the challenges of communicating across them, the difficulties in overcoming them, as well as the hope and importance of succeeding.

From the moment I began designing, this has been the ineffable Why driving my need to understand what I am doing when I design or when conditions obstruct my efforts to design.

I will repeat my definition of design. Design is the crafting of any kind of system in which people participate as intrinsic parts of the whole. Paul Rand was right: Everything is everything, even when those doing the designing are unaware. And when we do this we mistake the non-human systematic components for the whole, neglect the “people part” and leave the designed whole languishing in semi-oblivion.

Another random note on Remez. When an artist crafts, the art collaborates in its own making. The artist is moved to say or make poetic forms whose meanings are charged with mystery. The artist cannot fully explain the meaning intimated by these expressions, but the expression is intuited to be right. This intimation is Remez, and without Remez, the art is cut off — exiled from what gives art life and meaning.

This is why true ideologues are unable to produce art.

Ideology makes tidy fables with tidy morals.

The Well-Tempered Kabbalah

Letterpress, The Well-Tempered Kabbalah

When I called the second edition of my Kabbalah reference sheet a “one-page book” I mostly meant it as a joke. As so often happens, however, this silly irony has become serious. I am thinking of it now as a book, and its title has become The Well-Tempered Kabbalah. I am continuing to work on it. I’ve corrected the English transliterations and now they are entirely and strictly consistent.

But I am also evolving the deeper meanings of the chart, and it is changing some of my fundamental understandings of Kabbalah. I am leaving my older change log intact, because it is a record of a thought process, and I want to show my work. Today’s most important change is so important that I am making a new start, with a new change log.

The change that changes everything is relabeling the last column. It was labeled “givenness”, but now it is labeled “truth”. The headers are now “world”, “self”, “truth” which is not only far more true, but also looks and reads better.

Here is why this is necessary: Givenness is one thing, but conveying and sharing that givenness is quite another.

Today I realize clearly and sharply that the world itself is the givenness. That is all the world as a distinct “thing” is — a mode of givenness vis-a-vis our finite self, specifically in the givenness of asiyah. From the givenness of atzilut the worlds are indivisibly one. And the perspective of The Well-Tempered Kabbalah is very strictly the snake’s-eye view of realities that transcend it. So if any column should be labeled “givenness” it would be the first one.

Truth is how a self conveys this givenness to itself in prayer, meditation or study (or all three at once!) or across selves in teaching and learning, pursuing and sometimes achieving a harmonious fourfold ironic richness. Daat, the omitted quasi-sefirah, is present in The Well-Tempered Kabbalah as a conspicuous nothingness of faculty, and this is why the letters of the tetragrammaton are carefully lined up with the missing daat in Jacob’s ladder in each of the rows.

And this is why Derash is of Beriah. There is no way to convey the givenness of Beriah apart from redescribing the entirety of Asiyah. The kind of subject-transcendent and object-transcendent revelation is revealed ex nihilo by neshamah to ruach as a new capacity for formation. In subjective-objective terms the revelation is pure potential — a “revelability” or “creatability” or “instaurability”. It is pure gestell, in which new gestalts are spontaneously given to nefesh in Malchut in Asiyah.

This is why converts speak of reborn self in a transfigured world. The trans of the transfiguring is, first, a new capacity for figuration from neshamah, second, a subjective doing of new figuration by ruach, and, finally an objective experiencing of a new comprehensive articulate order of gestalt objects — which is the content of the conversion.

I have been trying to articulate this reality for decades now — a reality in which I’ve intuitively participated as a designer — and, miraculously, Kabbalah has symbolic language capable of doing this reality full justice.

I’d have written a shorter book

Autobiography, Geometric Meditations, Kabbalah, Letterpress, The Well-Tempered Kabbalah

The internet has misattributed to Mark Twain a quotation: “If I had more time, I would have written a shorter letter.” I first heard and anchored on it as “I’d have written a shorter letter, but I hadn’t the time.” To my ear, it has a nicer waltzier swing.

Ironically, none of the sources of this quote managed to say it as parsimoniously as the internet rock-tumbled version. Presumably, they hadn’t the time.

My first book took 16 years to write, and was nine pages long. My forthcoming book on Kabbalah has taken another six years, and it will be one page long.

Nobody can accuse me of failing to write a shorter book because I hadn’t the time.

Well-tempered words

Philosophy, The Well-Tempered Kabbalah

I used a musical metaphor yesterday, conceived mid-thought, and today I’m appreciating its aptness. I mentioned well-tempered vocabulary, making an analogy (or anomalogy) with tempered scales to which harpsichords, pianos and most other keyboard instruments are tuned.

I have been looking for just the right set of English translations of Hebrew words for the sefirot and olamot and related ideas. I am also bringing some decades-old ideas to this work. I am pursuing internal harmony within the traditional framework but also across tradition to my own personal understanding, which, being a product of my own limit-bound finitude, certainly contains the usual scotomata, oblivia and eye-beams. Nothing lines up perfectly, but by looking at whole and part together, hearing chord and harmony in each meaning, they can be gathered in approximate inter-perfection.

My hope is that this sincere attempt at harmonious assimilation will coax my reason upward to be graciously met and tempered by intellection in descent, and that any work I do in this spirit will effect the same for anyone who tries to play golden ball with these words and ideas.

Perfection in such translation work is impossible. There are always trade-offs, audible disharmonies, humilities. Perfection is our holy asymptote, and it is not ours to have. The best we can do is give ourselves to this infinite perfection and play our finite part within it, at our finite, imperfect best.

Kabbalah prints v.2

Kabbalah, Letterpress, Philosophy, The Well-Tempered Kabbalah

I need to print revised editions of both the dialectic sefirot (which seems more true and important to me by the day), and the Jacob’s Ladder reference sheet, for a mix of boring and interesting reasons.

The boring reason is transliterative consistency. My earlier prints had some minor inconsistencies that are bothering me. Da’at, Tif’eret and Netsach have been changed to Daat, Tiferet and Netzach. Assiyah has been changed to Asiyah.

More interesting are some refinements in alternative translations translations of sefirot.

  • Gevurah changes from “power” to “severity”.
  • Chesed changes from “love” to “kindness”.
  • Netzach changes from “eternity” to “overcoming”.
  • Hod changes from “splendor” to “glory”.
  • Malkhut changes from “kingdom” to “sovereignty”.

These changes are all still traditional, but make a better-tempered whole.

Most exciting though are the changes in the four worlds chart.

First, I made two intensely satisfying improvements to the column labels:

  • “subject” is now “self”.
  • “understanding” is now “givenness”.

In the rows, I re-tuned some of the language:

  • In Atzilut, Chayah changes from “life-essence” to “source”, and its givenness remains “mystical”.
  • In Beriah, Neshamah changes from “divine breath” to “intellect”, and its givenness changes from “interpretive” to “intellective”.
  • In Yetzirah, Ruach remains “spirit”, and its givenness changes from “allusive” to “figurative”.
  • In Asiyah, Nefesh changes from “vital soul” to “soul” and its givenness remains “literal”.

I plan to print this new sheet and live with it for a week or two before committing to plates.

This is starting to feel very much my own intimate understanding within my tradition, and it is becoming more starkly beautiful to me with each revision.

Update August 19, 2023: I was considering “lovingkindness” for Chesed. There are good arguments for it. Viewed from approximate absoluteness, as emanated from Binah, Chesed is, in fact, complete lovingkindness, from which Gevurah develops its complementary severity. But viewed from below, which is the perspective of this sheet, Gevurah can be excluded from Chesed, which is then mere kindness — the loveless niceness of unconditional mercy and tolerance — always toward some at the expense of others.