Category Archives: Biography

Knowing the absence of knowing

Biography, Design, Judaism, Philosophy

I get excited when I meet service designers who entered the discipline from practical need.

Such service designers encountered some problem or set of problems they recognized as beyond the reach of their own methodology.

This is much harder than it sounds: The adage “If all you have is a hammer, everything looks like a nail” is profoundly true. To see beyond the expert’s disciplinary scotomas requires a poet’s originary eye.

These people recognized that they not only lacked the tools and methods to solve a kind of problem they faced, they lacked concepts and language for defining and communicating them. Despite this radical unclarity — this conceptual chaos known as perplexity — they searched out ideas, vocabulary, methods, tools and logics until they found them in service design.

There are many fine service designers out there who were drawn to service design in undergraduate school. They were presented with an array of career options and for various reasons — interest, ability and opportunity — chose service design.

But having that before-and-after experience of a real-life hopeless perplexity resolved into a defined, solvable problem leaves a permanent trace in a practitioner — an appreciation that is lacking in people who learned to see both the solution and the problem before they ever struggled without either.

The same is true of human-centered design in general. HCD was not always here to learn and use. It only became self-evident and inevitable only after it was, through arduous work, instaurated as a discipline. HCD was a hard-won accomplishment. People who have been trained in HCD methodologies sometimes speak knowingly about the many methods they have learned and could learn, but this knowingness betrays an obliviousness to the blind chaos and nothingness from which these methods emerged. They cannot imagine looking at a design problem and seeing only an engineering, marketing and technical writing problem. They can’t see how Don Norman did anything terribly impressive, and so perhaps his reputation should be reassessed and downgraded.

It is the same difference as people who lived through the fog and fear of historical events, whose outcomes were the furthest thing from assured, and those who learned the history with the 20/20 vision of hindsight, and are blind to the blindness that permeates every unfolding present and believe the unknown only hides in darkness.

The study of history is difficult because we are so possessed by the present. It is freeing ourselves from the omniscience of now and reclaiming the unknowing of the past that is hard. It becomes much harder when our “historical fiction” revises history to force it into conformity with contemporary prejudices, instead of alien and much more interesting prejudices of the past — which are the very essence of history. Popular entertainment product like American Girls and Bridgerton exclude history from their contemporary costume dramas, and this is why young consumers of this “relatable” content are radical presentists. Every totalitarianism tries to establish its own year zero, and to lock away in oblivion the prehistory that produced it.

It is those simple world-transforming insights that are hardest to conceive, but then after, hardest to unconceive. Once we see them we cannot unsee them. We cannot even conceive life before their conception. They shape even our memories and our grasp of prehistory.

Food tastes different to people who have experienced hunger.

I hope Kabbalists recognize me as someone who came to the tradition from the most urgent need.

I was made to memorize this Emily Dickinson poem in ninth grade:

Success is counted sweetest
By those who ne’er succeed.
To comprehend a nectar
Requires sorest need.

Not one of all the purple Host
Who took the Flag today
Can tell the definition
So clear of victory

As he defeated – dying –
On whose forbidden ear
The distant strains of triumph
Burst agonized and clear!

Letterpress “theory-practice” print

Biography, Design, Letterpress, Star

Helen and I spent yesterday parallel printing at the Stukenborg Press with art saint Bryan Baker.

I printed a third, more realistic version of the “Tend the Root” print, requested by Susan and several others who missed the realism of my first screenprinted version, and preferred it to the abstracted asterisk version. I still prefer the asterisk, for visual and symbolic reasons.

More significantly, Bryan has, after months of gentle nudging, managed to persuade me to return to manually setting lead type, which has made my letterpress obsession considerably worse.

(Last time I did this was in 1992, when I handset my wedding invitation, framed with a wood-engraved decorative border of pomegranates and dogwood blossoms. Susan and I pulled a literal all-nighter in the printing studio hand-producing the invitations. Before that, I handset the ingredients of Doritos. Legend has it my Grandpa Dave worked as a typesetter in some kind of association with Frederic Goudy. I’m also apparently somehow descended from someone connected with the founding of Charles Scribner’s Sons. I blame my ancestors for the visceral craziness I feel around books and letterpress. I also blame my design professor Richard Rose for waking this weird impulses lurking in my blood.)

I set one of my favorite aphorisms, frequently misattributed to Yogi Berra:

In theory, there is no difference
between theory and practice,
but in practice there is.

This is one of the wisest and most radically conservative and designerly utterances I have ever heard, and I love it. It demanded to be smushed into the pulpiest of papers.

Trees

Biography

Last week we had to cut down the water oak in our front yard. It was unbearable hearing and feeling it come down, limb by limb, part by part, thud after thud after thud.

Water oaks in cities last only about fifty to sixty years. I keep wondering if this tree was exactly my age. It is is strange to remember that twenty years ago, shortly after we moved in, when my friend Blondeau scaled this tree and hung a swing from its main bough, it was only a little over thirty years old. It was not an old tree, then.

Susan and I are coping with the loss by focusing on the tree we will plant in its place. We considered many varieties until we remembered the first story from Richard Powers’s The Overstory, which revolved around the devastation of the American Chestnut in the first half of the twentieth century.

This weekend we went to the Ace in Decatur to look at trees. On our way home we passed what we thought looked like a chestnut tree. We saw nuts on the sidewalk. We circled the block and pulled over to investigate. It turned out to be a Chinese Chestnut. We picked up a handful of nuts and took them home, where we cooked and ate them. They were tiny heavenly potatoes.

We are now obsessing over planting a Dunstan Chestnut. I would love to find a two-and-a-half year old sapling.

Progressing beyond progress

Biography, Esoterism, Philosophy, Spiral

One place where progressivism has a grip on me is the mania for originality.

We moderns compete to be the first to discover or invent or create some novelty or another, so we can get credit for progressing our society to wherever it is headed.

I am possessed almost entirely by this competitive urgency, and its unexamined goal of unconditional forwardness toward wherever we have not yet arrived. Almost entirely, but not entirely. I am slipping a razor’s edge of question into this precious fissure to see if I can crack it wider. Perhaps if I can wedge it in far enough to get some leverage, I’ll be able to pry it open and get out.

The essential difference between a paradox and a contradiction is depth and shallowness. Contradictions point at pointlessness. Paradoxes point to heights and depths in hierarchies of being.

Why do we think it is better to deny better and worse? How can we think this?

Em-dashes

Biography

For the record, I have been overusing em-dashes for over two decades. I picked it up from Nietzsche, whose abuse of em-dashes would makeChatGPT blush.

But now every jackass out there has hopped on the em-dash shaming bandwagon, side-eyeing every em-dash and insinuating if the suspicious em-dash wasn’t AI generated it is probably an attempt to look smart by imitating AI moves.

Well, I refuse to stop. I also refuse to stop using en-dashes with a space on each side instead of a proper em-dash. I know the rule — and I reject that rule. I have my own  typographic taste and that personal taste is what I obey, not the anonymous dictates of style guides

And while I’m making defiant declarations: I will continue proudly enjoying kale as I have since college when I bought it for fifty cents a bunch.

I can’t help it if lemming herds occasionally stampede across my land. And I’m not abandoning perfectly fine property just because it gets a little trampled. Fads come and go, but I, for one, know what I like.

Hieroglyphs

Biography

When we immerse ourselves in drawing, language relaxes, lightens, lifts, and clears; our vision is momentarily liberated from the swarming hieroglyphs that intercept and occlude the myriad unique forms, tones and textures that surround us. When we try to rejoin the world of chatter, it takes a moment to recover ourselves with speech.

Prop

Biography

If you need someone to go into orbit around you—to prop up whatever image of yourself you’re trying to maintain — I’m your man. I have a lifetime of training in that art. I can intuit the persona you’re trying to be, and I’ll improvise exactly the alter-ego most useful for pulling it off.

But sadly — and inconveniently — beneath that useful exterior, I can’t stop being who I actually am. I’ll accommodate you up to a point. But past that point, I’ll break character and act as my unalloyed self — and neither of us will like that at all.

Hemlock candidates

Biography, Fables, myths & parables

One thinker believed he finally discovered the absolute truth, and became a total asshole.

A second thinker arrived at one of many possible conceptions of truth — but it was a conception of such vast scope, clarity, usefulness and inspiration that anyone who understood it was in danger of mistaking it for the absolute truth — and  that thinker became an even worse asshole.

Word torture

Biography, Judaism, Philosophy

There is much to hate about Boomers, but their most hateful fault is their sexuality.

This sexuality is characterized by two equally unfortunate ideals: frankness and naturalness. Deployed in tandem, these ideals destroy everything mysterious and fascinating about love, and reduce it all into stinky, sweaty, hairy, biodegraded mess encapsulated by the Boomer’s favorite word for what most enjoy doing to each other: “make love”.

I think I speak for my generation when I say I’d much rather make war.

Some social critics have blamed the divorce pandemic of the 1970s on the Boomer’s infamous narcissism, egocentricity and irresponsibility. There is no doubt those Boomer vices played a significant role.

But I think there is a more direct and obvious explanation: the horny grossness of Boomers just made them unable to stand being around each other.

Admittedly, this is hate speech of the worst kind. But I blame society, both for my hate and for my hypocritical embrace of this hate. And I blame this particular unrepentant outburst on the Boomer author of a horrible book I’m trying to read read now — a book on Kabbalah.

How can I be expected to exercise moral self-discipline, after days of writhing, retching and throwing up in my mouth over sentences like this:

His wife said, “Raphael, why do you waste your energy on trying to make books for Jews?” He would reply, “Because your father, his memory is a blessing, wasted his energy trying to make books for Jews, and when I married you, his business was part of your dowry. And besides, I love making Jewish books almost as much as I love making love to you.” Then she would be silent.

My margin note: “stunned silent by disgust at horny Boomer frankness.”

Another passage relates a joke told by a rabbi on a first date.

Seated at the cafe, Kalman tried to relax by telling a joke.

“So there are these two old Jews who are obsessed with knowing what happens after you die,” he said, putting his fork into a slice of coconut cream pie. “They swear a solemn oath that, God forbid, whoever dies first will stop at nothing to contact the one who survives. Moishe dies. Yonkel sits shivah, says kaddish for eleven months..”

“Shivah? Kaddish?”

“Jewish mourning rituals. But nothing happens. Then, after a few years, one evening the phone rings. It’s Moishe!

“Moishe, is that you?’

“‘Yes, it’s me, but I can’t talk long.”

“So then quick, tell me, what’s it like?” asks Yonkel.

“Oh, it’s wonderful here. I sleep late, have a big breakfast, and then I make love. If the weather’s nice, I usually go out into the fields and make love again. I come back inside for lunch and take a nap. Then I go out into the fields and make love, sometimes twice. I have a big dinner, and then, most evenings, I go out into the fields again and make love. Then I come inside and go to sleep.

“And that’s heaven!?” Yonkel gasps.

“Heaven?” says Moishe. “Who said anything about heaven?

I’m a rabbit in Minnesota!'”

What a relaxing first date joke! And how was the joke received? Did she scream or run away? Nope.

It worked. Dr. Isabel Benveniste demurely covered her mouth with her napkin and laughed; her eyes twinkled behind her thick glasses.

Demurely.

This love interest, if you can’t tell, is a stock Boomer favorite: the bombshell-hottie-disguised-as-a-nerdy-librarian. In this case she is an astrophysicist who stole the rabbi protagonist’s heart while delivering a lecture on the origins of the universe.

She looked taller, more severe, off the podium. What little makeup she wore was perfect; her black curly hair fell flawlessly about her face.

The rabbi, it turns out, was inspired to became a Kabbalist after a mystical experience in an observatory.

Kalman Stern just stood there gazing through that opening in the dome and into the starry firmament. He repeated his teacher’s words: a point of light . . . containing everything yet to come.

And for just one moment, the heavenly lights reciprocated his affections: They condensed themselves like a torrent gushed through the narrowing walls of a sluice. They slid through the slit in the nine-inch Alvan Clark refractor dome’s open mouth.

They squeezed themselves into a single spark of moistened light and planted a silent kiss on the lips of Kalman Stern. He swallowed hard and blinked, trying to clear his vision. He never told anyone about it. Even if he had wanted to, he didn’t know how.

He wasn’t aware of it then, of course, but that was also when he became a Kabbalist.

I swear, if I can force myself this through this writing and drag myself all the way to the end of this book, it will be a miracle. It will be nothing less than a new and irrefutable proof of the existence of God.

The problem is, there’s some good information — even profound insights in this book. It’s hellish indignity, but, in my life, that’s where wisdom hides out — under steaming heaps of cringe.

Sacrificial offerings to the ideoidol

Biography, Love, Religion

Many of us cling to ideas that make us feel sane, but which, in actuality produce insanity.

The worst kind of idol is mental. Very few of us worship golden idols, but all but very few of us worship ideoidols.

I know parents who were faced with a choice between their ideoidol and their own child. In the wordless depths of their soul, they are placed as a crossroads:

Do I sacrifice this idea I believe in so fervently for the sake of my child, or do I sacrifice my child to this idea?

All but very few sacrifice the child to the idea.

Goebbels shot his own children before allowing them to live in a denazified world.

I know a child who was unable to accept her parents’ fundamentalist faith. When insistence failed they used shame. When shame failed, they had her exorcised. When exorcism failed, they threw her out of their home.

I know another child whose mother joined a cult that taught a great secret. The secret was so simple it was hidden in plain sight: she lived in a world of her own creation, and the purpose of this world was love. Whenever her child said something disturbing or confusing, this was a lesson that could teach her whatever wisdom she chose to learn. The child became a great teacher, who taught her deep truths that somehow she’d already known all along. After that, he was no longer distressing at all.

Today, many parents refuse to acknowledge own children’s obvious psychological distress and instead believe their own ideology when it soothes them with lies: the despair and confusion the faith itself inflicts is just sensitivity toward a worthless and dying world. The ideoidol masticates and slurps and smiles an oily, bloody smile. “Your child’s deep despair is the only sane response to an unjust and doomed world.” As the child dissolves into a formless blob of dark feelings and appetites in gastric juices, the ideoidol strokes the mother’s head, coos and flatters her self-awareness, her selflessness, her deep concern, her willingness to do the work.

Virtuous Bill

Biography

In college I knew a guy named Bill.

Bill saw himself as a values-driven person. Certain virtues mattered a lot to him and he put a lot of effort into living up to his own high standards. He was morally serious, emotionally sensitive, altruistic, literary and pensive. He was anti-racist, anti-sexist, and generally anti-bigot. He was an uncompromising idealist. Everyone knew this about him.

The problem with Bill, though, was that it wasn’t enough for him to live up to his own standards. He wanted to experience his virtues and himself as virtuous; and for that he needed moral foils. People who were morally frivolous, amoral or even vicious made his own morality stand out in relief. It gave his virtues something to do — something to resist or oppose or silently endure and resent. The slight shittiness of slightly shitty people helped Bill experience who he really wanted to be.

Whether he was aware of it or not, he seemed to enlist whoever happened to be around him in his personal moral dramas. In his presence, I could always feel some scene he was acting out, and the role I was cast to perform. And it was rarely a flattering character. I felt pushed and pulled and twisted and pressured into a character only tangentially connected to myself, and I often felt torn between going along with Bill’s game which required some degree of self-betrayal or swimming upstream against the social current Bill was establishing and creating unpleasant and exhausting tension.

I now recognize that Bill was a man from the future.

His ideals perfectly match those of many educated young people today. They match the ideals of many educated old people who prize youth and try to stay youthful by imitating the young. But back then it was much less common, and acceptance was not nearly as automatic as now. Back then it took some vision and courage, and willingness to be scorned by cool people. I believe Bill deserves some credit for being far ahead of trend.

Today, whenever I’m enlisted as a moral foil, which is every day — when I feel myself being someone else’s capitalist, or white guy, or old man, or dirty Zionist, or milquetoast liberal, or suspected closeted conservative, or whatever they’re after — I think about Bill and his virtuousness.

20,000 foot view

Biography, Design

Back in 2018, when I was still getting my service design sea legs, I wrote about the peculiar altitude service design flies at, which I called the 10,000 foot view.

If strategy flies at 30,000 feet (where the ground is so distant it looks like a map) and we agree most design flies at 3 feet (where the ground is so close and so chaotic it is hard to survey), service design flies at 10,000 feet, approximately the cruising altitude of a single-engine prop plane.

10,000 feet is a very useful altitude that bridges 30,000 foot and ground — clarifying relationships between strategy, operations and the experiences real people (real customers, real employees) have as a result — but flying at this altitude does introduce practical challenges.

And I then launched into an extended metaphor, which touched on the challenges of single-prop pilot life, like rough air, flying in and out of clouds and other metaphor-inspiring stuff.

Since that time, service design has elevated itself, and gained altitude.

We now fly at 20,000 feet.

We never get all the way to 30,000 feet where strategic decisions are made, but at least we rarely have to descend below 10,000 feet where craftspeople are stuck making real things.

From this new altitude we can still sometimes catch sight of the ground, at least enough to survey boundaries and understand the zoning. This data is easily understandable and useful to the folks above, cruising at 30,000 feet. If we descend to 10,000 feet we can link up these zones to the general activity taking place there, which is adequate for strategic purposes.

Unfortunately, anyone who depends on getting their feet on the rough ground and their hands dirty with concrete reality as lived by real people in real social settings before they feel like they really understands their design problem — that kind of person might find that things have become uncomfortably rarified, abstracted, overprocessed and unreal.

But those people who like rigor, quantification, standardization, expertise and so on — the kinds of things important people respect — will find this new elevation quite to their liking.

Grampy musings

Biography, Philosophy

It is a supreme privilege and joy to help initiate a baby into human society.

It is intrinsically good on every level — spiritually and emotionally, of course, and even somehow physically — but it is also intellectually fascinating. “Early childhood development” stops being a remote body of knowledge, and becomes experience-near insights, rooted in prolonged firsthand experience. A passage like this makes immediate sense, because the experiences to which it refers are so fresh:

Pointing is not a solitary act by which one actor or thinker confronts the world, identifying objects by means of this act. Rather, the act of pointing implies not only that there is something else to be pointed to, but also that there is someone else to perceive the pointing. Pointing is a fundamental social process. Pointing only makes sense within a social relationship: if a subject is pointing at something to another subject.

Although Kamlah and Lorenzen mention this fundamental sociality of pointing, the impact of this insight is accounted for in sociology, in the sociology of knowledge and in science studies rather than in philosophy. The communicative act of pointing makes it clear, in fact, to what extent knowledge and thinking are social: pointing is founded on a relationship between at least two subjects, who refer to a third element in a way that makes sense to them. If we consider pointing to be a basic act, we must also consider its basic sociality. It is the most general thesis of this book that communicative actions, such as pointing, are the fundamental social process by which society and its reality is constructed.

But now I am thinking about the full range of nonverbal communication that occurs between a baby and adults. Deictic communication (pointing, referring), including indicating actions to imitate, are part of it. But equally important is expression of physical and emotional states — most importantly to indicate needs.

All the talking we eventually learn to do is rooted in a primordial unity of physicality, of feeling, of perceiving, of relating — a world we inhabit a few painful, precious years before language develops to mediate it, tame it — and unfortunately, all too often, to eclipse and replace it.

The key to living in reality (versus our conceptualizations of reality) is maintaining connection with the primordial chaos, and keeping language in this role of mediator, and not as something that dominates or eclipses our participation in this strange, very physical, very intuitive participatory relationship we have with what William James famously called “one great blooming, buzzing confusion”.

The baby, assailed by eyes, ears, nose, skin, and entrails at once, feels it all as one great blooming, buzzing confusion; and to the very end of life, our location of all things in one space is due to the fact that the original extents or bignesses of all the sensations which came to our notice at once, coalesced together into one and the same space.

Craft brings us back to materials, so we can hear the buzzing, blooming chaos to which we and all things belong, long before we slice thing up into subjects and objects and qualities — light and dark, upper and lower, dry and wet, animal and mineral — each labeled with a name and therefores — all stacked up and ready to be inventoried, quantified, utilized and managed.

From an email

Biography, Philosophy

“Hell is other people. But hell is also loneliness. Artificial intelligence gives us the Malkovich Malkovich Malkovich reality we really crave. Endless novelty, but safely unsurprising, the entertainment sweet-spot. Propaganda from our own secret selves — selves so secret that they aren’t even ours. Narcissus’s reflected view was eclipsed by his own head, but now, with postpostmodern digital refraction, we can overcome ego and annihilate bias and see through the backs of our own heads like gods.”

Update:

“My interest is dissolution and recrystallization of selfhood and along with change of what is obvious to us. In other words, I’m interested in conversion events.

Human-centered design demands that its practitioners undergo conversion events, usually minor ones, but not always. We designers must transform ourselves from people who cannot understand how others think, feel and behave to people for whom these thoughts feeling and behaviors make perfect, obvious sense. This can be a terrifying, painful process.

An ideology is a fortified circularity, dedicated above all to prevention of conversion — to exposure to what might trigger a conversion. Ideologies condone, even encourage, suppression and silencing and intimidation and ostracism of whatever triggers dread of conversion.

By now most people have become ideologues of one kind or another. Ideologues cannot change, so they cannot design. Ask a random designer what they care most about. You’ll always get variations on the same answer. Today’s designers do research with extreme thoroughness and rigor, but this research is always a knowing-about exercise that leaves their ideology intact. The findings are extraordinarily detailed and boring. When is the last time you felt inspired by design research findings? The research makes sense, but it is epiphany-free. It was conducted in a way that precludes epiphanies and conversions.

When the design industry dedicated itself to serving the one true and just ideology, it lost what matters most. This is my hostility to progressivism. It wants to be God, but it’s just another shitty little mass-autism — a solipsistic egregore. It killed design.”

Bummer

Biography

It is demoralizing to disclose your mind-blowing, world transforming epiphany to someone who receives it merely as an opinion that they agree with, as if this is just another fact out there available to anyone who happens upon it. “Yeah, exactly.” Or for them to say that they had that exact same insight years ago.

In both cases they think they’re affirming the validity of the insight, but that affirmation is undermined by a denial of precisely what matters most about it: its ex nihilo irruption into the world as something profoundly new that changes everything.

It isn’t even a truth, and certainly not an objective truth. If you conceive what is being conveyed, it is a new subjectivity who leaves a comet trail of blinding truths against the void. It is a faith, reflected in a doctrinal sequin.

I’m constantly doing this to people. And I hate it when people do it to me.

Earlier this morning I was reading Heschel’s God in Search of Man. I think this post might be a response to what he said.

The function of descriptive words is to evoke an idea which we already possess in our minds, to evoke preconceived meanings. Indicative words have another function. What they call forth is not so much a memory but a response, ideas unheard of, meanings not fully realized before.

 

 

 

Against philosophy?

Biography, Ethics, Philosophy

This post started out one thing and became another.

I started off thinking about subjective honesty, and how much I value it.

Then something took a wrong turn and I ended up more or less longwindedly paraphrasing Issac Brock:

Everyone’s afraid of their own lives
If you could be anything you want
I bet you’d be disappointed, am I right?
No one really knows the ones they love
If you knew everything they thought
I bet that you would wish that they’d just shut up

I’ve left it raw.

It is much harder to prove subjective dishonesty than objective dishonesty.

And because it is so much harder to prove, it is much easier to justify refusing to prove it.

As with so many matters, the rules of private conduct differ from public conduct. In private life, a mere suspicion that a person is subjectively dishonest is sufficient to cut off discourse.

But in public life, such matters must be rigorously established.

(This is one motivation behind my current revived interest in Habermas.)

Years ago I had a friend who I believed fell into a circular logic and lost contact with concrete reality. He lived a strange life that allowed him to avoid all real participation in any organization. He had no experience of organizational life, of playing an organizational role with defined responsibilities, spheres of authority and obligation, interacting with others with their own defined roles. He had no experience at all negotiating within organizational constraints to find alignment and to make progress toward shared goals.

He was, as far as I could tell, entirely unaware of the kinds of reasoning one must do to succeed in such organizational efforts. So his notions about organizations and how they function was based on fiction and ignorant speculation. This would have been perfectly harmless if he simply lived his life apart from organizations, ignoring them and focusing on what he knew firsthand, which as far as I could tell was made up mostly of carefully compartmentalized individual relationships with no burden of mutual responsibility.

Alas, his worldview was hyperfocused on organizations, nefarioys ones who were doing all kinds of nefarious things, in pursuit of even more nefarious goals.

And even that would have been fine, had he been capable of conversing about other topics. But he was not. I was unable to find any topic of conversation that he would not, within five minutes, redirect directly into a conversation about what nefarious organizations were doing.

Eventually, I told him that I believed he was mentally ill. And not only mentally ill. He mentally ill in a very, well — nefarious way.

He demanded proof. He said this was a serious accusation, and that such accusations demanded justification. And the only way to justify it was to show that his factual assertions were not factual, but delusional. Because if his facts were grounded in reality, it was I, not he, who was deluded. And this was precisely what was at issue. And there was only one way to find this out. It turns out that I was morally obligated to discuss his conspiracy theories even more thoroughly — exhaustively, in fact — examining and disproving the innumerable facts that constituted his theories, and addressing the innumerable finer points, qualifications, epi-explanations and counterarguments.

I could either do that, or I could retract my statement that I believed there was something deeply and darkly wrong with him. Except I didn’t want to discuss those theories at all, let alone exhaustively, and I still believed something had gone horribly wrong with his faith and his thinking.

I can’t, in good faith, retract that statement. What I should have done instead is, in good taste, not shared that belief in the first place. I should have done what most normal, polite, conflict-avoidant people do when they recognize that the person they were pleasantly chatting with is a conspiracy theorist.

But philosophical argument is a deliberate suspension of such discursive etiquette.

Instead of suppressing our beliefs about other people’s beliefs and foregrounding our common ground, we plough up our deepest disagreements, which typically concerns precisely what holds our souls in shape — the integrity of our personal faiths.

Sometimes I suspect philosophy is a terrible fucking idea. Sometimes, today for instance, I believe philosophy is essentially rude.

If we want subjective honesty, maybe we should just leave others out of it and make it an inward practice. Outwardly, we should just settle for a polite objective honesty.

So how in hell can we ever have deliberative democracy? I am terrified that Hobbes might be right, and that deliberative democracy is a leviathan-concealing shell game. Can this game be played without an absolute referee who isn’t each of us, each fighting to be referee?

In this game contestants compete to become the game’s referee. We don’t try to become referee in order to win the game. We win the game in order to become referee.

Confessions of a chicken hawk

Biography, Ethics, Politics

This one is difficult.

I was driving around the Emory campus yesterday and saw a sign for Oxford Road. It made me want to hear Bob Dylan’s song “Oxford Town”. This song was especially relevant to me right now because I am in the middle of a book by Abraham Joshua Heschel, who was a Jewish leader in the civil rights movement. “What do you think of that, my friend?” I think what you do, Bob. All decent people must think that. We fucking know it.

I decided to listen to the “Free Wheelin’ Bob Dylan” album from the beginning.

The third song on that album is “Masters of War”. I tried to place myself in 1963, when this song and this attitude was new. It was difficult to do. The countercultural ethos has followed the well-worn path of religious degradation, from the shock of world-transformative revelation, to inspired movement, to new vital establishment, to commonsense conventional wisdom, to the default doctrine for all educated Americans, to ready-made attitude equipped with bromides and logical formulas.

And in this last, most degraded state, any war of any kind is automatically viewed as illegitimate, unnecessary and the manufactured product of masters of war trying to get rich on death.

The response to any war is a “surely there is another way” recited as automatically as a libertarian’s “deregulate it” or progressivist “institutional racism” or “cognitive bias” as all-purpose diagnoses and remedies.

They aren’t even responses. They are strings of words erected as a barrier to engaging the problem. I realize I am paraphrasing Hannah Arendt:

“Clichés, stock phrases, adherence to conventional, standardized codes of expression and conduct have the socially recognized function of protecting us against reality, that is, against the claim on our thinking attention that all events and facts make by virtue of their existence.”

The particular reality that from which counterculture fundamentalists want protection is moral obligation.

We hate the idea — I, personally, hate the idea, and have always hated it — that there are times when people are obligated to kill and risk death to protect our own people from those who want us to suffer and die.

And, like it or not, people really do exist who actively want the suffering and annihilation of other people. This desire for suffering and annihilation of others is what evil is.

Suffering and annihilation are what war is about. But for evil, suffering and annihilation is the whole purpose, and war is its own end. Part of the joy of evil is forcing others to play their war games, and to taste violence, to face seduction of violence, in the effort to stop its spread. And if they can drag their enemies into evil with them, or create such confusion that people lose the ability to see the difference, so much the better.

Of course, masters of war want to paint every conflict as a simple Good versus Evil struggle. They are despicable moral manipulators. But to abuse this truth by using it to claim the opposite — that there is never Good versus Evil conflict — is hardly better. It is the evil of equating defense against evil with evil. It is the evil of denying evil, and relativizing everything so thoroughly that we willfully ignore evil and allow it to flourish.

Most left-leaners want that to not be true, or to treat this problem as one they can evade. They try to complicate the situation, blur it, muddy it, distance themselves from it. “I can’t understand something this complex.” “I cannot do anything about this, so it is not my problem.” “This is the outcome of a long and tragic process, so we cannot assign blame.” Or “Life is simply tragic. It will never not be tragic. So let it be tragic.” As if simply calling life tragic allows us to transcend the tragedy and look at it from above as mystical spectators and not within as participants. This latter is Christian nihilism, and this mystical nihilism can linger on long after Christian doctrine evaporates from the soul. Faith outlives its beliefs.

They all boil down to “I don’t want to care.” We might say “I don’t give a fuck” with punk bluster, as if we are proud of it, as if we are shameless. Hopefully we are lying, because dishonesty is less damning than genuine shameless selfishness.

How do I know any of this? Because I am guilty of it myself. I was even more guilty in the past, when I was young and draft eligible. I have never been brave enough for combat. I have always been mortified of war. That is shameful.

But I am even more ashamed to pretend shirking one’s war duty is not shameful. Most shameful of all is withholding gratitude and admiration of soldiers who do answer the call and risk their lives to defend their families, their people and all they hold sacred.

Of course, if nothing is sacred, there is nothing to admire or despise. There is no cause for pride or shame. Intellectually honesty knows better. We fucking know better, most of all when we refuse to admit it.

Martin Shaw

Biography, Enworldment

Susan and I went on a short road trip this weekend, and spent some of our time in the car together listening to a lecture by Martin Shaw. Shaw is a storyteller and mythologist, a sort of reflective practitioner of mythtelling. His speech is poetic, and uses rhythm and repetition in a way that reminds me of James Dickey.

This talk was about a great many topics, but they all orbit around how mythical stories can reconnect us with fugitive parts of ourselves. They can help us find our way back to what he calls a “wild integrity.” If that expression makes your heart race slightly, you should definitely listen to his whole talk. The talk is filled with beautiful and consequential phrases, which Shaw always gently repeats and surrounds with just the right amount of silence. These little incantations do some of the same inner-reconnection work he describes myth doing.

Shaw is interesting not only as a source of information, but also as an exemplar. He manages to come off as primordially timeless — but, somehow, at the same time, Gen-X to the bone. In doing so, he offers something that art in its routine pastichery has forgotten. He offers an enworldment — a new way to inhabit our lives — a practical vision that we can enter and live from. This is what all great art offers us when it emerges and renews our sense of meaning. This was the true gift of the Ramones. What Shaw offers really does feel like a home.

Listening to him I realized how much I prize myth as a creative genre. Myth is a style of narrative abstraction, meaning that it discards all but a certain kind of truth. My favorite Borges stories have it. Casares has it. Asimov’s “Nightfall” has it. Nietzsche’s Zarathustra, especially the prologue, is mythic. Dylan’s best songs have mythic lyrics. My inner-eye spontaneously visualizes all these stories in the same style, and this style is a reliable earmark. If my imagination responds to something I read or hear with this style of image, that something is mythic.

But I want to return to the enworldment question. I want to read some of Martin Shaw’s books, and so I did something I’ve been doing a lot of lately: asking ChatGPT to play librarian. “I’m interested in Martin Shaw. What should I read by him?”

It gave me a list. I won’t copy and paste it, because I’ve realized that hearing about other people’s AI adventures is even more tedious than listening to their dreams. ChatGPT asked me why I wanted to read him. And because I believe what ails our time is a crisis of inspiration I responded “I’m interested in myth as a way to reconnect with the desirability dimension of design — especially design of one’s own enworldment.”

And it then asked “Would you say your interest is more in personal enworldment (crafting how you experience reality) or shared enworldment (shaping the desirability of collective systems)?”

My own answer surprised me: “It has to be both! We need modes of self-determination that relate us — not alienate us — from others.”

In this overdue book stuck inside me — one that I now refer to constantly while reading almost anything else — where I play a tilted vision of philosophy, design and religion against each other like chords… In my overdue book, this opening-out and relating quality is what religion brings to philosophy (saving it from solipsism) and to design (saving it from empty production for empty consumption). The name of this saving relational power is Keter.

Inner and outer self-determination that deepens, strengthens and intensifies our relationships — with each other, with the world around us, with all of ourselves (tame and wild), and, most of all, with this radically shocking infinity who surrounds us and saturates us, in whom we live, in whom we participate, who wants something from us. Hineini.