Category Archives: Design

Service design’s core mission

It is a terrible thing to be prevented from giving what you were born to give, and, instead, to be forced to give what you don’t have.

It is the gift of gifts to give what you were born to give to others who need and value it, and, in exchange, to receive what you lack but badly need.

And one of our greatest needs is to give.

The mission in the heart of service design, buried beneath mechanical rubble and organizational slime, is a holy thing.

Intro to a philosophy of design of philosophy

Premise:

Designers philosophize all the time. It is part of our job, and for many of us, it is the best part of the work, and the part of the work that generates the most valuable change.

But it is also the part that is hardest to explain, the hardest to tame and the hardest to protect. This is intrinsic to philosophical work.

This inability to explain and protect — even to gain personal clarity on what is happening — prevents designers from securing the conditions needed to do design’s most important work. And it impedes design’s expansive development into new fertile regions.

“What?” you might say at this point, “I don’t recall doing philosophy at work.”

Most have some notion of what a philosophy is. According to Wilfred Sellars, “The aim of philosophy, abstractly formulated, is to understand how things in the broadest possible sense of the term hang together in the broadest possible sense of the term.” Let us adopt this as our definition of philosophy, as thing, as noun.

But far fewer of us understand philosophizing as an activity. We understand it so little — or worse, misunderstand it so much — that we do not recognize what is happening when we find ourselves in a philosophical problem. We imagine that doing philosophy is like arguing or constructing a theory or indulging in abstract speculation. These, however, are merely using a philosophy to do thinking — to produce complex thought systems. Any designer knows, using a tool and making a tool are different matters.

Philosophy means immersing in a philosophical problem, of the form, as Ludwig Wittgenstein put it “I don’t know my way about.” Which is to say it is not even yet a problem and what it lacks is precisely form. That is, it is an aporia, a perplexity, also known in the field of design as a wicked problem.

But simply naming it is not the same as knowing it. It locates it on a map, but it does not convey how it is to be in the place depicted on the map. It presents it objectively, in a comfortable third-person perspective. But philosophical problems a subjective crises, experienced from inside it, from the first-person. And this experience is not merely uncomfortable or ambiguous. They are often uncanny, unnerving, infuriating and excruciating. And not when the process is going wrong. They are this way precisely when they are going right.

But people hate this feeling. They feel hellish heat, and if they are in a position to do so, shut down the kitchen.

Design is hard to do because philosophy is hard to do, and we lack norms to help us discern healthy pain (like morning sickness, labor pains, growing pains) from unhealthy pain (infection, malnutrition, organ failure, death pangs). As soon as any pain happens, out comes the anesthesia, anti-anxiety medicine, quarantine, scalpels — whatever makes it go away. And as with many ill-chosen medical interventions, the pain is not alleviated; it is exchanged for some variety of numbness, and often some future health failure. It is not dealt with, head-on and directed toward recovery of health, much less growth and flourishing.

Promise:

By understanding the role philosophy does play and can play in design, design can escape the tyranny of misnorms (application of the wrong set of norms to a situation, which prevent the situation from developing toward improvement), and work more effectively in its current spheres of activity, and, better, expand this its domain to areas where other ways of working have failed to produce positive change, or even failed catastrophically and made matters worse.

Nihilism pandemic

In our time, and in all times like this one, nihilism is in the air.

I do not only mean that nihilism is in the news or in art, or in the nihilistic blending of news and art. Each time some lost youth commits a politically-charged murder, but their ideology cannot be pinned down because — let’s be real — these young pale criminals are barely able to think, much muster the integrity to believe anything whole-heartedly or whole-mindedly, which is the crux of the problem! — and it appears they are caught in the nowhere between the extremist poles of the horseshoe. where the only possible point of agreement is hatred of this world, whatever has produced such a world of which they are both product and victim (and, of course, inevitably whatever hydra head of Jew-hatred is in fashion, whether anti-Pharisee, antisemite, anti-Elders Cabal, anti-Zionist).

Such amorphous hatred craves an object upon which it may condense and have form — a thing to vent itself upon, and justifications for the venting and its object. A universal loathing — ressentiment — precedes all ideological justification. But the theories, the alleged causes, the expressions, the abuse are only stations on the way to fully embodying the nihilistic impulse in consummating acts of annihilation.

The ideologies, manifestos, memes and suicide notes are not the logic behind such murders. They are the final sputters of failing language on the way to the ultimate expression of nihilism: murder.

But again, the nihilism in the air is not only, or even primarily, the topic of nihilism or nihilism as diagnosis.

Rather, nihilism in the air is the rebreathed bad breath we draw into our lungs wherever a critical mass of people at some time or place is meaning-starved.

I have been in a great many corporate headquarters. In some, I was disturbed by an odor of fear. In others, I have choked on despair. We can also sometimes smell negativity (detect “bad vibes”) in retail spaces (especially big box stores and malls), cultural events, political demonstrations, places of worship, and, let us not forget! — schools. Anywhere that people of similar disposition gather, the air carries a spirit, a breath of some kind, most noticeable to outsiders.

People who breathe fumes of fear, despair, disregard, contempt, absurdity — if they are not of the kind who actively exhale that kind of air — are enervated by it, and gradually, passively lose their taste for life. They lose hope. They stop caring about the future because they cannot even feel the possibility of future meaning. They do only what they are forced to do, by others or by themselves through that internalized slavery we call “self-discipline”. And they do not much mind the idea of the world being destroyed, if it spares them the wearying prospect of being at work tomorrow. They might even siphon a little energy from counter-nihilists who hate the order in which they are trapped. “The enemy of my enemy” might not be my friend — in fact, the enemy might despise passive complicity even more than their active enemies — but from a safe distance and through a shielding screen, the destruction of my own oppressors (by potentially worse ones) emits heat, noise, flashing, vengeance, pity-fodder and moralistic escapism.

And the products and services of such unhappiness is the same kind. If these brand emanations are not energetically negative, they are energetically nil — that half-pointless, half-phony charade we call “corporate”. Abandon all hope, employees and vendors who enter here, physical or metaphorical. And consumers of their productive output beware.

All this together — the strip-mining of human souls to extract depleted psychic resources — a world overflowing with unlovable and meaningless consumer products, supported by listless, robotic, over-scripted services — education optimized for life in these conditions, in schools that epitomize these conditions and suck life, hope and enthusiasm out of children and replace it with meaning-depleting ideological mechanics — entertainment-news media whose message is inattentive, flitting and spastic consumption — produce conditions ideal for active annihilation — righteous violence, vengeance, martyrdom of self and others to causes that justify it. We know victory by the enemies of our enemies will be even worse than what we have, but at least we can indulge a moment of schadenfreude watching our despised tormentor suffer and perish a few moments before it is our own turn.

Here we are.

But this can be reversed. Or rather, eversed. And the passage is precisely where we least expect it: nihilo.

And our best access is, believe it or not, design. Not the kind of servile and domesticated corporate consultant “design” optimized to meet or exceed the expectations of C-suite sociopaths and their demoralized drones — but rather design which challenges the hegemony of technik.

Ontological membranes

Nihilitude is the active ingredient of relevance, or, rather, of irrelevance.

And so nihilitude is also the essence of abstraction, of focus, of all selective attention of thought.

Why suppress what is real but irrelevant? Why selectively focus (and filter) attention? Why read abstract order into (or, more accurately, leave myriad alternative orders unread from) the “blooming, buzzing confusion” of chaos surrounding us?

It is a necessity of maintaining finite being. An anomalogy: To hear any signal in radio frequency noise, we must tune a radio receiver to one narrow band of frequency, instead of listening to the white noise of the full range of frequencies and enjoying all the signal simultaneously like some kind of god. We do it for the same reason living organisms have skin, and organs have membranes. Any being that desires duration encloses, shelters, clothes, envelopes itself within semipermeable boundaries, holding itself in dynamic balance between openness, closure and carefully controlled disclosure — between dissolution, consumption, digestion, dissipation and insularity, stagnation, isolation, starvation, asphyxiation. (Tif’eret, the principle of balance, the spinal essence of being within greater being, linking sole with crown).

Nihilitude is ontological membrane. It is the horizon, the far side of every object, the receding undersurface, the back of one’s head, the thing you’ve never noticed, and the imperceptibility of your own perception.

An enworldment is what emerges when some finite aspects of reality emerge from nihilitude. The enworldment “projects” (through subtraction of all else) a schema or template of definite beings. Nihilitude flows between each definite thing, each object of experience, a “not”, against which it is defined — literally, de-finitized.

Whatever prevents the schema from crystallizing (finitely manifesting its continuity within infinitude) is coated with nihilitude, and drowned in irrelevance — tuned out, set aside, downplayed, explained away — or submerged in nihilitude, and is so irrelevant that it is never noticed. It drowns in oblivion.

Nihilitude makes possible a holistic organic understanding needed by a living being. A soul, in order to persist as a soul, must spontaneously perceive and conceive real entities (givens) as whole units – gestalts — and spontaneously perceive and conceive these given wholes as themselves belonging to higher order wholes. Simltaneously it also perceives and conceives these units of being as constituted of lower order whole units, not only objective (third-person) entities, but also first person subjective beings within and exceeding that of one’s I or another’s thou. Sketchy genius Arthur Koestler called this kind of order of nested wholeness “holarchy”. Souls are holarchic.

But souls can, with effort, non-spontaneously connect whole entities with others in order to construct truths. It can argue, figure out, analyze and construe knowledge. This is what is called “constructed truth”. The basic units of such knowledge remain spontaneously perceived and conceived ideas, but the way these givens are combined are not.

Constructed knowledge must be memorized and recalled in order to be known in any particular moment. When they are not in active recollection the knowledge exists as data and rules of recombination. Constructed truth laboriously rebuilds bridges across gaps of nihilitude, linking fragmentary clusters of knowledge with one another. Sometimes construction links objects in ways that obscure rather than illuminate their continuity. The more the construction obscures rather than reveals the continuity among given entities the more force of will and artifice is required to sustain it. It is a the kind of artificiality that gives the word “artificial” its connotations of unnaturalness.

But sometimes constructions reveal, rather than obscure, continuity. Something “clicks’ and a layer of nihilitude clears away, admitting new givens traced out by the constructions.

These are not only intellectual motions, like what we do when we dance along with a philosophy book or choreograph ideas of our own. They can also be physical movements — physical dances, moving from some steps to feeling the rhythm and grace in response to music — or perceptual pattern-finding — like perceiving the animating beauty in art or noticing natural patterns or forms in nature and suddenly experiencing continuity between one’s own nature and the environing nature to whom one belongs as a natural creature. Between two people it can be finding rhythm flow and rapport, and becoming swept up in a literally animated conversation. This is the intimate congeniality of thought and life beyond thought.

This heterogeneity is one reason why the? term enworldment is preferable to worldview or perspective or other ontologically-limited or reductive terms — even ontology. Enworldment concerns the entire field of being, not only thoughts or thoughts about being.

Being rises from oblivion and shows itself, often reconfiguring what is spontaneously given, smashing artificial constructions, submerging (de-emphasizing) givens that had been relevant, and pushing irrelevant given into the foreground. And this also often requires new constructions capable of bridging gaps in this new reconfigured landscape — this new ontological archipelago rising from an ocean of oblivion, new faith-moved mountain ranges. This is the experience of conversion.

Some conversions convert the converted soul to a metaphysics where conversion and its revelations ex nihilo are an ever-present possibility, especially when this possibility is inconceivable.

Let us name this conversion to permanent possibility of conversion, irrupting precisely from the inconceivable oblivion of nihilitude. Let us call it exnihilism.

…to be continued… refinements, exrensions… application to design…

Woo-woo

I take books like drugs. Doubt me?

Chaos is not absence of order, but precisely the opposite – the presence of infinite orders. Each of us, sheltered in the shade of our own minuscule I-here-now, benefits from
sphere upon sphere upon sphere upon sphere of ontological filters — deflecting, transmitting, sky-glowing — each successively diffusing and reducing infinity infinitesimally. Each sphere bears its own portion of infinity. Each contains a holographic infinity, a jewel-node in Indra’s Net, conveying within itself the entire jeweled net, refracting and refracting and refracting and refracting to infinite density in one centripetally radiant photon of infinite, dimensionless magnitude.

Craft as conversation

To be alive to craft is to converse well with materials. Good conversation is reciprocal exchange — give and take, hearing and responding — within an event of emergent meaning.

Hans-Georg Gadamer said that in the best games, players are participants through whom the game plays itself, and, similarly,  in the best conversations, the conversation has itself through its interlocutors.

In craft, artisan and artifact, speaking a common language of materials — physical or otherwise — participate in the emergence of form.

Designerly metaphysics

Before any beginning is infinitude.

Pure infinitude. Ein sof.

Before the beginning, the infinite articulates itself. Finitude is articulated within infinite ground, inseparable from it, like a ripple in water. Articulate finitude in infinite luminous ground. Atzilut.

At the beginning, inside the threshold of finitude, articulate infinitude defines finitude within itself, enclosing it as being, within its infinite ground, still luminous.

Finitude, inception of being. Beriah.

Within history, being articulates into beings, each a finite everything, each defining itself against what it is not, each bounding its own finite portion of infinitude within itself. The infinite ground pervades each being, but infinitude is paradoxically excluded, cloaked in nihilitude, oblivion.

For some beings, the infinite ground still glows brightly or dimly behind the oblivious cloak, numinous nothingness, alive with paradox, irony. For other beings, everything is all that there is.

From within finitude, piercing of the cloak is ex nihilo. From without, this is creation, revelation, instauration ex infinitum.

Each being bears within itself an ideal order, a schema of forms, a repertoire of possibilities and impossibilities within itself, what can and cannot be received, what ought and ought not be. This is enception: capacity to receive, to perceive, to conceive. Conversely, and just as importantly, incapacities — rejection, filtration, the maintenance of finitude-preserving oblivion.

Beings suspended in paradoxical oblivion, the ground of actuality. Yetzirah.

Each being actualizes, lives, articulates itself, defines finite beings within its being, beings actualized in myriad ways, acting upon the material ground, which is — surprise! — vestigial inarticulate infinitude, that common ground of beings, that which each being is not, but which is given.

Each being brings its own finite order to materials, its own articulations, its own capacities and abilities, its own objectivity. Each being enworlds what is given.

In the act of enworldment, materials may be persuaded to cooperate, but often they resist, and sometimes they revolt, sometimes the being breaks and must reform. Through the commonality of material, beings encounter one another, and through materials, cooperate, resist, revolt, conflict, win, lose or break.

The infinitude meets infinite in Assiyah.

The capillaries of the divine light saturate the tissues of chaos. This saturation materially forms, combines, shapes, ensouls, and sets the world in motion — literally animates it — like trees climbing themselves from the soil to meet the sun.

The light saturates the common world with meaning before returning the spent light to its source.

And for us, enmeshed in life, this spent light returning to its source, this is reflection on life, on being, on the source of being. Metaphysics is the rising smoke of spent light, piercing the roof of being, seeking its source. In its plumes can be seen rays of incoming light, and here we are told the story of Creation the only way we know it, in reverse.

Bright blood

The weirdest, best insight I learned from Nietzsche is that our hierarchy of values more or less determines our faith and that this hierarchy guards itself through prohibiting questions. Defy those prohibitions, interrogate settled matters closed to inquiry, and all kinds of uncanny things happen. Valuing is inseparably soul-forming and world-forming. Any significant change in value hierarchy transfigures self and world together: a reborn I in a re-enworlded world.


If you are nodding along and think you already know and agree with this — has it ever occurred to you that many of these prohibitions are good and necessary and ought to be upheld? Most obedient young radicals have not. Nor have they had the courage to question — let alone challenge — anything outside of those pre-defeated values our own dominant value hierarchy demand that we ritually re-interrogate. We obediently perform the rebelliousness we are expected or compelled to perform, and rage against whatever exceeds the strict and narrow limits of our radical thoughts.

But back to value hierarchies. Within a range of diversity (a quite narrow, and necessarily narrow range!), each of us values different things. Some of it is circumstantial (we have deficits and gluts of goods) and some is essential (our taste prioritizes goods differently). And this is why we exchange value. We have too much of one good and too little of another. A situation creates momentary need of a good that makes other goods in our possession or capacity relatively dispensable. We find it easy to generate a good that others desire but cannot generate themselves. We sense ineffable sacred importance in one good and are unmoved by other goods held sacred by others. So we enter into exchanges.

If these exchanges are mutually beneficial, and conditions are such that they dynamically stabilize, an organization comes to life. Its lifeblood is the value, inhering like oxygen, in the myriad goods exchanged. The need for exchange — the needs and wants, the surplus and abilities — makes the goods circulate through exchanges — and causes an organization to live and act and to have real, living being. And we who participate — who act, who are acted upon — have actancy within our organization.


Reading Charles Stein’s extraordinary The Light of Hermes Trismegistus, I just learned a new word, thumos:

We are no doubt familiar with how English verbs are proxy for actions expressed either in the active or the passive voice, roughly approximating the difference between acts that one performs and those that happen to one. But there are actions where neither of these voices seem to apply. An action might not be the product of a person’s willful agency and still not be something that passively happens to him or her as if through an impersonal chain of causes. Poetic inspiration is a case in point. A number of recent authors have discussed the middle voice where it proves useful in the analysis of natural and linguistic phenomena because neither active nor passive constructions seem adequate. …

The Greek and the hypothetical Proto-Indo-European language have, in addition to an active and a passive, a middle voice that, among other things, expresses the inspiration of the Muse and would be used wherever it seems that a god impels, instigates, induces, or inspires some action. The Homeric-Hesiodic dialect expresses the instigation of such action by saying that a god strikes the person in the thumos — an “organ” in the middle of one’s body that is activated in this manner. If Eros strikes, one falls in love; if Mars, one is impelled to rage, violence, or courage in combat; if Hermes, deeds of mind, cognition, planning, cleverness — all the devious and ingenious devices of the Hermetic character. The consequence of being struck in the thumos by the god is clearly not the work of one’s independent free will, but it is also not entirely a passive reaction to an external force. The god is not entirely external to one’s psyche, and yet he is external to it, too! … Zeus might actively strike your house with his lightning bolt, but the striking of one’s thumos is not quite like that. When Eros or Hermes touches this organ, it is the most intimate of phenomena. Often translators are forced to use such locutions as “love was awakened in his heart” — as if the response were passive. But it isn’t passive. It is an arousal at the very root of one’s powers of action; it is that which is not quite you but which activates what is active in you as you.

Thumos is the mythical organ of actancy — present but missing, like Da’at in the sefirot.

What does thumos do? I will venture that it governs intuitive participation in transcendent being. It receives and responds as an organ in a superpersonal organism. That superperson (egregore) might be, for example, an organization. Or some other enveloping being, like a friendship or marriage. (“In true love it is the soul that envelops the body,” says Nietzsche.) Or… a faith.


Regarding actancy, I learned the word actant from Bruno Latour.

What is a force? Who is it? What is it capable of? Is it a subject, text, object, energy, or thing? How many forces are there? Who is strong and who is weak? Is this a battle? Is this a game? Is this a market? All these questions are defined and deformed only in further trials.

In place of “force” we may talk of “weaknesses”, “entelechies”, “monads”, or more simply “actants.”

No actant is so weak that it cannot enlist another. Then the two join together and become one for a third actant, which they can therefore move more easily. An eddy is formed, and it grows by becoming many others.

Is an actant essence or relation? We cannot tell without a trial (1.1.5.2). To stop themselves being swept away, essences may relate themselves to many allies, and relations to many essences.

An actant can gain strength only by associating with others. Thus it speaks in their names. Why don’t the others speak for themselves? Because they are mute; because they have been silenced; because they became inaudible by talking at the same time. Thus, someone interprets them and speaks in their place. But who? Who speaks? Them or it? Traditore — traduttore. One equals several. It cannot be determined. If the fidelity of the actant is questioned, it can demonstrate that it just repeats what the others wanted it to say. It offers an exegesis on the state of forces, which cannot be contested even provisionally without another alliance.

If Actor-Network Theory (aka ANT, sociology of actants) is a social science, service design can be seen as its technology, although vanishingly few designers go beyond knowing about Latour, usually via a forced trudge through We Have Never Been Modern in grad school.)


Service design was the first explicitly polycentric design discipline. It is concerned with forming durable arrangements of value exchange among people, mediated by “things” in the broadest possible sense — both, human and nonhuman, alike, considered actants — interacting within an organization and around the organization within its ecosystem of customers, partners, competitors, regulators and other stakeholders.

The systematic interaction of actants, each participating as its own experiential-agential center within the system gives rise to a polycentric order — which service design views as an emergent order with its own kind of being: a service.

But no service is known from “a view from nowhere”. It is always experienced by someone, from some point in the system, holographically (the image of the whole subsists in each of its parts. Each participant in the service is a jewel in the Net of Indra, which experiences and acts from its own node. This multiple view-from-within is what could be called pluricentricity.

Service design is concerned both with the third-person / objective polycentricity of organizations and services and the myriad first-person / subjective pluricentricity of actants within organizations and services, and how polycentricity and pluricentricity mobiously, thumocratically (!) interform one another.


I’ve said before that I worship the distributed God. God’s distribution, of course, saturates all being equally, but to finite beings like ourselves it is concentrated in souls, the nucleus of which is thumos.

When I think about value exchanges I associate it with the circulation of the divine light in the sefirot.

(“Enlist every ounce of your bright blood, and off with their heads!” In Tarot, the letter shin is associated with Judgment. And here the Kahnemaniacs lose their last shred of patience. “Barnum!” Yes. But before you start stoning me with your cognitive bias accusations, ask yourself this: Do I know my own faith? We certainly know what our peers accept as true. We know very well what will get us ostracized if we voice doubt. Some of us know what we can successfully argue and defend. But do we know what truths we would bet our life on? I suspect not. No, no: We’re all post-truth now, especially those of us who insist on truth. We all suffer spurious ideas for the sake of identity. None of us believes three quarters of our “beliefs” and maybe least of all the ones we get emotionally worked up over. We think we’ve “done the work” of overcoming our biases, but we have not overcome the fact that we harbor extreme cognitive bias toward where our biases are and aren’t. We are blind to where our justice itself is most glaringly unjust, and if we refuse to acknowledge this… well, that is blindness doing blindness. If we are honest, which we are not, we will acknowledge that we have already sold ourselves out to pay admission to our social class. We are intellectually and spiritually insolvent. We have no personal integrity to preserve. So why not indulge the Barnum effect for the sake of serious, joyous play? Witness: if we are hospitable and entertain ideas that entertain us, we may receive invitations to higher worlds. The invitation is addressed to our thumos, and we accept with “hineini”.)


Liberal saint Richard Rorty famously taught “Anything can be made to look good or bad, important or unimportant, useful or useless, by being redescribed.”

I want to redescribe design to make it look and feel spiritually important.

And I want to redescribe the spiritual to manifest its pervasive presence in the ordinary,

And I want to redescribe both together to accentuate our duty to shape our world and invest ourselves in it so the world manifests its spiritual provenance and destiny.

We are responsible for forming a world we can care about and willingly serve.

)O+

The internet is the rock tumbler of quotations

I’ve said it and texted it so many times I assumed I must have posted it, but I can’t find it: The internet is the rock tumbler of quotations.

Many clumsy verbosities have been massively improved by the battering wear of bad listening, faulty memory, careless paraphrasing and aesthetic rounding.

Two examples. First rock tumbled William James:

When a thing is new, people say: “It is not true.”

Later, when its truth becomes obvious, they say: “It’s not important.”

Finally, when its importance cannot be denied, they say “Anyway, it’s not new.”

The raw rock:

I fully expect to see the pragmatist view of truth run through the classic stages of a theory’s career. First, you know, a new theory is attacked as absurd; then it is admitted to be true, but obvious and insignificant; finally it is seen to be so important that its adversaries claim that they themselves discovered it.

Another is from Hannah Arendt. Rock-tumbled:

Every generation, civilization is invaded by barbarians – we call them ‘children’.

Raw:

Human action, like all strictly political phenomena, is bound up with human plurality, which is one of the fundamental conditions of human life insofar as it rests on the fact of natality, through which the human world is constantly invaded by strangers, newcomers whose actions and reactions cannot be foreseen by those who are already there and are going to leave in a short while. If, therefore, by starting natural processes, we have begun to act into nature, we have manifestly begun to carry our own unpredictability into that realm which we used to think of as ruled by inexorable laws.

But because I’m such a repetitious and arrogant person, happy to quote and requote myself poorly, subjecting my own clumsy words to “battering wear of bad listening, faulty memory, careless paraphrasing and aesthetic rounding” until they become nice smooth gems. For example, “The internet is the rock tumbler of quotations.”


I’ve been playing with the idea of making a letterpress book on design lifted from Jan Zwicky’s brilliant Lyric Philosophy and Wisdom & Metaphor. Each entry will be a quotation, accompanied by an extended reflection on how it illuminates some facet of design. I will be using the improved, rock tumbled version of quotations, not originals.


I love long collaborative traditions. No one person could have made anything as perfect as a bicycle.

Notes on design esoterism

Ontopologically, Beriah sur-prises what Yetzirah variously com-prises as objective content in Assiyah.

Neither Beriah nor Yetzirah is something that can be comprehended.

Yetzirah comprehends by one of myriad formational, enworlding principles. Yetzirah is not itself comprehensible, for the reason that sight cannot be seen.

Beriah comprehends (envelops) comprehension through observation of difference among enworldments, even differences across recollections of observations. Beriyah is even less comprehensible than Yetzirah, for (to make an anomalogy) Beriah is transcendent sensus communis among all possible Yetziratic enworldments, against and within the limitless Oneness of Atzilut.

And every Yetziratic enworldment is some particular social sensus communis regarding the human lifeworld.

And the human lifeworld is Assiyah — the perceptual sensus communis of human perception.

To understand all this inside-out and outside-in, backwards and forwards, to-to-bottom and bottom-to-top, and to know it by heart, soul and body, and therefore internalize and, more importantly, spontaneously externalize its pragmatic consequences, is to “suprehend” what transcends, yet grounds, comprehension.

(Suprehension is the whatless therefore of pregnant oblivion.)

Concepts concerning Beriah are not a conceptual grasp of Beriah, but derviations across differences. Another anomalogy: Light emanated within Atzilut is transmitted by Beriah, refracted through Yetzirah, then reflected upon Assiyah — and only upon reflection can a truth be grasped, indirectly.


Design esoterism seeks to dissolve the Axial regime and its domain divisions, in order to resanctify what has been secularized. Religion is disinvented, exvented. Methods are ritual. Tools are ritual objects. Organizations summon responsible collective beings.

Esoterism wants to materialize.


Lord, truly we have come to the end of this kind of vision of heaven.


Exnihilism is at the heart of it.

New ex nihilo irruptions from Beriah are preceded by intense apprehension. We let go or lose grip on our Yetziratic social sensus communis and ascend into aporia, where, on all important matters, our intuitive reach exceeds our cognitive grasp. But this loss “opens the hand of thought” so new forms can alight on our open palms — a new as-yet-solitary social sensus communis.

Empathy? Or…

This LinkedIn post illuminates the source of my current dismay with the direction service design has taken, which is toward journey management.

None of this is a complaint about journey management per se, only the notion that journey management is a natural extension of service design — something for which service designers should feel affinity.

Journey management is an emerging field, with few trained specialists to fill the roles it creates.

Service designers are among the most qualified.

This is not unusual. Designers often find themselves at the edges of emerging fields, and often flow into these domains, and infuse them with designerly sensibilities.

The tragedy in this case, however, is that here design has flown too close to the sun, or rather, taken the elevator too close to the sun, up in the top floors of the glass tower where the executives hold court.

Up here, some key parts of the service design skillset are indispensable.

All except the design part. The design part is not only useless, it is a liability.

All those specialized methods human centered designers learn in order to be service designers are retained. But the heart of the discipline — design — is checked at the boardroom door.

All service, no design.

This is a tragedy because the radical promise of design is collaborative decision-making. It involves everyone exercising empathy, together. It is exercised mutually, by all involved. It is not exercised in order to spare executives the burden of thinking outside their own narrow focus, as der Veer suggests.

Empathy is not, cannot and should not be done asymmetrically for someone else, who is not expected to reciprocate. That is not empathy. That is submission.

Nobody should be exempted from the challenge of relating as a human to other humans — least of all the most powerful people whose duty it is to lead.

The whole point of design is to humanize the world. When, in the name of empathy we spare the most powerful people in the world the duty to lead empathically, design has betrayed both itself and the world.


Journey management is not a design discipline.

It is a strain of management consulting that systematically organizes customer data to inform business strategy decisions. In this time, in these conditions, journey management is a necessary and important improvement on older, more piecemeal ways of understanding customers.

Service designers might be able to transition to journey management, but they cannot make this transition as service designers. At best, they will harness their vestigial design skills in service of their new managerial function.


For service designers — and all designers — effective collaboration with journey managers will be an essential skill. It will expand design’s sphere of effectiveness.

But make no mistake: if journey managers “win a seat at the table” this is no more a win for design than when product managers won their seat. These “offering management” disciplines add new organizational layers between design and leadership, and rather than representing design, they push design further from power.

Anomie and misnorms

I poked around in Durkheim’s Suicide yesterday, to see what he had to say about anomie.

I do not want to discount the magnitude of his theoretical breakthrough, which was mere foreground to his deeper methodological breakthrough, but the theory does suffer a bit from retroactive obviousness. That is, his concept of anomie is more historically important than it is freshly relevant to the anomic situation we face today.

To summarize, Durkheim’s diagnosis of anomie is that, at the individual level, without external societal constraints human desires are unlimited and lacking form. Society, by imposing limits, gives us norms, goals, defined desires and milestones for assessing the progress of our lives. When society stops providing this structure, we lose our bearings, and we are lost in a horizonless chaos, where motion is just arbitrary difference without any reference point by which biographical progress can be experienced.

Though now, just in the process of writing this summary, it is starting to feel freshly relevant.

In the spirit of showing my work, I am changing the original thrust (which was to expand anomie beyond Durkheim’s conception) to seeing how much I can find within it.

For years, I have played with a term, “misnorm“. Think of misnormality as a cousin to anomie. A misnorm is more or less a social category mistake. We misunderstand the essential nature of some domain of activity, and misjudge the behaviors that sustain it. We have a false image of how things happen, and so, when things go as they should go and must go, we judge that things are going wrong. And if we are in a position to control the situation, we will force it into conformity with what we think should happen, thereby making things impossible.

(Misnorming happens to designers all the time, and most of my career has been spent battling them, in order to win conditions for good design work. Someone who expects design to work linearly, with steady progress toward a straight goal, without moments of confusion, doubt, conflict and intense anxiety, in complete and polished iterations does not know what design is. And if such person attempts to lead design projects, he literally does not know what he is doing. Such a person is likely to misrepresent design to his organization, or accept misrepresentations of design, and sets himself and his team up for a truly traumatic failure. Either the design team will insist on doing design the way design is done and fail to conform to the wrong expectations of the ignorant leader and his ignorant stakeholders. Or the design team will try to work under impossible conditions within impossible constraints and fail to deliver good design, which is, frankly the fate to which most designers are damned. Either way, the project will fail, and it will fail because, once again, the leader failed to win conditions where success is possible. No amount of demanding, or bullying, or bullshitting can change this fact. And, by the way, this failure is even more a failure of leadership as it is failure to understand design: such people also suffer from misnorms of leadership. They confuse leadership with tyranny.)

Misnorms cause us to compare the human condition to a fantasy norm, and to misjudge something normal and relatively good as something atrocious and deserving destruction, or, as today’s timid radicals put it: dismantled.

Today’s misnorms are fed by fictional images produced by our media — news, entertainment, and the blending of the two in the propagandistic missions of various political movements. This propaganda projects misnormal ideal positive images into the world, in comparison to which everything real is distorted as inadequate, and ideal negative images blamed for the inadequacies. And at the theoretical level, we have ideologies and weird theologies which purport to enlighten us to what’s really going on, but in fact dysilluminate the world with false clarity, which always “reveals” the world as hopelessly corrupt, irredeemable and irreparable, requiring nothing less than total ground-clearing and rebuilding from scratch. It is hard to avoid wondering if all this need for rebuilding from scratch doesn’t just serve as justification for sating an insatiable appetite for destruction.

And so a great many people wander around interpreting everyday, ordinary frustration as evidence of something extraordinarily bad, while misinterpreting disproportionately violent responses, and corrosive policies meant to correct nonexistent problems, as good and necessary. And it all makes conditions of normal life increasingly impossible. And it is very difficult to maintain, repair and improve something that is being undermined, bombarded, and demolished from within, so the critiques gain credibility through their own negative outcomes: the deterioration of what they critique.

And so, today, instead of experiencing lack of references, orientation and sense of progress, as with anomie, we have impossible and deeply phony references and perverse misorientations and rapid regressive velocity.

Anomie : misnorm :: nonunderstanding : misunderstanding

Tetragrammaton lesson

Two realms of truth, one above soul in the realm of absolute truth, the other below soul in the real of objective, relative truth — converge in the highest understanding.

Continue reading Tetragrammaton lesson

Crossing design with Kabbalah

I’m meditating on design-related expressions I have coined. These ideas orbit a central concern, which makes the difference between a project that is for me and one that is not.

  • Practical fantasy — The idea that our favorite tools project a world around us — a potential story-field — and within it, ourselves as protagonist. Within a practical fantasy tool use is an enworldment creating/sustaining ritual.
  • Precision inspiration — The intentional pursuit of epiphanic re-enworldment through design research. In precision inspiration a new possibility of enworldment is found through productive conflict among existing enworldments — those researched and those doing the research. What results opens radically new possibilities for designed artifacts and the enworldments they seed and project. A key point to precision inspiration is that it inevitably involves traversing the aporic liminal void between enworldments and suffering the dread intrinsic to such traversals.
  • Pluricentrism — I was calling this polycentrism, but I am now using polycentrism only to describe the emergent being of a dynamic interaction among multiple agential centers as viewed from the third-person perspective as a system. But each agent within a polycentric system still experiences and acts within the system from its own center, and this is what pluricentric means. A designer who seeks to cultivate a living polycentric system must consider it pluricentrically, so each center experiences particilation as worthwhile and chooses to participate in a way that makes the polycentric system flourish as a whole and for each and every participant. Any system approached from within from multiple points is approached pluricentrically. Service design is designed pluricentrically and engineered polycentrically.
  • Enworldment — This is the projection / crystallization of reality as given to a soul in some particular faith-state, which is a stable dynamic set of enceptive capacities. Think of enworldment as the consequence of lived faith — the pragmatic maxim concretely lived out.
  • Instaurationalism — This is the name for design reasoning — a reason that knows and practically accommodates the reality that reality exceeds truth, but that truth can expand its capacities if it follows reality beyond its current limits of comprehension. It is a half-joking but fully serious portmanteau of instauration (discover-creation) and rationalism.
  • Synetic design — This comes from the phenomenon of synesis — or understanding as togethering. A phenomenon is spontaneously taken as together (con- + -ceived) as a gestalt, together in common with other understanders, united by common understanding.
  • Bullshit-chickenshit. — This is the antithesis of practical fantasy. Bullshit is impracticable fantasy posing as an attainable possibility. Chickenshit is practice without any desirable, meaningful outcome. Most of what happens in corporations is “bullshit-coated chickenshit”. This is what is meant by the pejorative “corporate”.

Service design should, theoretically, be the greatest opportunity to do the kind of work at the heart of all these ideas.

Unfortunately, in practice, the kind of organization that needs and can afford service design is usually in crisis precisely because it misconceives its business in ways that make such work impossible. The aporic void is impassible because powerful people use power to suppress aporia and the anxiety it induces.


For the last couple of years, and especially the last year, I have been connecting these design concepts to Kabbalah.

Kabbalah gives them my design-informed ideas stability and coherence. Design experiences and the concepts and vocabulary I have developed to cope with the uncanny, unnerving and harrowing aspects of design (as well articulating the inspiring, ecstatic, fulfilling rewards of design success) provide me experience-nearness and concrete cases to substantiate otherwise abstract Kabbalistic ideas.

The enworded, enworlding artifacts are what are given in Assiyah.

The enworlding synesis happens in Yetzirah. Corporate bullshit and chickenshit happen in Yetzirah, too, when a feeble, dying Yetziratic collective (corporate) being lacks the courage to give up the ghost, and cranks out lifeless objectivity that nobody can care about or believe in. Precision inspiration is the sokution, but it is not for the faint of heart.

Polycentrism is the manifestation in Assiyah (third person) of pluricentric being (first person) in Yetzirah.

Precision inspiration transpires against the background of oblivion — from which inspiration irrupts ex nihilo in epiphanic moments of creative revelation or revelatory creativity, in other words, instauration. Radical design effects instauration ex nihilo.


The orbital center: Keter d’Beriah.

Haloed dread.

The faith in the pregnant oblivion, the everpossible miraculous birth, the heart of the exnihilist soul.

Continue reading Crossing design with Kabbalah

Materialized magic

A service is a collective, intelligent being.

A service exists polycentrically as a being with multiple agential centers whose interactions generate a new agential center who cannot be reduced to any one of its constituent centers.

Yet, at the same time, each of the constituent agential centers continues to experience and participate in the service, from its respective center. So services are also pluricentric.

The pluricentric experience motivates and directs various forms of participation in the service, which affects the polycentric being of the service as a whole, and ripples through the pluricentric experiences and responses of each participant.

A simple example to demonstrate how these terms complement: A marriage, like a service, is a polycentric collective being. The marriage has its own being, irreducible to the being of either spouse. However, the marriage is also pluricentrically given to each spouse. (And if the couple has a baby, the polycentric being of the family shifts its center to embrace its newest agential center, and this shift is experienced pluricentrically by each spouse. The marriage itself has changed, and effort is required to maintain its continuity.)

All people have experiences of polycentric and pluricentric being, but very few people can conceptualize it or navigate it as the kind of being it is. Many of us use vague romantic terms like vibes or spirit or feel or mood or culture to indicate an ethereal presence within a group, organization or region.

?Esoteric types believe they can interact directly with this kind of ethereal presence, bypassing its materiality. ? I believe this has drastically limited the effectiveness of the esoteric arts. But ignoring supraindividual polycentric being has also drastically limited the effectiveness of subject-blind social engineering — or at least its effectiveness in producing anything fit for human participation.?


I need to wrap up, so I will conclude with Kabbalistic abbreviation:

A good service lives across worlds:

Assiyah makes a service materially actual and effective.

Yetzirah makes a service alive and meaningful.

Beriah makes a service serve good.

Sense, common and uncommon

Common sense is our “sixth sense”: the sense of an objective world of objects intuited by the concerted perceiving of our five senses.

Each of us has this kind of intuitive common sense. Each person’s intuitive common sense overlaps significantly with that of every other. We tend to notice and focus of the differences, but they stand out precisely because they are anomalous.

Most intuitive common sense is shared, and to the degree it is shared it is taken as universally recognized givens of reality.

These universal givens of reality provide a second meaning of common sense — social common sense.

Social common sense is founded on the necessary assumption that our intuitive common sense gives us the same world, a world common to each and all of us, a world of objects we all know commonsensically.

Social common sense is the basis of all community and communication. We assume we all share common sense of a common world, and it is on this basis that we can communicate with others in our community.

The necessary assumption of common sense is so necessary that it rarely occurs to us to question it. We simply believe it and act on it. Let us call necessary assumptions behind belief and action faith.

And when we do question common sense, even in our questioning, we continue to assume common sense. We address others in our community and communicate with them in the faith that they will understand what we claim to question. This is “performative contradiction” and is symptomatic of “bad faith”.

(But the degree of universality of alleged commonsense universals is a contestable matter. We can, do and should challenge, test and debate norms of social common sense.)

Common sense is our immediate home, however imperfect, unsteady, contestable and ramshackle, and we must never attempt to abandon it, or pretend that we have escaped it.

We can certainly expand this commonsense home, however. Every culture, large of small, does precisely this. Upon the most common ground of social common sense shared by all human beings, each culture grows and builds (to varying degrees of cultivation and construction) ramifying, diverging common senses.

And this is one of the most intense sites of contested common sense universality. The boundary between natural and second-natural is blurry, broad, squiggly and often faint.

And here we come to the supernatural. Every culture until very recently (and even this exception is questionable!) has treated a supernatural reality as part of common sense, though each approached, related to and spoke about supernatural reality differently.

What do we do with this? Does the supernatural belong to the universal common sense or to the extended common sense of particular cultures? Is the supernatural only an artifact of the second-natural — perhaps an inevitable artificiality?


(Eventually, I need to develop a two-fold definition of transcendence, paralleling the two conceptions of common sense. Transcendence can refer to what transcends what is immediately given to our own being. Nothing is more ordinary than this transcendence. Past, future, substances, distances, self-possibilities, the reality of other people — these all transcend the present and immediate. But most people, when referring to transcendence mean realities beyond the totality universal common sense gives us. Below is a messy sketch, which will need serious rewriting.)

I am inclined to understand transcendence as another kind of common sense implied by the very existence of intuitive and social common sense.

We do not normally receive sensations as mere sensations. We necessarily take sensations as perceptions of reality — a reality that transcends mere sensation. We immediately make sense — an intuitive synthesis — of our perceptions, in the form of transcendent being, perceived in common by our senses (in intuitive common sense) that is shared by others (in social common sense).

But also, intuitive common sense is not univocal or perfectly continuous.

The more attentively and sensitively we cultivate and expand our common sense, the more we detect disturbances that suggest that there is more to reality than we perceive and understand. And when we attempt to make sense of these disturbances, the more surprising they become.

We arrive at another order of transcendence, beyond the scope of ordinary intuitive common sense.

It is a common sense born from aporias, ruptures, epiphanies and rebirths.

Perhaps we could call it “uncommon sense”. Some of us, in order to communicate it to our community speak of it objectively, because that is the law of common tongue. Some of us ritualize it because ritual participation is closer to its truth. We indicate, evoke, invoke… all given indirectly, but taken directly — grasped objectively, evertedly. We do our insufficient best, and sometimes communion accidentally occurs despite the communication.

The irruption of uncommon sense is disturbing, sometimes distressing and sometimes even devastating, but if it completes and consummates itself, it is always worth the ordeal.

What seems to be disease and death and annihilation in nothingness is ultimately revealed to be labor pangs of new life. Indeed, it is through these ruptures that meaning enters the world, ex nihilo.

Indeed, anyone who suffers this kind of common sense death only to be reborn into a better uncommonsense common sense can no longer see nothingness the same way. Nothingness is eternally pregnant ayin. Nihilism is no longer possible. One is an exnihilist.

It is because of the disturbing, but vivid and vivifying supernature of uncommon sense, and the need to connect it with intuitive and social common sense, in order to circulate meaning throughout the world and bathe the world’s tissues with purpose that I am religious.

Not spiritual. Not merely mystical. Socially religious. Jewishly religious.

And design is how I put my religious life into practice.


Design! Jewish! Not religious!

Not to you. Not yet.

Fromness

When we obsessively look at things which are supposed to be seen from, we make one of our deepest category mistakes. We confuse subject with object.

The best tools are subject-object hybrids. In use, tools fuse with our subjectivity and extend our being beyond the frame of the body. They become transparent to us, like our own eyes, ears, hearts and hands.

We see through glasses. We write through pens. We transport our bodies through bicycles. We strike things across distances with bows and arrows. We summon sentences and images through software and digital devices. We envelop ourselves in clothing and buildings.

We attend to the world, interact with things and absorb ourselves in our activities through these tools, and when we do, tools are subject extensions.

But we can also turn our attention to them and take them as objects. Existentially, they evert into objects.

I believe gadget blogs destroyed the golden age of design. Design was something stared at, written about, chattered about, compared side-by-side, obsessed over — objectified like a woman.


As a designer, I love a tool that self-effaces into imperceptibility when we approach the world with it, but when we turn toward the tool, it reveals itself to us as beautiful and right.

“Love does not consist in gazing at each other, but in looking outward together in the same direction.” — Antoine de Saint-Exupéry

Tools belong to the subtle realm (Yetzirah) — part subject, part object, wholly both.


Philosophies are known-from.

Religions are lived-from.

They should be beautiful to experience.

But most importantly — experience should be beautiful from them.

They are not beliefs. They are faiths by which beliefs are believed.

When they become objects, they empty the entire world around them: everted sepulchers.