Popular versus classical didactics

If you do not subscribe to the dominant ideology of your time all its art forms will seem as false, stilted and contrived as popular art from the past — and for precisely the same reason.

Popular art always reinforces the current dominant ideology, by presenting an image of reality formatted according to its ideals, prejudices and delusions.

When we collectively move on from one decade to another we move on from one grotesquely willful misrepresentation of reality to another equally (if not worse) grotesquely willful misrepresentation, and from there we look back and jeer at how naively awful we were back then.

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I solemnly swear, we are so unbelievably much worse right now that we’ve ever been before, it will make the ludicrous distortions of the 70s and 80s positively pale in comparison.

You don’t see it? You don’t understand? It’s not because there is nothing to understand. It is because you are failing to understand something glaringly real. Wait. You’ll see.

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You’ve judged the past according to today’s standards, and you refuse to listen to those who have tried to explain how time works.

Your values are absolute and everyone should have acknowledged them all along.

To you I offer Anaximander’s Maxim: “Beings must pay penance and be judged for their injustices, in accordance with the ordinance of time.”

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For those who have done enough truly independent thinking — which means overcoming the dominant ideology of their youth and of the current time, and which also entails asking questions we are not permitted to ask (which are most certainly not the utterly harmless “dangerous questions” our cultural elites pat you on the head for asking — popular culture starts stinking of the most ham-fisted didacticism.

If that stench prevents you from enjoying art, you’ll have to flee to unpopular art, which is formatted by lower-frequency ideals — ideals which endure not just months or years like today’s moral “fast fashion” but whole decades and sometimes centuries. Some of this unpopular art is genuine high art whose appeal to higher sensibilities might help it outlast its time. Though timelessness is never guaranteed, and often fails hilariously, the aspiration to timelessness can encourage less overtly propagandistic art. Some other unpopular art is low art — art so low it penetrates beneath the dirty, depleted and eroded surface of today, into the deeper soil of our species.

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