When I was a little nerd adolescent, I went to holography camp in a remote rural university village. Unfortunately, this village was full of attractive professor’s daughters who were so isolated from the rest of civilization they seemed unaware and unconcerned that we were nerds attending a holography camp. Consequently I learned more about the technical functioning of bra hooks than of lasers and holographic film.
But I did learn one fact about holograms that stuck with me, which is useful for designing metaphors. Every tiny cell on a plane of holographic film contains in its tiny cup-like parabolic interior an image of a whole environment as viewed from its own point on the film. Somehow when one beam of laser light is split into two beams, with one half of the beam illuminating an object and another projected directly on a sheet of holographic film, the exposed film is imprinted with an interference pattern inside each of those cells. After the film is developed, each cell projects that interference pattern in a way that allows two different images to be seen by each of our eyes, creating a parallax effect — a perception of depth. That is everything I know about holography, plus several things I actually don’t really understand. Maybe I should try building a metaphor on bra hooks, instead.
The concept: Every point in space, time and consciousness contains an overlapping image of the whole.
Standing here, surveying the surrounding space, I understand the space as a field of virtual here-standpoints, each with its own surrounding space, which overlaps all other surrounding spaces. Pragmatically, “here” means all this, folded in implication, ready to unfold in action or explication.
And right now, reading Alfred Schutz, I understand time the same way. Every now is composed of complex tenses looking forward into the future and backward into the past at other virtual nows, each with its own past and future, which also be considered through nested verb tense modes. When we plan, at a virtual future now’s past in the mode of future perfect tense.
Repeat with the I, where every other self is understood as a virtual I, within which the actual and virtual time and space manifold repeats and overlaps.
When I understand space, time and self in this enholistic — to distinguishing this subjective transcendental holism from the objective holism of systems thinkers, gestalt psychologists — I simply am religious.
By the way, working on unhooking that bra strap has religious significance.
The sudden, intense, all-consuming awareness of the existence of a girl, as someone who looks back and perceives, thinks, feels and judges, is for many boys the first experience of transcendence. Because many people never experience any epiphanies of comparable intensity in any other sphere, romantic love has been worshipped in popular culture.